Art, Emblems, Festivals, Illustration, & Architecture

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Aldrovandi’s Natural History of Monsters. The First Treatise on Teratology. Bound in Contemporary Pigskin With Clasps

Aldrovandi, Ulisse (1522-1605); Ambrosini, Bartolomeo (1588-1657)
Monstrorum historia cum Paralipomenis historiae omnium animalium.

Bologna: Typis Nicolai Tebaldini, 1642

Large Folio: 35 x 24.5 cm. Two volumes in one: I. †4 (including engraved t.p.), A-Z6, Aa-Zz6, Aaa-Ppp6, Qqq8, Rrr6, Sss8; II. A-O6 (final signature O has 5 leaves, as in all copies examined. See note at end of description.)

$25,000.00

Aldrovandi’s “Monstrorum historia” was the first treatise on teratology, the study of deformities and monsters. The subjects are drawn from across the spectrum of living creatures: animal (humans, other mammals, fishes, insects) and botanical. Aldrovandi also considers celestial monstra, including such portents as comets. There are also descriptions and images of Native Americans “from the island of Florida” and West Indian “cannibals”, as well as the mythical blemmyae or “headless men”, rumored to live in Africa, the West Indies, and other remote parts of the world.

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NISSEN ZBI 74.R. As regards the 5-leaf final signature O in the “Paralipomena”, I have left the quire as “O6” in my collation since it is unclear if there was a cancelland leaf O5, or if final O6 was a blank. Either way, the final quire is consistent with all copies examined.

One of the Most Beautiful Emblem Books

Arias Montanus, Benedictus [Benito Arias Montano] (1527-1598)
Humanae Salutis Monumenta

Antwerp: Christophe Plantin, 1571

Octavo: Collation: A-I8, K4, A-B8.

$14,000.00

A series of beautifully rendered emblems, engraved by Abraham de Bruyn (ca. 1539-1587), Pieter Huys (1520-1577), Jan Wierix (ca. 1549-1615) and his brother Hieronymus Wierix (ca. 1553-1619). The decorative borders of flowers, fruits, butterflies, birds and animals, engraved by Pieter Huys (ca. 1520- after 1577) and Jan Sadeler (1550-1600), add to the beauty of the book. "The richness of the illustrations.

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Landwehr 44; cf. Sorgeloos 111; Voet 588

The Monuments of Ancient Rome Engraved by Piranesi’s Collaborator & Rival

Barbault, Jean (1718-1762)
Les Plus Beaux Monuments De Rome Ancienne. Ou Recueíl Des Plus Beaux Morceaux de L'Antiquité Romaine Qui Existent Encore: Dessinés Par Monsieur Barbault Peintre Ancien Pensionnaire Du Roy a Rome, Et Gravés, en 128 Planches Avec Leur Explication.

Rome: Chez Bouchard et Gravier Libraires François rüe du Cours près de Saint Marcel, de l 1761

Large Folio: 51 x 35.5 cm. VIII, 90 pp. Collation: [π]1, [a]-[c]1, A-Z, Aa-Yy1. With 73 added plates. Complete.

$16,000.00

The French artist Jean Barbault arrived in Rome in 1747 and quickly became involved with the circle of Piranesi, with whom he worked on the “Varie Vedute di Roma Antica e Moderna” and for whose “Antichità Romane” he contributed figures for 14 plates “thus becoming one of the few official collaborators” of Piranesi. Barbault’s own views appeared 7 years after his collaboration with Piranesi.

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La Cicognara 3593; Fowler 37; Millard IV, no. 13; RIBA, Early Printed Books, 184

With Verses by Aphra Behn. A Fantastic, Large-Paper Copy

Behn, Aphra (1640-89); Aesop (ca. 620-564 B.C.); Barlow, Francis (1626?-1702)
Aesop’s fables with his life: in English, French and Latin. Newly translated. Illustrated with one hundred and twelve sculptures. To this edition are likewise added, thirty one new figures representing his life. By Francis Barlow.

London: Printed by H. Hills jun. for Francis Barlow, and are to be sold by Chr. Wilkinson at the Black-boy against St. Dunstan’s Church in Fleet-street, Tho. Fox in Westminster-hall, and Henry Faithorne at the Rose in St. Paul’s Church-yard, 1687

Folio: 36.3 x 22.8 cm. [8], 40; 40; 17, 2-221, [3] p. COLLATION: π1(printed title), a2, B-L2; B-L2, B-Z2, Aa-Zz2, Aaa-Ppp2.

