Greek & Latin Classics, Roman Antiquity

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Stanley’s Aeschylus

Aeschylus (525/4-456 B.C.); Stanley, Thomas (1625-1678), editor.
[Title in Greek], Aeschyli traoediae septem: cum scholiis Græcis omnibus; deperditorum dramatum fragmentis, versione & commentario Thomæ Stanleii.

London: Typis Jacobi Flesher: prostant verò apud Cornelium Bee, M DC LXIII. 1663

Folio: 31.8 x 20.1 cm [32], 886 p. Collation: (a)2, (b)-(g)2, A-Z2, 2A-9Z2, 10A-10P2

$6,000.00

In his “Early Printed Editions of Aeschylus (1518-1664)”, J.A. Gruys gives a detailed account of Stanley’s working method, beginning with an examination of the extant manuscript materials, and vindicates Stanley from Fraenkel’s charges that Stanley’s edition relied too heavily on the work of the scholar John Pearson and that Stanley himself was a scholar of much meaner abilities.

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Wing A684

The Monuments of Ancient Rome Engraved by Piranesi’s Collaborator & Rival

Barbault, Jean (1718-1762)
Les Plus Beaux Monuments De Rome Ancienne. Ou Recueíl Des Plus Beaux Morceaux de L'Antiquité Romaine Qui Existent Encore: Dessinés Par Monsieur Barbault Peintre Ancien Pensionnaire Du Roy a Rome, Et Gravés, en 128 Planches Avec Leur Explication.

Rome: Chez Bouchard et Gravier Libraires François rüe du Cours près de Saint Marcel, de l 1761

Large Folio: 51 x 35.5 cm. VIII, 90 pp. Collation: [π]1, [a]-[c]1, A-Z, Aa-Yy1. With 73 added plates. Complete.

$16,000.00

The French artist Jean Barbault arrived in Rome in 1747 and quickly became involved with the circle of Piranesi, with whom he worked on the “Varie Vedute di Roma Antica e Moderna” and for whose “Antichità Romane” he contributed figures for 14 plates “thus becoming one of the few official collaborators” of Piranesi. Barbault’s own views appeared 7 years after his collaboration with Piranesi.

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La Cicognara 3593; Fowler 37; Millard IV, no. 13; RIBA, Early Printed Books, 184

Rome & The Papal States. The Very Rare “Theatrum Italiae”. With 118 Folding & Full page Engraved Illustrations

Blaeu, Joan (1596-1673)
Theatrvm civitatvm et admirandorvm Italiae / ad aevi veteris & praesentis temporis faciem expressum a Ioanne Blaeu, G.F.

Amsterdam: Typis Joannis Blaeu, 1663

Two Large Folio Volumes: 56 x 38 cm. Vol I: 2 ff. (General printed title conjugate with dedication), 2 ff. ("Ad lectorem"), 1 f. (Dedication), 2 ff. (Printed section title, half title), 1-253 pp., 1 f. (Index leaf). Illustrated with an engraved frontispiece and 74 plates.

$75,000.00

A fine set of one of Joan Blaeu’s most magnificent productions. This set is very rare, owing probably to the fire that ravaged Blaeu’s workshop in 1672, the year before the publication of these “town books”. This copy has an additional plate, not recorded by Koeman, of the Obeliscus Pamphilius, in volume 2.

The two volumes are profusely illustrated with town views, architectural plans, ancient, Renaissance, and Baroque architecture (including many villas); and sculpture.

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Koeman, C. Atlantes Neerlandici; Bl 72.; Koeman, C. Atlantes Neerlandici; Bl 73; Philippsa, 4039; Cremonini, 39

“Nudi, Recti, Venusti” -Cicero

Caesar, Gaius Iulius (100-44 B.C.)
C. Iulii Caesaris Rerum ab se gestarum commentarii. De bello Gallico libri VIII. De bello civili Pompeiano libri III. De bello Alexandrino liber I. De bello Africo liber I. De bello Hispaniensi liber I. Ex vetustiss. scriptis codicibus emendatiores. [Bound with:] Eutropius: Epitome belli Gallici ex Suetonii Tranqulli monumentis.

