Art, Emblems, Portraiture, Illustration, & Architecture

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Aldrovandi’s Natural History of Monsters. The First Treatise on Teratology. Bound in Contemporary Pigskin With Clasps

Aldrovandi, Ulisse (1522-1605); Ambrosini, Bartolomeo (1588-1657)
Monstrorum historia cum Paralipomenis historiae omnium animalium.

Bologna: Typis Nicolai Tebaldini, 1642

Large Folio: 35 x 24.5 cm. Two volumes in one: I. †4 (including engraved t.p.), A-Z6, Aa-Zz6, Aaa-Ppp6, Qqq8, Rrr6, Sss8; II. A-O6 (final signature O has 5 leaves, as in all copies examined. See note at end of description.)

$25,000.00

Aldrovandi’s “Monstrorum historia” was the first treatise on teratology, the study of deformities and monsters. The subjects are drawn from across the spectrum of living creatures: animal (humans, other mammals, fishes, insects) and botanical. Aldrovandi also considers celestial monstra, including such portents as comets. There are also descriptions and images of Native Americans “from the island of Florida” and West Indian “cannibals”, as well as the mythical blemmyae or “headless men”, rumored to live in Africa, the West Indies, and other remote parts of the world.

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NISSEN ZBI 74.R. As regards the 5-leaf final signature O in the “Paralipomena”, I have left the quire as “O6” in my collation since it is unclear if there was a cancelland leaf O5, or if final O6 was a blank. Either way, the final quire is consistent with all copies examined.

One of the Most Beautiful Emblem Books. The Landwehr Copy

Arias Montanus, Benedictus [Benito Arias Montano] (1527-1598)
Humanae Salutis Monumenta

Antwerp: Christophe Plantin, 1571

Octavo: Collation: A-I8, K4, A-B8.

$19,000.00

Engraved title, engraved portrait medallion of Christ, and 70 engraved emblematic plates. Later calf binding, rebacked, spine renewed, wear to corners. Fine impressions of the plates. Provenance: J.C. Landwehr

A series of beautifully rendered emblems, engraved by Abraham de Bruyn (ca. 1539-1587), Pieter Huys (1520-1577), Jan Wierix (ca. 1549-1615) and his brother Hieronymus Wierix (ca.

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Landwehr 44; cf. Sorgeloos 111; Voet 588

Continuing the work of Pacioli and Leonardo - A Fundamental Work on Perspective and the Graphic Representation of Architecture - A Book that Directly Influenced Palladio’s Representation of Buildings in his “Quattro Libri DELL’ARCHITETTURA”(1570)

Barbaro, Daniele (1540-1570)
La Practica della Perspectiva.

Venice, Borgominieri, 1569

Folio: 28 x 19.5 cm. 195 pp., (6) ff. A-O⁴, P⁶, Q-2A⁴, 2B⁶. 28 x 19.5 cm.

$16,500.00

First edition of the first systematic treatise on the practical applications of perspective, “La Practica della Perspectiva”, written by the distinguished Venetian patron of Palladio, Daniele Barbaro. Barbaro produced his own edition of Vitruvius in 1567, for which Palladio had furnished illustrations. Barbaro’s intention in writing the “Pratica” was to provide a work on persepctive that would be of practical use to architects and artists.

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Fowler 36; Millard, Italian Architecture, p. 38-40; Mortimer 39; Vagnetti EIIb23; Wiebenson III-B-7; Berlin Katalog 4694; Kemp, Science of Art, p. 189. Adams B-171; Riccardi I/1°, col. 76; Vagnetti, Prospettiva, EIIb23; Gernsheim, History of Photography, pp. 7-8.

The Monuments of Ancient Rome Engraved by Piranesi’s Collaborator & Rival

Barbault, Jean (1718-1762)
Les Plus Beaux Monuments De Rome Ancienne. Ou Recueíl Des Plus Beaux Morceaux de L'Antiquité Romaine Qui Existent Encore: Dessinés Par Monsieur Barbault Peintre Ancien Pensionnaire Du Roy a Rome, Et Gravés, en 128 Planches Avec Leur Explication.