$28,000.00

For this second edition of his magnificent production, Barlow commissioned Aphra Behn, then at the height of her popularity as a playwright and poet, to write verses to be engraved on the 110 plates illustrating the fables. In order to substitute Behn’s verses for those of Thomas Philipot (d. 1682), the lower area of the plate needed to be burnished down and the new verses engraved onto the plate in place of the earlier ones.

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Wing (CD-ROM, 1996), A703

Rome & The Papal States. The Very Rare “Theatrum Italiae”. With 118 Folding & Full page Engraved Illustrations

Blaeu, Joan (1596-1673)
Theatrvm civitatvm et admirandorvm Italiae / ad aevi veteris & praesentis temporis faciem expressum a Ioanne Blaeu, G.F.

Amsterdam: Typis Joannis Blaeu, 1663

Two Large Folio Volumes: 56 x 38 cm. Vol I: 2 ff. (General printed title conjugate with dedication), 2 ff. ("Ad lectorem"), 1 f. (Dedication), 2 ff. (Printed section title, half title), 1-253 pp., 1 f. (Index leaf). Illustrated with an engraved frontispiece and 74 plates.

$75,000.00

A fine set of one of Joan Blaeu’s most magnificent productions. This set is very rare, owing probably to the fire that ravaged Blaeu’s workshop in 1672, the year before the publication of these “town books”. This copy has an additional plate, not recorded by Koeman, of the Obeliscus Pamphilius, in volume 2.

The two volumes are profusely illustrated with town views, architectural plans, ancient, Renaissance, and Baroque architecture (including many villas); and sculpture.

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Koeman, C. Atlantes Neerlandici; Bl 72.; Koeman, C. Atlantes Neerlandici; Bl 73; Philippsa, 4039; Cremonini, 39

Dürer’s Four Books on Human Proportion -Annotated by the architect-theorist Pietro Antonio Barca

Dürer, Albrecht (1471-1528); Gallucci, Giovanni Paolo (1538- ca. 1621)
Della simmetria de i corpi humani, libri Quattro. Nuouamente tradotti dalla lingua Latina nella Italiana, Da M. Gio. Paolo Gallucci Salodiano; et accresciuti del quinto libro, nel quale si tratta, con quai modi possano i Pittori & Scoltori mostrare la diuersità della natura de gli huomini & donne, & con quali le passioni, che sentono per li diuersi accidenti, che li occorrono. Hora di nuouo stampati.

Venice: Presso Domenico Nicolini, 1591

Folio: 32 x 22.5 cm. [6], 143, [1] leaves. Collation: [dagger]6, A-L6, M8, N-P6, Q10, R-Z6

$20,000.00

A very appealing example of the first Italian edition, first issue, of Albrecht Dürer’s (1471-1528) renowned and copiously illustrated work on human proportion, here in a copy owned by the Milanese architect-theorist Pietro Antonio Barca (d. after 1639) and annotated by him in preparation for his unusual illustrated treatise Avvertimenti e Regole circa L’Architettura Civile, Scultura, Pittura, Prospettiva et Architettura Militare (Milan, P.

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Mortimer 169; Bohatta, Bibliographie… Albrecht Dürers, no. 28; Meder, Dürer-Katalog, p. 289; Adams D 1055; Brunet II. 914; Erwin Panofsky, "The Life and Art of Albrecht Dürer", Vol I, Princeton, 1945, pp. 260-284

Illustrated with 100 Woodcuts - In a Contemporary Italian Binding

Dante Alighieri (1265-1321)
Opere del Divino Poeta Danthe con svoi Comenti : Recorrecti et con ogne diligentia novamente in littera cvrsiva impresse. In bibliotheca S. Bernardini. [With the commentary of Cristoforo Landino.]

Venice: Per Miser Bernardino Stagnino da Trino de monferra, 28 March, 1520

Quarto: [12], 441 leaves. Collation: AA12, a-z8, [et]8, aa-zz8, 2[et]8, [con]8, [rum]8, A-E8

$16,500.00

The book is illustrated with a full-paged woodcut of Dante with three scenes (1. wandering in the “selva oscura”, 2. beset by the lion, leopard and wolf, and 3. led by Vergil.) The poems are illustrated with 98 smaller woodcuts. In addition to the woodcuts that illustrate the text, there is a vignette of Adam & Eve, God, and the Serpent in the Garden of Eden that appears on the title page and again in the woodcut border on the first leaf of the Inferno.