Paris: ex officina Rob. Stephani, 1544

Octavo: 17 x 11 cm. (32), 523, (1, blank), (108) pp. Collation: I. *8, **8 (**4 and 5 are conjugates that form the folded map of Spain), a-z8, A-Q8, R4. II. 134, (16) pp. Collation: A-I8, K4

$4,500.00

This edition of Caesar includes the texts of the “Gallic Wars” and “Civil War”, together with the "De bello Alexandrino", "De bello Africano", and "De bello Hispaniense", ascribed to Aulus Hirtius. This edition also includes Raimundo Marliano’s useful index of the topography of Gaul in Roman times.

Admired for their style (most famously by Cicero) and read by both his supporters and detractors alike in antiquity, Caesar’s Commentarii fell into obscurity in the Middle Ages.

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Schreiber, The Estiennes, no. 72 and 73; Renouard 61.15; Adams C-38 and E 1133

The Most Accurate Measurements of Roman Architecture to Date. Illustrated with 137 engravings

Desgodets, Antoine (1653-1728)
Les Edifices Antiques de Rome Dessinés et Mesurés très exactement

Paris: Jean-Baptiste Coignard, 1682

Folio: Jean-Baptiste Coignard, Engraved title page, [12], 324 pp. Collation: [ ]1 (Etched title page), [π]2, e2, i2, A1, B-E2, F1,

$11,500.00

“Antoine Desgodets, born into a family of prominent craftsmen, was already working in the Département des Bâtiments by the age of 16. In 1672 he began to assist at the conferences of the Académie Royale d’Architecture, and in 1674 was sent by Colbert to Rome. In 16 months he measured many of the important ancient buildings, with greater accuracy than had been achieved to that date.

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Millard (French) No. 62; BAL, 858; Fowler, 102 ; Cat. Berlin, 1863

Du Pérac’s Engravings of Rome. One of the Most Important Series of 16th c. Roman Views. “He can often be called upon for details That are preserved nowhere else”-Richardson

Du Pérac, Étienne (ca. 1525-1604)
I Vestigi dell'Antichità di Roma Raccolti et Ritratti in Perspettiva con Ogni Diligentia.

Rome: Appresso Gottifredo de Scaichi alla insegna dell’Aquila negra in Parione vicino la Chiesa di S. Thomaso, 1621

Oblong quarto: Sheet size: 41 x 26.2 cm. [1]-40 engraved plates, comprising: the engraved title page ([1]) and 39 views of monuments, numbered 2-40.

$20,000.00

The Royal Institutes of British Architects’ catalog, “Early printed books, 1478-1840”, describes this as the sixth state of these plates. Taken together, RIBA and Ashby present a clear picture of the printing history, which may be summarized as follows: The first edition appeared at Rome in the jubilee year 1575, with two states of the title page. They were next printed as part 1 of a 3-volume set of engravings for the jubilee of 1600; once again, only the title plate was modified.

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RIBA 3833, state 6; Ashby, “Le Diversi Edizioni dei ‘Vestigi dell’Antichità di Roma’ di Stefano Du Pérac” in La Bibliofilia, Vol. 16, No. 11-12, Feb-March 1915, p. 400-421. See: Fowler No. 111 (pp. 93-4); Borroni 7957; Olschki 16857-8; Millard IV, 35; Berlin 1847; Cicognara V, 3821; Brunet II, 888

The First Complete Edition of All of Euripides’ Extant Tragedies

Euripides (484-406 B.C.)
Works, in Greek. Tragoediae Octodecim. Hecuba, Orestes, Phoenissae, Medea, Hippolytus, Alcestis, Andromache, Supplices, Iphigenia in Aulide, Iphigenia in Tauris, Rhesus, Troades, Bacchae, Cyclops, Heraclidae, Helena, Ion, Hercules Furens.

Basel: per Ioannem Hervagium, 1551

Octavo: 18.8 x 12.8 cm. *8, a-z8, aa-zz8, Aa-Ll8

$6,500.00

The text is printed entirely in Greek, introduced by a Latin letter by Johannes Oporinus (who oversaw the production of this edition), five Greek Epigrams, lives of Euripides by Manuel Moschopoulos and Thomas Magister, and a brief monograph on the "eidolon" by Moschopoulos (this essay precedes the "Hecuba" in which the "ghost" of Polydoros sings the prologue.)

The Aldine “editio princeps” of 1503 and Herwagen’s previous two editions of Euripides (1537 and 1544) comprised eighteen tragedies in Greek.