Rome: Chez Bouchard et Gravier Libraires François rüe du Cours près de Saint Marcel, de l 1761

Large Folio: 51 x 35.5 cm. VIII, 90 pp. Collation: [π]1, [a]-[c]1, A-Z, Aa-Yy1. With 73 added plates. Complete.

$16,000.00

The French artist Jean Barbault arrived in Rome in 1747 and quickly became involved with the circle of Piranesi, with whom he worked on the “Varie Vedute di Roma Antica e Moderna” and for whose “Antichità Romane” he contributed figures for 14 plates “thus becoming one of the few official collaborators” of Piranesi. Barbault’s own views appeared 7 years after his collaboration with Piranesi.

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La Cicognara 3593; Fowler 37; Millard IV, no. 13; RIBA, Early Printed Books, 184

With Verses by Aphra Behn. A Fantastic, Large-Paper Copy

Behn, Aphra (1640-89); Aesop (ca. 620-564 B.C.); Barlow, Francis (1626?-1702)
Aesop’s fables with his life: in English, French and Latin. Newly translated. Illustrated with one hundred and twelve sculptures. To this edition are likewise added, thirty one new figures representing his life. By Francis Barlow.

London: Printed by H. Hills jun. for Francis Barlow, and are to be sold by Chr. Wilkinson at the Black-boy against St. Dunstan’s Church in Fleet-street, Tho. Fox in Westminster-hall, and Henry Faithorne at the Rose in St. Paul’s Church-yard, 1687

Folio: 36.3 x 22.8 cm. [8], 40; 40; 17, 2-221, [3] p. COLLATION: π1(printed title), a2, B-L2; B-L2, B-Z2, Aa-Zz2, Aaa-Ppp2.

$28,000.00

For this second edition of his magnificent production, Barlow commissioned Aphra Behn, then at the height of her popularity as a playwright and poet, to write verses to be engraved on the 110 plates illustrating the fables. In order to substitute Behn’s verses for those of Thomas Philipot (d. 1682), the lower area of the plate needed to be burnished down and the new verses engraved onto the plate in place of the earlier ones.

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Wing (CD-ROM, 1996), A703

Rome & The Papal States. The Very Rare “Theatrum Italiae”. With 118 Folding & Full page Engraved Illustrations

Blaeu, Joan (1596-1673)
Theatrvm civitatvm et admirandorvm Italiae / ad aevi veteris & praesentis temporis faciem expressum a Ioanne Blaeu, G.F.

Amsterdam: Typis Joannis Blaeu, 1663

Two Large Folio Volumes: 56 x 38 cm. Vol I: 2 ff. (General printed title conjugate with dedication), 2 ff. ("Ad lectorem"), 1 f. (Dedication), 2 ff. (Printed section title, half title), 1-253 pp., 1 f. (Index leaf). Illustrated with an engraved frontispiece and 74 plates.

$75,000.00

A fine set of one of Joan Blaeu’s most magnificent productions. This set is very rare, owing probably to the fire that ravaged Blaeu’s workshop in 1672, the year before the publication of these “town books”. This copy has an additional plate, not recorded by Koeman, of the Obeliscus Pamphilius, in volume 2.

The two volumes are profusely illustrated with town views, architectural plans, ancient, Renaissance, and Baroque architecture (including many villas); and sculpture.

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Koeman, C. Atlantes Neerlandici; Bl 72.; Koeman, C. Atlantes Neerlandici; Bl 73; Philippsa, 4039; Cremonini, 39

Describing Seven Private Collections of Paintings & Sculpture

Carboni, Giovanni Battista (1725-1790)
Le pitture e sculture di Brescia che sono esposte al pubblico : con un'appendice di alcune private gallerie.

Brescia: Dalle stampe di Giambatista Bossini, 1760

Large octavo: Engraved frontis., xxiv-196 p., [1] f Collation: a8, A-M10

$3,200.00

An important guide to the art of Brescia, written by G.B. Carboni, son of the sculptor and engraver Rizzado Carboni. The guide remains a fundamental work for reconstructing the history of Brescian public and private art collections.

Carboni describes all of the churches in the city as well as the artworks in the grand public buildings such as the municipal palazzo and the Biblioteca Queriniana.