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Adams D 90; Mambelli, Annali delle Edizioni Dantesche, no. 27; Colomb De Batines, Indice generale della Bibliografia dantesca I, 78; Sander, Le livre à figures italien, depuis 1467 jusqu’a 1530, 2325; Essling, Les livres à figures Vénitiens de la fin du xve siècle et du commencement du xvie, 529

With Engravings after Drawings by Holbein

Erasmus, Desiderius (ca.1466-1536); Holbein, Hans, the Younger (1497-1543)
ΜΩΡΙΑΣ ΕΓΚΩΜΙΟΝ. Stultitiæ Laus. Des. Erasmi Rot. Declamatio, Cum commentariis Ger. Listrii, & figuris Jo. Holbenii. E codice Academiæ Basiliensis. Accedunt.

Basel: Typis Genathianis, 1676

Octavo: 18 x 11.25 cm. a-e8 (a1 = engraved title); A-Y8 (leaves Y7 and Y8 blank)

$3,000.00

The first illustrated edition of "In Praise of Folly", with commentary by G. Listrius and engravings by Hans Holbein, edited by Charles Patin. The illustrations are after those made by Holbein (and a few by his brother Ambrosius) in 1516 in the margins of a 1515 edition of the present work originally owned by Holbein's (and Erasmus') associate Oswald Myconius (1488-1552).

"Holbein’s earliest surviving work appears to be drawings in the margins of a copy of the second edition of Erasmus’ Moriae Encomium that belonged to the humanist and schoolmaster Oswald Myconius, originally Geisshüsler (1488-1552).

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Van der Haeghen I, 125; Graesse vol. ii, page 495; Brunet II, 1037

A Comic Festival on the Frozen Arno

FESTIVALS
Relazione delle feste fatte in Fiorenza sopra il ghiaccio del fiume d'Arno l'ultimo di dicembre 1604.

Florence: Bartolomeo Sermartelli, 1604

Quarto: [16] p. Collation: A-B4

$4,800.00

A marvelous account of festivities held in Florence in 1604 when, for the first time in sixty years, the river Arno froze. The Florentines were at first hesitant to step out onto the ice but soon overcame their fear and began to play ball and devise amusements (such as a "hunt" with cats and rabbits),

Taking advantage of the unusual occurrence, the city organized an elaborate festival that involved dances, ball games, barefoot races, sled jousts, musical performances, a parade, fireworks, and performances in which nobles and illustrious men recited comic and courtly poems.

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Ariosto as Operatic Ballet - A Rare Account of a 17th c. Italian Festival - The Feltrinelli Copy

FESTIVALS. Rondinelli, Simone Carlo [Salvadori (Andrea), 1591-1634, librettist] Accademia dei Rugginosi (Florence)
Le Fonti d’Ardenna festa d’arme, e di ballo; fatta in Firenze da dodici Signori Accademici Rugginosi il carneuale dell’anno 1623. Nel principato del Sig. Alessandro del Nero. Inuenzione del Sig. Andrea Saluadori. Descritta dal Rugginoso Percosso

Florence: Pietro Cecconcelli, 1623

$4,800.00

A fascinating and vivid description of ‘The fountains of the Ardennes’, an entertainment that included singing, a tournament on horseback, and dancing, performed by the Accademici Rugginosi in the Palazzo della Gherardesca (Casa Rinaldi), on 3 February 1622 (stile fiorentino). The librettist was Andrea Salvadori, from 1616 to 1628 the principal author of texts for theatrical entertainments at the Florentine court.

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The Indispensible Work on the Construction of Saint Peter’s Basilica

Fontana, Carlo (1638 - 1714)
Templum Vaticanum Et Ipsius Origo Cum Aedificiis maxime conspicuis antiquitus, & recens ibidem constitutis; Editum Ab Equite Carolo Fontana Deputato celeberrimi eiusdem Templi Ministro, atque Architecto. Cum plerisque Regulis, novisque Architecturae Operationibus ab Ipsomet in lucem evulgatis. Cum Indice Rerum notabilium ad calcem locupletissimo. Opus In Septem Libros Distributum, Latinisque literis consignatum A Joane Jos: Bonnerve De S. Romain. Et dicatum Eminentissimis, ac Reverentissimis Dominis Cardinalibus Sacrae Congregationi R. Fabricae Divi Petri Deputatis.