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Adams E1033; Dibdin (2nd ed.) p138; Hoffmann II, 68

Barnes’ Euripides

Euripides (484-406 B.C.); Barnes, Joshua (1654-1712), editor.
Works in Greek. Euripidis quæ Extant Omnia: Tragoediæ nempe XX, præter ultimam, omnes completæ: item fragmenta aliarum plusquam LX tragœdiarum; et epistolæ V. Nunc primùm & ipsæ hùc adjectæ: scholia demùm doctorum virorum in septem priores tragœdias, ex diversis antiquis exemplaribus undiquaque collecta & concinnata ab Arsenio Monembasiæ Archiepiscopo. ... Operâ & studio Josuæ Barnes S.T.B. Emmanuelis Collegii apud Cantabrigienses Socii maximè senioris.

Cambridge: Ex officinâ Johan. Hayes, celeberrimæ Academiæ typographi. Impensis Richardi Green bibliopolæ Cantab., 1694

Folio: 32 x 20.5 cm. [8], lvi, 330; [2], 529, [43 ] p. Collation: a-g4, h2, (A)2, B-Z4, Aa-Tt4, Vv2, a-z4, aa-zz4, aaa-zzz4, aaaa-bbbb4, cccc2. With two added engraved portraits of Barnes and Euripides.

$2,500.00

“The merits of all preceding editions are eclipsed by this celebrated one of Joshua Barnes. Fabricius observes that ‘the text is accurately revised and printed, the metrical rules of Canter diligently corrected, and the entire ancient scholia on the first seven plays subjoined and enriched by excerpta from a manuscript in Corpus Christi College, Cambridge. The notes of various learned men, and those of Barnes accompany the scholia; the fragments of Euripides are carefully collected and displayed, with Greek and Latin notes as far as verse 2068; lastly, there are some epistles, attributed to Euripides.

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Wing E 3415; Schweiger p. 115, col 2

The Zanetti Hesiod: A Perfect Copy in Contemporary Pigskin by Konrad Küne

Hesiod (fl. CA. 700 B.C.)
Works, in Greek. Hesiodi Ascraei Opera et Dies. Theogonia. Scutum Herculis. Omnia cu[m] multis optimisque expositionibus. Hesiodi Ascraei Opera et Dies. Theogonia. Scutum Herculis. Omnia cu[m] multis optimisque expositionibus.

Venice: Bartolomeo Zanetti, for Joannes Franciscus Trincavellius, 1537

Quarto: 20.8 x 15 cm. [4], 188 leaves. +4, [alpha]-[psi]8, [omega]4

$15,000.00

First and sole Zanetti edition, an edition famous for its typographic beauty. This edition is of central importance, as it contains the first printing of the Greek scholia, and formed the basis of virtually all subsequent editions. Dibdin says that "this is a truly valuable, if not indispensable, volume in a library of any classical pretension." This edition includes all of the works ascribed to Hesiod: the "Works and Days", the "Theogony" and the "Shield of Herakles".

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Mortimer 233. Brunet III:140. Sander 3380; Adams H-470; Hoffmann II, 248; Bibliotheca Bacchica 345; Layton, pp. 33, 513-21; Schweiger I, 143; Graesse III, 262; STC Italian, p. 326.

The Elzevir Homer

Homer
Greek text. Homeri Ilias & Odyssea, Et in easdem scholia, sive interpretatio Didymi. Cum Latina versione accuratissima, Indiceque Graeco locupletissimo Rerum ac variantium lection. Accurante Corn. Schrevelio.

Amsterdam: Ex Officina Elzeviriana, 1656

Quarto. 24.5 x 20.3 cm. Two volumes bound as one: *4, **4, A-Z4, Aa-Zz4, Aaa-Zzz4, Aaaa-Vvvv4, Xxxx2; a-z4, aa-zz4, aaa-xxx4, aaaa-eeee4, ffff2

$6,500.00

This edition contains the Greek texts of the Homeric epics, the "Iliad" and "Odyssey"; as well as the Homeric Hymns and the mock epic "Batrachomyomachia". With the Latin translation of the classical scholar Cornelius Schrevelius (1608-1661) and the Greek commentary of Pseudo Didymus.

"Whatever our views may be on the authorship of the Homeric poems, there is no doubt of their astonishing quality.