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Illustrated with 100 Woodcuts - In a Contemporary Italian Binding

Dante Alighieri (1265-1321)
Opere del Divino Poeta Danthe con svoi Comenti : Recorrecti et con ogne diligentia novamente in littera cvrsiva impresse. In bibliotheca S. Bernardini. [With the commentary of Cristoforo Landino.]

Venice: Per Miser Bernardino Stagnino da Trino de monferra, 28 March, 1520

Quarto: [12], 441 leaves. Collation: AA12, a-z8, [et]8, aa-zz8, 2[et]8, [con]8, [rum]8, A-E8

$16,500.00

The book is illustrated with a full-paged woodcut of Dante with three scenes (1. wandering in the “selva oscura”, 2. beset by the lion, leopard and wolf, and 3. led by Vergil.) The poems are illustrated with 98 smaller woodcuts. In addition to the woodcuts that illustrate the text, there is a vignette of Adam & Eve, God, and the Serpent in the Garden of Eden that appears on the title page and again in the woodcut border on the first leaf of the Inferno.

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Adams D 90; Mambelli, Annali delle Edizioni Dantesche, no. 27; Colomb De Batines, Indice generale della Bibliografia dantesca I, 78; Sander, Le livre à figures italien, depuis 1467 jusqu’a 1530, 2325; Essling, Les livres à figures Vénitiens de la fin du xve siècle et du commencement du xvie, 529

The Most Accurate Measurements of Roman Architecture to Date. Illustrated with 137 engravings

Desgodets, Antoine (1653-1728)
Les Edifices Antiques de Rome Dessinés et Mesurés très exactement

Paris: Jean-Baptiste Coignard, 1682

Folio: Jean-Baptiste Coignard, Engraved title page, [12], 324 pp. Collation: [ ]1 (Etched title page), [π]2, e2, i2, A1, B-E2, F1,

$11,500.00

“Antoine Desgodets, born into a family of prominent craftsmen, was already working in the Département des Bâtiments by the age of 16. In 1672 he began to assist at the conferences of the Académie Royale d’Architecture, and in 1674 was sent by Colbert to Rome. In 16 months he measured many of the important ancient buildings, with greater accuracy than had been achieved to that date.

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Millard (French) No. 62; BAL, 858; Fowler, 102 ; Cat. Berlin, 1863

One of the Most Important 16th c. Guidebooks to Rome. Complete with the Rare Plan of Rome

Gamucci, Bernardo (fl. 1580)
Le antichità della città di Roma raccolte sotto brevità da diuersi antichi & moderni scrittori, per M. Bernardo Gamucci da San Gimignano ; et con nuovo ordine fedelmente descritte, & rappresentate con bellissime figure, nel modo che à tempi nostri si ritrouano. In questa seconda editione da infiniti errori emendate & corrette da Thomaso Porcacchi.

Venice: Appresso Giovanni Varisco e i compagni, 1569

Octavo: 15 x 10 cm. [8], 201 leaves, [1] folded leaf of plates. Signatures: [dagger]8, A-Z8, Aa8, Bb10. With an added folding plan of the city of Rome.

$7,400.00

Gamucci’s “Four Books of Roman Antiquities” is one of the most valuable 16th c. guidebooks of ancient and Renaissance Rome. According to Schudt, Gamucci and Fulvio are the only late 16th c. guidebook writers to include their own contributions to the subject (rather than relying solely on earlier writers.) As a result, there is a sense of immediacy to Gamucci’s work. For instance, Gamucci is one of the first writers to mention the newly discovered “Forma Urbis”, the ancient “Marble Plan” of Rome, and his comments give us insight to the contemporary reception of this important, if problematic discovery.

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Adams G204; Schudt, Le guide di Roma, 712; cf. Cicognara 3743

An Impressive Sammelband of Gesner’s Complete Zoological Works. Illustrated with over 1,000 Woodcuts

Gesner (also Gessner), Conrad (1516-1565)
Vogelbuch: darinn die Art, Natur unnd Eigenschafft aller Vöglen, sampt irer waren Contrafactur angezeigt wirdt : allen Liebhabern der Künsten, Artzeten, Maleren, Goldschmiden, Bildschnitzeren, Seydenstickeren, Weydleüten unnd Köchen, nit allein lustig zu erfaren, sunder gantz nutzlich und dienstlich zebrauchen. erstlich durch Doctor Conradt Geßner in Latin beschrieben, neüwlich aber durch Rudolff Heüßlin mit Fleyß in das Teütsch gebracht unnd in eine kurtze Ordnung gestelt.