Rome: Ex Typographia Io: Francisci Buagni, 1694

Large Folio: 44 x 32 cm. [32], [4], 489, [29] pp. Collation: a4, b6, c-d4, A4, B2, C-X4, Y2+1, Z4; Aa-Cc4, Dd2, Ee3, Ff-Gg4, Hh2, [inserted plate], Ii-Zz4, Aaa-Fff4, Ggg-Kkk1, Lll-Vvv4, Xxx6. With 79 full-paged plates, some of which are folding.

$8,500.00

This impressive production was commissioned by the Sacred Congregation of the Construction of St Peter's (the Fabricca), to justify the expense of rebuilding the church. It is presented by Fontana in seven parts: (1) Cose piu notabile della potenza Romana (on the historic importance of St Peter's - here a plate is included showing overlapping plans of Old and New St. Peter’s, as well as Nero's Circus), (2) Antica Basilica (i.

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National Gallery (Washington), Mark J. Millard Architectural, IV (2000), no. 38, p.141-8; Royal Institute of British Architects, British Architectural Library ... Early printed books, 2 (1995), no. 1096; Johns Hopkins University, The Fowler Architectural Collection (1961), no. 122, p.105-6.

The First Illustrated Edition of Fulvio's Architectural Guide to Rome - With Important Additions by Girolamo Ferrucci

Fulvio, Andrea (ca. 1470-1543); Ferrucci, Girolamo (fl. 1588)
L' Antichità di Roma di Andrea Fulvio antiquiario romano, di nuouo con ogni diligenza corretta & ampliata, con gli adornamenti di disegni de gli edificij antichi & moderni; con le aggiuntioni & annotationi di Girolamo Ferrucci Romano

Venice: Girolamo Francini, 1588

Octavo: 15.4 x 10.8 cm. *4, A-Z8, Aa-Ii8, Kk12

$3,800.00

Illustrated with 93 woodcut illustrations of the architecture of Rome. This edition has been enlarged by Girolamo Ferrucci to include information on the dramatic renovations and new buildings constructed during the reign of Pope Sixtus V (reg. 1585-1590). A number of the changes, renovations and restorations undertaken by Sixtus are depicted in the woodcuts, which were prepared specifically for this this edition.

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Cicognara 3741; Schudt 601; Rossetti, Rome: The Guide Books, G 480; Borroni 7914/6; Fossati-Bellani 900; Platneriana 296; Choix, 16979; Adams F 1155; Philip Jacks in Dictionary of Art XI.838 & his "The Antiquarian and the myth of antiquity", pp. 180-84; R Weiss, "Andrea Fulvio antiquario romano 1470-1527", Ann. Scuol. Sup. Pisa ii.28 (1959) 1-44, & "Renaissance Discovery of Classical Antiquity" (1969), 86-9 & 178-9.

An Impressive Sammelband of Gesner’s Complete Zoological Works. Illustrated with over 1,000 Woodcuts

Gesner (also Gessner), Conrad (1516-1565)
Vogelbuch: darinn die Art, Natur unnd Eigenschafft aller Vöglen, sampt irer waren Contrafactur angezeigt wirdt : allen Liebhabern der Künsten, Artzeten, Maleren, Goldschmiden, Bildschnitzeren, Seydenstickeren, Weydleüten unnd Köchen, nit allein lustig zu erfaren, sunder gantz nutzlich und dienstlich zebrauchen. erstlich durch Doctor Conradt Geßner in Latin beschrieben, neüwlich aber durch Rudolff Heüßlin mit Fleyß in das Teütsch gebracht unnd in eine kurtze Ordnung gestelt.

$38,000.00

A magnificent sammelband, bound in alum-tawed pigskin over beveled wooden boards, lacking one clasp. Binding soiled and with slight wear but still very fine. The boards are ruled and tooled in blind with medallion portrait heads and Biblical figures. The text of all four volumes is in excellent condition. There is one small tear to the lower corner of leaf B2, with loss of a few letters. One of the birds in the first work has been nicely colored by a 16th c.

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VD 16, G 1736, 1729, 1742 und 1745; Nissen 1552, 1555 and 1557

A Classic in The Study of Greek Dance

GIRONI, Robustiano
Le danze dei Greci descritte e pubblicate pel faustissimo imeneo di Sua Altezza Imperiale e Reale il Serenissimo Principe Ranieri Arciduca d’Austria, ecc. ecc. ecc. e Viceré del Regno Lombardo-Veneto con Sua Altezza Serenissima la Principessa Elisabetta di Savoia-Carignano, ecc. ecc.,

Milan: dall’Imperiale Regia Stamperia, 1820

Folio, 4 leaves, 68 pages, with 6 engraved plates with contemporary coloring.