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Willems 1202; Dibdin II, 53; Brunet III, 272; Graesse III, 328; Schweiger I, 158; Bibliotheca Philologica Classica et Archaeologica (1913), 2087 ('Cette belle édition est recherchée à cause des commentaires')

Jean de Sponde’s edition of Homer

Homer; de Sponde, Jean (1557-1595), editor
Homeri quae exstant omnia (Graece) : Ilias, Odyssea, Batrachomyomachia, Hymni, poëmata aliquot : cum Latine versione omnium quae circumferuntur emendatiss. aliquot locis iam castigatiore : perpetuis item iustisque in Iliada simul & Odysseam Io. Spondani Mauleonensis commentarii : Pindari quinetiam Thebani Epitome Iliados Latinis versib. & Daretis Phrygij de bello Troiane libri, à Corn. Nepote eleganter Latino versi carmine. Editio vltima superiore limatior. Indices textus Homeri & Commentariorum locupletissimi.

Basel: Sebastian Henric Petri 1606

Folio: 351 x 232 mm. [alpha]-[gamma]6, a-z6, A-P6, Q4, R-S6; [alpha]2, Aa-Zz6, AA-HH6, II4, KK-LL6

$3,800.00

Second edition with the commentary of the French Calvinist scholar Jean de Sponde (1557-1595), dedicated to his patron Henri de Navarre. Includes the Greek text and Latin translations of the Iliad, Odyssey, Batrachomyomachia, and the Homeric Hymns. This volume also includes the fifth century (?) pseudo-historical "De Bello Troiano" by Dares the Phrygian and the "Ilias Latina", a first century (?) Latin epitome of the Iliad ascribed in medieval manuscripts to "Pindarus Thebanus".

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Schweiger, Greek p. 157

A Fine Venetian Incunabulum

Horace [Horatius Flaccus, Quintus.] (65-8 B.C.)
Opera [Edited and with a commentary by Cristoforo Landino]

Venice: Joannes and Gregorius de Gregoriis, 17 May, 1483

$24,000.00

The works of Horace with the commentary of the celebrated Renaissance humanist Cristoforo Landino (1424-1498), tutor to Lorenzo and Giuliano de Medici and member of Marsilio Ficino’s Florentine academy. His literary skills were wide-ranging and his edition of the “Commedia” marked a watershed in Dante criticism. Landino’s was the first humanist commentary to be written on Horace’s poems.

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Goff H 448; GW 13459; BMC , V 339

The Koberger Horace

Horace. Horatius Flaccus, Quintus (65-8 B.C.)
Opera cu[m] quibusdam Annotat[i]o[n]ib[us]. Imaginibusq[ue] pulcherrimis aptisq[ue] ad Odarum conce[n]tus & sente[n]tias.

Strasbourg: Johann Reinhard, called Grüninger, 12 March, 1498

Folio: 298 x 222 mm. Collation: [*]6, A-V6, X-Z6, AA-II6, KK-LL8; [**]6

$60,000.00

This copy is partially rubricated and is annotated, in Latin, throughout in at least two contemporary hands. The early annotations are intact, having been spared by the binder’s knife, and consist of metrical notations, citations from other authors, and comments. There are also two glosses in Greek (leaves S6v and FF1r) as well as an apparent note in German (leaf FF6). An added manuscript index for the “Epistolae” is bound after the final text leaf.

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Hain 8898; Goff H 461; BMC I, 112; Polain 1989; Proctor 485; Walsh 182; Fairfax Murray (German) 205; Rosenwald Collection 188; Dibdin, Bibl. Spenceriana II, 87-95. For Grüninger, his illustrated books, and Locher’s edition of Horace, see Mark Morford, Johann Grüninger of Strasbourg in “Syntagmatia: Essays on Neo-Latin Literature in Honour of Monique Mund-Dopchie and Gilbert Tournoy (Humanistica Lovaniensia, XXVI) 2009

Profusely Illustrated

Huttich, Johann (ca. 1490-1544); Weiditz, Hans (ca. 1495- ca. 1536), artist
Imperatorum et Caesarum Vitae, cum Imaginibus ad vivam effigiem expressis. Libellus auctus cum elencho & Iconiis Consulum ab Authore. M.D. XXXIIII

Strasbourg: Vuolphgangus Caephalaeus, 1534

Quarto: 19 x 14 cm. Aa-Bb4; A-X4, Y6; aa-dd4. Complete.