$38,000.00

A magnificent sammelband, bound in alum-tawed pigskin over beveled wooden boards, lacking one clasp. Binding soiled and with slight wear but still very fine. The boards are ruled and tooled in blind with medallion portrait heads and Biblical figures. The text of all four volumes is in excellent condition. There is one small tear to the lower corner of leaf B2, with loss of a few letters. One of the birds in the first work has been nicely colored by a 16th c.

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VD 16, G 1736, 1729, 1742 und 1745; Nissen 1552, 1555 and 1557

A Classic in The Study of Greek Dance

GIRONI, Robustiano
Le danze dei Greci descritte e pubblicate pel faustissimo imeneo di Sua Altezza Imperiale e Reale il Serenissimo Principe Ranieri Arciduca d’Austria, ecc. ecc. ecc. e Viceré del Regno Lombardo-Veneto con Sua Altezza Serenissima la Principessa Elisabetta di Savoia-Carignano, ecc. ecc.,

Milan: dall’Imperiale Regia Stamperia, 1820

Folio, 4 leaves, 68 pages, with 6 engraved plates with contemporary coloring.

$6,800.00

THE RARE, SOLE EDITION of this landmark in the history of illustration, typography, and the historical study of dance. The book was published in an edition of only 80 copies on the occasion of the marriage between the Archduke Ranieri of Habsburg, Viceroy of the Lombardo-Venetian Kingdom, and the Princess Elisabetta of Savoy-Carignano.

Robustiano Gironi (1769-1838) was a man of letters and a public official of the Milanese State under both Napoleonic and Austrian rule.

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References: Blackmer 693; Lipperheide 185; Magriel, Bibliography of Dancing, p. 81; G.G. Fagioli Vercellone, s.v. ‘Gironi, Robustiano’, DBI 56 (2001); G. Pucci, Per un’archeologia del gesto: la reinvenzione moderna della danza antica, «Classico Contemporaneo» 2 (2016), 25-40; Encyclopedia.com, s.v. ‘Neoclassicism’.

With 19 Full-page Anatomical Engravings. The Very Rare First Edition

Guillemeau, Jacques (1550?-1613)
Tables anatomiques avec les pourtraicts et declaration d'iceulx ensemble un denombrement de cinq cens maladies diverses au roy par Jac. Guillemeau d'Orleans, chirurgien du Roy & juré a Paris.

Paris: chez Jean Charron A l'Arche rue Sainct Jacques, 1586

Quarto: 30.6 x 20.3 cm. [12], 105, [2] p. *6, A-I6 (with two additional blanks as in the Getty copy.)

$45,000.00

Jacques Guillemeau served as physician to no fewer than six kings of France, first as assistant to his mentor Ambroise Paré and then as official Royal Surgeon. Remarkably, Guillemeau performed autopsies on two of those six monarchs, Charles IX in 1574 (under the direction of Paré) and Louis XIII in 1610. Guillemeau was himself the son of a surgeon, and his own son, Charles (b. 1588) continued in this tradition, ably working alongside his father.

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Choulant-Franck, History and Bibliography of Anatomic Illustration, p. 213; Mortimer, Harvard French 267; Norman 256; Haller: I, 258; Pettegree et al., French Vernacular Books, No. 24375

The First Dutch Emblem Book - Illustrated by Jacques de Gheyn

Heinsius, Daniel ("Theocritus a Ganda") (1580-1655); Jacques de Gheyn II (ca. 1565-1629), artist
Emblemata Amatoria, Iam demum emendata.