$6,800.00

THE RARE, SOLE EDITION of this landmark in the history of illustration, typography, and the historical study of dance. The book was published in an edition of only 80 copies on the occasion of the marriage between the Archduke Ranieri of Habsburg, Viceroy of the Lombardo-Venetian Kingdom, and the Princess Elisabetta of Savoy-Carignano.

Robustiano Gironi (1769-1838) was a man of letters and a public official of the Milanese State under both Napoleonic and Austrian rule.

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References: Blackmer 693; Lipperheide 185; Magriel, Bibliography of Dancing, p. 81; G.G. Fagioli Vercellone, s.v. ‘Gironi, Robustiano’, DBI 56 (2001); G. Pucci, Per un’archeologia del gesto: la reinvenzione moderna della danza antica, «Classico Contemporaneo» 2 (2016), 25-40; Encyclopedia.com, s.v. ‘Neoclassicism’.

Heinsius’ Dutch Poems - Illustrated with 66 Engraved Emblems. A Fine Copy in Contemporary Vellum

Heinsius, Daniel (1580-1655)
Nederduytsche Poemata; by een vergadert en uytgegeven door P[etrus]. S[criverius].

Amsterdam: Willem Jansz. Blaeu, 1616

Quarto: 21.8 x 16.5 cm. 2 parts in one volume. a-c4, A-K4, L6, A6, A-B4, C6, D-H4 (with blank H4 present)

$15,000.00

One of the most important early works of vernacular Dutch poetry. The emblems are based on those in two of Heinsius’ earlier works, “Het Ambacht van Cupido” and “Emblemata Amatoria”, but here they are rendered in entirely new engravings by Crispijn de Passe, his sons Crispijn and Simon, Michel le Blon (after Jacob de Gheyn), and Jacob Matham (after David Vinckboons.

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Lanwehr, Low Countries, at 196; Praz at 96. Provenance: Albert Verwey, poet, with his bookplate; Jan Steenks, with his bookplate.

One of the Most Sought-after Illustrated Books of English Poetry

Heywood, John (1497?-1580?)
The Spider and the Flie. A parable of the Spider and the Flie, made by John Heywood

London: in Flete Streete By Thomas Povvell, 1556

Quarto: 19 x 14.5 cm. A-C4, A-Z4, Aa16, Bb6, Cc8, Dd12, Ee16, Ff14, Gg8, Hh-Ss4.

$42,000.00

“‘The Spider and the Flie’ is an allegorical mock-heroic bestiary in rhyme royal by John Heywood. It was printed in 1556 but, according to Heywood’s epilogue, was begun nineteen years earlier. The time span between composition and publication may account in part for the generally acknowledged obscurities and inconsistencies of Heywood’s political and religious allegory.

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STC 13308; Grolier, Langland to Wither, 137. Pforzheimer 469; McKerrow & Ferguson 50

The First Illustrated Edition of Horace (1498)

Horace. Horatius Flaccus, Quintus (65-8 B.C.)
Opera cu[m] quibusdam Annotat[i]o[n]ib[us]. Imaginibusq[ue] pulcherrimis aptisq[ue] ad Odarum conce[n]tus & sente[n]tias.

Strasbourg: Johann Reinhard, called Grüninger, 12 March, 1498

Folio: 298 x 222 mm. Collation: [*]6, A-V6, X-Z6, AA-II6, KK-LL8; [**]6

$60,000.00

This copy is partially rubricated and is annotated, in Latin, throughout in at least two contemporary hands. The early annotations are intact, having been spared by the binder’s knife, and consist of metrical notations, citations from other authors, and comments. There are also two glosses in Greek (leaves S6v and FF1r) as well as an apparent note in German (leaf FF6). An added manuscript index for the “Epistolae” is bound after the final text leaf.