$5,000.00

Fourth and most complete edition of Huttich’s "Imperatorum et Caesarum Vitae", his most important work, first published in 1525. The first section covers the imperial families from Julius Caesar to Gallienus, the son of Valerian. This section is followed by "thirty tyrants", a group of third-century would-be usurpers and self-proclaimed Augusti and Caesares, and the emperors and Augusti from Aurelian to Theodosius II and Valentinian III.

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Adams H-1248; BM German p.427 (602.b.I); Chrisman H5.1.4b; Fairfax Murray #219; Campbell Dodgson II, 148; Brunet III, p.392; Cunnally, pp. 197-198

The First Appearance of the Palatino Topographical map of Rome

Marliani, Bartolomeo (d. 1560)
Vrbis Romae topographia B. Marliani ad Franciscvm Regem Gallorvm eivsdem vrbis liberatorem invictvm. Adiecta priori eiusdem auctoris topographiae editioni in hoc opere sunt. Vrbis, atque insignium in ea aedificiorum descriptiones, compluràque alia memoratu digna. Errores nonnulli sublati. Tituli, inscriptionèsque non aliter, quàm ipsis inerant marmoribus, emendatissime expressi, qui ab aliis hactenus neglecto ordine, & perperam in lucem editi inveniuntur.

Rome: Valerio and Luigi Dorico, 1544

Folio: 30.5 x 21 cm. [12], 122, [2] pp. A6, A-B4, C-L6

$18,000.00

Illustrated with 23 fine woodcut illustrations (of which five are full-paged), including a double-page map of Rome signed by the calligrapher Giovanni Battista Palatino (Frutaz 12). The map is of great importance in the history of Roman cartography, as it is the source for Bufalini’s plan of 1551, which in turn served the model for Nolli’s plan of 1748. The most famous and influential of the illustrations is a full-paged woodcut of the spectacular sculptural grouping of Laocoön and his sons, a Roman marble copy of a Hellenistic original, discovered in the Baths of Titus in January, 1506 and removed to the Vatican at the direction of Julius II.

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Fowler 189; Mortimer Italian, 284; Adams M-610 (this issue); Berlin Katalog 1831; Brunet III.1437; Cicognara 3778; Schudt, Le Guide di Roma, 605; Rossetti G-308; Borroni II.7923.3; Schlosser p. 601; Fossati Bellani 903; Olschki 17512; on the map: Fruatz, Le Piante di Roma, Vol. I, No. 12

The first integral printing of all the extant fragments of Petronius, including the “Dinner of Trimalchio”

Petronius Arbiter, Titus (d. 66 A.D.)
Satyricon, Cum Fragmento nuper Tragurii reperto. Accedunt diversorum Poetarum Lusus in Priapum, Pervigilium Veneris, Ausonii cento nuptialis, Cupido crucifixus, Epistolae de Cleopatra, & alia nonnulla. Omnia Commentariis, & Notis Doctorum Virorum illustrata. Concinnante Michaele Hadrianide. [With] Integrum Titi Petronii Arbitri Fragmentum, Ex antiquo codice Traguriensi Romae exscriptum; cum Apologia Marini Statilii I.V.D.

Amsterdam: Johannes Blaeu, 1669 and 1671

Octavo: 19.3 x 11.5 cm. I. *8 (-*1, blank), **8, ***2, A-Z8, Aa-Oo8, Pp4, Aaa-Lll8; II. *4, A-F8, G4 (lacking blank leaf G4) With an added, engraved title page by Romeyn de Hooghe (1645-1708).

$4,500.00

Michael Hadrianides’ 1669 edition of Petronius is the first to incorporate the “Fragmentum” discovered in Trau, Dalmatia, which contained the hitherto unknown text of the “Cena Trimalchionis” and is also "the first edition to contain all the fragments of the novel that we currently possess”. This copy is bound together with the –often lacking- 1670 edition of the “Fragmentum”, which prints the text as it appeared in the manuscript, here edited by Johannes Lucius, with the Apologia of Marino Statileo, who discovered the manuscript in Dalmatia.

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Schmeling & Stuckley, Bibilography of Petronius, 71 & 78; Gaselee (Bibliography of Petronius), 49 & 51; Schweiger II p.723; Brunet IV 574; Graesse Vol 5 p. 239; Dibdin (4th ed.) Vol II, p. 276. Literature: See M.S. Smith’s 1975 Oxford edition of the “Cena Trimalchionis”, pp. xxii-xxiii and xxxvi; See also Alfred R. Allinson’s introduction to his translation of the “Satyricon.”