Amsterdam: Dirck Pietersz, 1608

Oblong octavo: 15.6 x 19.8 cm. [64] pp. Collation: A-H4

$18,000.00

Very rare 1608 edition of the first emblem book in Dutch. The poem, "Aen de ioncvrovwen van Hollandt," is signed "Theocritus a Ganda”(a pseudonym for Heinsius, who was from Ghent.) The 24 engraved circular emblematic illustrations are surrounded by Latin distichs, with those for the first and eighth emblems signed by Hugo Grotius. The last two poems are signed D.H. for Daniel Heinsius.

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De Vries at 23; Lanwehr, Low Countries, at 281; Praz at 364

Heinsius’ Dutch Poems - Illustrated with 66 Engraved Emblems. A Fine Copy in Contemporary Vellum

Heinsius, Daniel (1580-1655)
Nederduytsche Poemata; by een vergadert en uytgegeven door P[etrus]. S[criverius].

Amsterdam: Willem Jansz. Blaeu, 1616

Quarto: 21.8 x 16.5 cm. 2 parts in one volume. a-c4, A-K4, L6, A6, A-B4, C6, D-H4 (with blank H4 present)

$15,000.00

One of the most important early works of vernacular Dutch poetry. The emblems are based on those in two of Heinsius’ earlier works, “Het Ambacht van Cupido” and “Emblemata Amatoria”, but here they are rendered in entirely new engravings by Crispijn de Passe, his sons Crispijn and Simon, Michel le Blon (after Jacob de Gheyn), and Jacob Matham (after David Vinckboons.

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Lanwehr, Low Countries, at 196; Praz at 96. Provenance: Albert Verwey, poet, with his bookplate; Jan Steenks, with his bookplate.

One of the Most Sought-after Illustrated Books of English Poetry

Heywood, John (1497?-1580?)
The Spider and the Flie. A parable of the Spider and the Flie, made by John Heywood

London: in Flete Streete By Thomas Povvell, 1556

Quarto: 19 x 14.5 cm. A-C4, A-Z4, Aa16, Bb6, Cc8, Dd12, Ee16, Ff14, Gg8, Hh-Ss4.

$42,000.00

“‘The Spider and the Flie’ is an allegorical mock-heroic bestiary in rhyme royal by John Heywood. It was printed in 1556 but, according to Heywood’s epilogue, was begun nineteen years earlier. The time span between composition and publication may account in part for the generally acknowledged obscurities and inconsistencies of Heywood’s political and religious allegory.

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STC 13308; Grolier, Langland to Wither, 137. Pforzheimer 469; McKerrow & Ferguson 50

A Fine Copy of the Ogilby Odyssey. With 24 full-paged Engraved Illustrations

Homer; Ogilby, John (1600-1676), translator
Homer His Odysses Translated, Adorn'd with Sculpture, and Illustrated with Annotations, by John Ogilby, Esq; Master of His Majesties Revells in the Kingdom of Ireland.

London: Printed by Thomas Roycroft, for the Author, 1665

Large Folio: 40 x 26 cm. π2 +1 (printed title page, privilege, dedication), A-C2, D-Z4, Aa-Zz4, Aaa1 (lacking final blank Aaa2). With an added engraved frontispiece (signed “Abr. Van Diepenbeck Inv.”), a full-paged engraved portrait of John Ogilby (by William Faithorne after the portrait by Peter Lely), full-paged engraved portrait of James Duke of Ormond (found only in a few copies), and 24 full-paged engraved plates, three of which are signed by Diepenbeeck. The engravers are Loggan, Willems, Hertoch, Caukercken, and Meyssens. The book was published by subscription.

$18,000.00

“John Ogilby studied the heroic epics, translated them faithfully, and included the numerous scholarly marginalia necessary to make his work respectable. But he had been an actor and impresario before becoming a translator and he retained an interest in the depiction of a scene as well as a sense of line and design. His emphasis on picture or illustration was unusually lavish for his time.

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Schuchard, “A Descriptive Bibliography of The Works of John Ogilby and William Morgan”, No. 12, pp. 50-1; Wing H 2554

The Koberger Horace

Horace. Horatius Flaccus, Quintus (65-8 B.C.)
Opera cu[m] quibusdam Annotat[i]o[n]ib[us]. Imaginibusq[ue] pulcherrimis aptisq[ue] ad Odarum conce[n]tus & sente[n]tias.

