Early Books: July 2018

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Stanley’s Aeschylus

Aeschylus (525/4-456 B.C.); Stanley, Thomas (1625-1678), editor.
[Works in Greek], Aeschyli traoediae septem: cum scholiis Græcis omnibus; deperditorum dramatum fragmentis, versione & commentario Thomæ Stanleii.

London: Typis Jacobi Flesher: prostant verò apud Cornelium Bee, M DC LXIII. 1663

Folio: 31.8 x 20.1 cm [32], 886 p. Collation: (a)2, (b)-(g)2, A-Z2, 2A-9Z2, 10A-10P2

$6,000.00

In his “Early Printed Editions of Aeschylus (1518-1664)”, J.A. Gruys gives a detailed account of Stanley’s working method, beginning with an examination of the extant manuscript materials, and vindicates Stanley from Fraenkel’s charges that Stanley’s edition relied too heavily on the work of the scholar John Pearson and that Stanley himself was a scholar of much meaner abilities.

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Wing A684

A Virgin Martyr Comes to Rome - The Ancient Church of Sant' Agata dei Goti in Rome

AGATHA, SAINT. Martinelli, Fioravante (b. 1599)
Diaconia S. Agathae ìn Subura a Floravante Martinello, descripta et illustrata.

Rome: Typis L. Grignani, 1638

Octavo: 17.5 x 12.3 cm. π6, A-G8 (with blank leaf G8)

$4,500.00

A rare history of the church Sant' Agata dei Goti, which was established as a diaconia in the fourth century and, in the fifth century, was restored by Ricimer (d. 472) as a church for the Arian Ostrogoths. The church was re-consecrated as a Catholic church by Gregory the Great in 592, at which time the remains of St. Agatha were transferred there and entombed beneath the altar. Although the church was rebuilt and remodeled on several occasions, it preserves aspects of its original basilica plan and the ancient granite columns that separate the nave.

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Rare. Only 2 copies in North America (Notre Dame, Houghton).

Aldrovandi’s Natural History of Monsters. The First Treatise on Teratology. Bound in Contemporary Pigskin With Clasps

Aldrovandi, Ulisse (1522-1605); Ambrosini, Bartolomeo (1588-1657)
Monstrorum historia cum Paralipomenis historiae omnium animalium.

Bologna: Typis Nicolai Tebaldini, 1642

Large Folio: 35 x 24.5 cm. Two volumes in one: I. †4 (including engraved t.p.), A-Z6, Aa-Zz6, Aaa-Ppp6, Qqq8, Rrr6, Sss8; II. A-O6 (final signature O has 5 leaves, as in all copies examined. See note at end of description.)

$25,000.00

Aldrovandi’s “Monstrorum historia” was the first treatise on teratology, the study of deformities and monsters. The subjects are drawn from across the spectrum of living creatures: animal (humans, other mammals, fishes, insects) and botanical. Aldrovandi also considers celestial monstra, including such portents as comets. There are also descriptions and images of Native Americans “from the island of Florida” and West Indian “cannibals”, as well as the mythical blemmyae or “headless men”, rumored to live in Africa, the West Indies, and other remote parts of the world.

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NISSEN ZBI 74.R. As regards the 5-leaf final signature O in the “Paralipomena”, I have left the quire as “O6” in my collation since it is unclear if there was a cancelland leaf O5, or if final O6 was a blank. Either way, the final quire is consistent with all copies examined.

“A collection of the flowers of antiquities and histories” for the Elizabethan Reader

Allott, Robert (active 1600); Bodenham, John (active 1600)
Wits Theater of The Little World

London: Iames Roberts for Nicholas Ling, 1599

Octavo: 12.4 x 7.8 cm. [iv], 269, [7] lvs. Collation: A4, B-2M8, 2N4

$18,000.00

“Wits Theater” was produced as part of a publishing project conceived by John Bodenham. The “series” began with Nicholas Ling’s “Politeuphuia: Wits Commonwealth” in 1597, and also included the poetic miscellany “Englands Parnassus” of 1600.

“Wits Theater”

Like the later “Englands Parnassus”, “Wits Theater” was compiled by Robert Allott and may be regarded as the prose equivalent of the poetical “Parnassus”.

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STC 382; ESTC S100300; Grolier, Langland to Wither 15; Pforzheimer 1094; Hoe catalog I: 59

An Expedition to the Strait of Magellan

AMERICANA. Froger, François (b. 1676)
A Relation of a Voyage made in the Years 1695, 1696, 1697 on the Coasts of Africa, Streights of Magellan, Brasil, Cayenna, and the Antilles, by a Squadron of French Men of War, under the Command of M. de Gennes, By the Sieur Froger, voluntier-engineer on board the English Falcon. Illustrated with divers strange figures, drawn to the life

London: printed for M. Gillyflower in Westminster-Hall; W. Freeman, M. Wotton in Fleet-street; J. Walthoe in the Temple; and R. Parker in Cornhill, 1698

Octavo: 19 x 12 cm. [12], 91, 96-173, [3] p., engraved t.p., [15] leaves of plates (2 folded). Collation: π2, A4, B-F8, G4, *H2, H-M8

$6,900.00

A translation of "Relation d’un voyage fait en 1695, 1696, et 1697, aux côtes d’Afrique, détroit de Magellan, Brezil, Cayenne, et Isles Antilles" by the French hydrographer, engineer, and explorer François Froger.