The Sole Large-Format Estienne Pindar

Pindar (ca. 520 - 442 B.C.)
[Works in Greek] Pindari Olympia. Pythia. Nemea. Isthmia. Adjuncta est interpretatio Latina ad verbum. Cum indicibus necessariis.

Geneva: Paul Estienne, 1599

Quarto: 23 x 16.2 cm. (16), 487, (6) pp. Collation: ¶4, ¶¶4, A-Z4, AA-ZZ4, AAA-PPP4, QQQ2. Leaf Q4 is blank and present.

$2,500.00

“Possibly the first book printed by Paul Estienne after he took over his father’s firm. This is the first and only Estienne edition of Pindar in quarto format (all previous and later editions were small 16mo pocket editions) and the only one to include the ancient Greek scholia….The Greek text is newly edited by Paul Estienne with the assistance of his famous brother-in-law Isaac Casaubon.

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Schreiber 268; Schweiger, 235; Adams, P-1232; Hoffmann III, 98

The First Aldine Edition of Plutarch’s “Parallel Lives”

Plutarch (c. 50–c. 120 AD)
Ploutarchou Parallela en Biois Hellenon te kai Romaion [Graece]. Plutarchi quae vocantur Parallela: hoc est, vitae illustrium virorum Graeci nominis ac Latini, prout quaeque alteri convenire videbatur, digestae.

Venice: In aedibus Aldi et Andreae Soceri, mense Augusto 1519

Folio: 30 x 20.5 cm. [4], 345, [1] leaves. Collation: *4, (lacking blank *4), a[alpha]-z[zeta]8, aa[2alpha]-tt[2tau]8, uu[2upsilon]10

$18,000.00

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Renouard, p. 87, no. 9; New UCLA 182; Hoffmann III, 175; Schweiger p. 259, col. 2

Sadeler’s Views of Rome

Sadeler, Aegidius (1570-1629)
Vestigi delle antichita di Roma Tivoli Pozzvolo et altri luochi. Con privilegio di sua Sac. Ces. Mae. Stampati in Praga da Aegidio Sadeler scultore di essa mae 1606.

Rome: Giovanni Giacomo de Rossi, 1660

Oblong folio: 37 x 24.5 cm. I. Engraved title page and 50 engraved plates. II. 24 plates on 12 sheets (2 per sheet), and 1 full-page map.

$15,000.00

Thirty-six of these images were copied by Aegidius Sadeler from Etienne Du Perac's "I Vestigi dell' antiquità di Roma" (Rome 1575). For the other images, Sadeler drew on drawings by Jan Breughel the elder and Pieter Stevens. Marco Sadeler, whose name appears on the plates, was an engraver and print seller in Prague in the early 1600's and probably the nephew of Aegidius.

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Olschki 18017; Fowler 283; Berlin Katalog 1856; Bartsch (1978) LXXII, pt. 1, 161-211; Cicognara 3871 (1606 ed.); Hollstein Dutch XXI, 151-201; Weinreb 2, 129; BAL III, nr. 2882 (all plates listed individually); Kissner 408; Catalogue of the exhibition "Vestigi delle antichita ... Momenti dell'elaborazione di un'immagine", edited by Anna Grelle, Rome 1987, pages 123-144 and passim.

The Estienne Sophocles

Sophocles (496-406 B.C.)
Tragoediae Septem. [Works in Greek] Una cum omnibus Graecis scholiis, & cum Latinis Ioach. Camerarij. Annotationes Henrici Stephani in Sophoclem & Euripidem, seorsum excusae, simul prodeunt.

Geneva: Henri Estienn 1568

Quarto: 25.8 x 16.7 cm. *4, a-z4, aa-zz4, aaa-kkk4, lll2; A-Z4, Aa-Gg4, Hh2 (includes blank ggg4; lacks blank Hh2).

$3,500.00

“The great Estienne Sophocles, important for the scholia, which include those of Triclinius. The Greek text is followed by the commentary of Joachim Camerarius, and his Latin versions of Ajax and Electra. [Estienne] has again employed his peculiar system of diacritical annotations.” (Schreiber) With Estienne’s “Noli altum Sapere” printer’s device on the title page.

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Schreiber 171; Renouard 131 n.3; Moeckli 69; Hoffman III, 414; Dibdin vol.2 p.411; Graesse p.440; Brunet vol.4 p311; Schweiger p.290; Adams S-1448

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