Strasbourg: Johann Reinhard, called Grüninger, 12 March, 1498

Folio: 298 x 222 mm. Collation: [*]6, A-V6, X-Z6, AA-II6, KK-LL8; [**]6

$60,000.00

This copy is partially rubricated and is annotated, in Latin, throughout in at least two contemporary hands. The early annotations are intact, having been spared by the binder’s knife, and consist of metrical notations, citations from other authors, and comments. There are also two glosses in Greek (leaves S6v and FF1r) as well as an apparent note in German (leaf FF6). An added manuscript index for the “Epistolae” is bound after the final text leaf.

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Hain 8898; Goff H 461; BMC I, 112; Polain 1989; Proctor 485; Walsh 182; Fairfax Murray (German) 205; Rosenwald Collection 188; Dibdin, Bibl. Spenceriana II, 87-95. For Grüninger, his illustrated books, and Locher’s edition of Horace, see Mark Morford, Johann Grüninger of Strasbourg in “Syntagmatia: Essays on Neo-Latin Literature in Honour of Monique Mund-Dopchie and Gilbert Tournoy (Humanistica Lovaniensia, XXVI) 2009

Profusely Illustrated

Huttich, Johann (ca. 1490-1544); Weiditz, Hans (ca. 1495- ca. 1536), artist
Imperatorum et Caesarum Vitae, cum Imaginibus ad vivam effigiem expressis. Libellus auctus cum elencho & Iconiis Consulum ab Authore. M.D. XXXIIII.

Strasbourg: Vuolphgangus Caephalaeus, 1534

Quarto: Aa-Bb4; A-X4, Y6; aa-dd4. Complete.

$6,500.00

Fourth and most complete edition of Huttich’s "Imperatorum et Caesarum Vitae", his most important work, first published in 1525. The first section covers the imperial families from Julius Caesar to Gallienus, the son of Valerian. This section is followed by "thirty tyrants", a group of third-century would-be usurpers and self-proclaimed Augusti and Caesares, and the emperors and Augusti from Aurelian to Theodosius II and Valentinian III.

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Adams H-1248; BM German p.427 (602.b.I); Chrisman H5.1.4b; Fairfax Murray #219; Campbell Dodgson II, 148; Brunet III, p.392; Cunnally, pp. 197-198

The First Appearance of the Palatino Topographical map of Rome

Marliani, Bartolomeo (d. 1560)
Vrbis Romae topographia B. Marliani ad Franciscvm Regem Gallorvm eivsdem vrbis liberatorem invictvm. Adiecta priori eiusdem auctoris topographiae editioni in hoc opere sunt. Vrbis, atque insignium in ea aedificiorum descriptiones, compluràque alia memoratu digna. Errores nonnulli sublati. Tituli, inscriptionèsque non aliter, quàm ipsis inerant marmoribus, emendatissime expressi, qui ab aliis hactenus neglecto ordine, & perperam in lucem editi inveniuntur.

Rome: Valerio and Luigi Dorico, 1544

Folio: 30.5 x 21 cm. [12], 122, [2] pp. A6, A-B4, C-L6

$18,000.00

Illustrated with 23 fine woodcut illustrations (of which five are full-paged), including a double-page map of Rome signed by the calligrapher Giovanni Battista Palatino (Frutaz 12). The map is of great importance in the history of Roman cartography, as it is the source for Bufalini’s plan of 1551, which in turn served the model for Nolli’s plan of 1748. The most famous and influential of the illustrations is a full-paged woodcut of the spectacular sculptural grouping of Laocoön and his sons, a Roman marble copy of a Hellenistic original, discovered in the Baths of Titus in January, 1506 and removed to the Vatican at the direction of Julius II.

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Fowler 189; Mortimer Italian, 284; Adams M-610 (this issue); Berlin Katalog 1831; Brunet III.1437; Cicognara 3778; Schudt, Le Guide di Roma, 605; Rossetti G-308; Borroni II.7923.3; Schlosser p. 601; Fossati Bellani 903; Olschki 17512; on the map: Fruatz, Le Piante di Roma, Vol. I, No. 12

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