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Hain 8898; Goff H 461; BMC I, 112; Polain 1989; Proctor 485; Walsh 182; Fairfax Murray (German) 205; Rosenwald Collection 188; Dibdin, Bibl. Spenceriana II, 87-95. For Grüninger, his illustrated books, and Locher’s edition of Horace, see Mark Morford, Johann Grüninger of Strasbourg in “Syntagmatia: Essays on Neo-Latin Literature in Honour of Monique Mund-Dopchie and Gilbert Tournoy (Humanistica Lovaniensia, XXVI) 2009

The Roman & Byzantine Emperors - Profusely Illustrated with Medallion Portraits

Huttich, Johann (ca. 1490-1544); Weiditz, Hans (ca. 1495- ca. 1536), artist
Imperatorum et Caesarum Vitae, cum Imaginibus ad vivam effigiem expressis. Libellus auctus cum elencho & Iconiis Consulum ab Authore. M.D. XXXIIII.

Strasbourg: Vuolphgangus Caephalaeus, 1534

Quarto: Aa-Bb4; A-X4, Y6; aa-dd4. Complete.

$6,500.00

Fourth and most complete edition of Huttich’s "Imperatorum et Caesarum Vitae", his most important work, first published in 1525. 

This volume is profusely illustrated with several hundred woodcut images, most of which are by Hans Weiditz. Each is accompanied by a short biography.

"The medallions of the emperors [and their families] are 268 in number, commencing with Julius Caesar and ending with Frederick III, Maximilian I and his son Philip the Fair, Charles V and Ferdinand I.

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Adams H-1248; BM German p.427 (602.b.I); Chrisman H5.1.4b; Fairfax Murray #219; Campbell Dodgson II, 148; Brunet III, p.392; Cunnally, pp. 197-198

The First Appearance of the Palatino Topographical map of Rome

Marliani, Bartolomeo (d. 1560)
Vrbis Romae topographia B. Marliani ad Franciscvm Regem Gallorvm eivsdem vrbis liberatorem invictvm. Adiecta priori eiusdem auctoris topographiae editioni in hoc opere sunt. Vrbis, atque insignium in ea aedificiorum descriptiones, compluràque alia memoratu digna. Errores nonnulli sublati. Tituli, inscriptionèsque non aliter, quàm ipsis inerant marmoribus, emendatissime expressi, qui ab aliis hactenus neglecto ordine, & perperam in lucem editi inveniuntur.

Rome: Valerio and Luigi Dorico, 1544

Folio: 30.5 x 21 cm. [12], 122, [2] pp. A6, A-B4, C-L6

$18,000.00

Illustrated with 23 fine woodcut illustrations (of which five are full-paged), including a double-page map of Rome signed by the calligrapher Giovanni Battista Palatino (Frutaz 12). The map is of great importance in the history of Roman cartography, as it is the source for Bufalini’s plan of 1551, which in turn served the model for Nolli’s plan of 1748. The most famous and influential of the illustrations is a full-paged woodcut of the spectacular sculptural grouping of Laocoön and his sons, a Roman marble copy of a Hellenistic original, discovered in the Baths of Titus in January, 1506 and removed to the Vatican at the direction of Julius II.

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Fowler 189; Mortimer Italian, 284; Adams M-610 (this issue); Berlin Katalog 1831; Brunet III.1437; Cicognara 3778; Schudt, Le Guide di Roma, 605; Rossetti G-308; Borroni II.7923.3; Schlosser p. 601; Fossati Bellani 903; Olschki 17512; on the map: Fruatz, Le Piante di Roma, Vol. I, No. 12

A Large Paper Copy of the First Illustrated Edition

Milton, John (1608-1674)
Paradise Lost. A Poem In Twelve Books. The Authour John Milton. The Fourth Edition, Adorn’d with Sculptures.

London: Printed by Miles Flesher, for Jacob Tonson, at the Judge’s-Head in Chancery-lane near Fleet-street, 1688 AND 1688

Folio 36 x 22.8 cm. I. [A]-B2, C-Z4, Aa-Xx4, Yy-Zz2, Aa2. II. A-R2; A-H4. With an added engraved portrait of Milton and 12 plates illustrating the first work.

$20,000.00

“The only major English literary work with important engraved illustrations in the 17th century is the first illustrated edition of ‘Paradise Lost.’” (Edward Hodnett)

"‘Paradise Lost’ is at once a deeply traditional and a boldly original poem. Milton takes pains to fulfill the traditional prescriptions of the epic form; he gives us love, war, supernatural characters, a descent into Hell, a catalogue of warriors, all the conventional items of epic machinery.

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I. Wing M2147; Shawcross 347; Coleridge 93b; Pforzheimer 720; Wither to Prior #607; Hofer, Baroque Book Illustration, 16. II. Wing M2154; Shawcross 348; Coleridge 170; Pforzheimer 721

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