In 1695, at the age of nineteen, Froger set sail from La Rochelle on the English Falcon as part of an expedition to reach the Pacific by way of the Strait of Magellan.

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Sabin 26004; ESTC R38897; Wing F2233

Canadian Native Americans as victims & perpetrators of violence

AMERICAS. CANADA. Bressani, Francesco Giuseppe (1612-1672)
Breve Relatione d’Alcune Missioni de’ PP. della Compagnia di Giesù nella Nuova Francia.

Macerata: Heirs of Agostino Grisei, 1653

Quarto: 21.5 x 15.5 cm. [4], 8 pp., 9-10 ll., 11-127, [1] pp. Collation: π2 A4 B4 (±B1.2) C-Q4

$15,000.00

FIRST EDITION of one of the most important eyewitness accounts of 17th-century Canada devoted primarily to the Huron Indians, but also with accounts of other groups, including the Jesuit author’s captivity and mutilation under the Iroquois. He also devotes 25 pages to a 1643 letter written by his Jesuit colleague Isaac Jogues (1607-1646), who was killed by the Mohawks.

Bressani (1612-1672), an Italian Jesuit, travelled to Canada as a missionary in 1642.

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Alden & Landis 653/15; De Backer & Sommervogel II, col. 133; Walter, Jesuit relations, 43; Church 524; James Ford Bell Lib. B-407; JCB II, p. 428; Lande, Canadiana 57; McCoy, Jesuit relations 82; Sabin 7734; not in Eberstadt; Streeter.

Printed on the English Secret Press at Birchley Hall, Lancashire

Anderton, James [pseud. John Brereley] (1557-1613)
The lyturgie of the Masse: wherein are treated three principal pointes of faith. 1. That in the Sacrament of the Eucharist are truly and really contained the body and bloud of Christ. 2. That the Masse is a true and proper sacrifice of the body and bloud of Christ, offered to God by preistes. 3. That Communion of the Eucharist to the laity vnder one kind is lawful. The ceremonies also of the Masse now vsed in the Catholicke Church, are al of them deriued from the primitiue Church. By Iohn Brereley preis [sic].

"Printed at Colen": [i.e. Birchley Hall Press, Lancashire: Roger Anderton?], 1620

Quarto: [6], 9-463, 462-468 Collation: [par.]⁴(-[par.]3) A-V⁴ W⁴ X-2V⁴ 2W⁴ 2X-3K⁴ [3L]² (Complete with blank leaves G1 and [3L]².)

$4,800.00

A good, complete specimen of a book printed on a secret Catholic press. The press was located at the Anderton family’s own Birchley Hall in Lancashire and was likely operated by James Anderton’s brother, Roger Anderton, after the former’s death. The press produced books, including three by James Anderton himself, from 1613 to 1621, when the press was seized by the English authorities.

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Allison & Rogers, Catholic Books, #137; Allison & Rogers, Counter-Reformation, #22; Milward, Religious Controversies, no. 676; STC 3607

Two "distinctly theatrical texts" by the most celebrated actress of the commedia dell'arte

Andreini Isabella (1562-1604)
Lettere della signora Isabella Andreini. Aggiuntoui di nuouo li ragionamenti piaceuoli dell'istessa. Di nuouo ristampate, & con ogni diligenza ricorrette [With:] Fragmenti di alcune scritture della signora Isabella Andreini, raccolti da Francesco Andreini, e dati in luce da Flamminio Scala.

Venice: Appresso Gio. Battista Combi, 1620

Octavo: 15.5 x 10.5 cm. Two parts in 1 volume: I. [24], 268 pp., 2 blank lvs.; II. 180 pp.

$6,800.00

The first edition of Isabella Andreini's collection of letters appeared in 1607, four years after the author's death, edited by her husband, Francesco. In 1617, with the assistance of Flaminio Scala, Francesco published the "Fragmenti". For a discussion of both works, see below.

"Born in Padua to Venetian parents in 1562, Isabella Andreini (née Canali) would become the most celebrated commedia dell'arte actress of her century by the time of her death in 1604.

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Graesse I, 121; Piantanida 3319

Burned by Luther - In a Contemporary Binding from the Benedictine Monastery at Weissenhoe

Angelus De Clavasio [Angelo Carletti di Chivasso] (1411-1495)
Summa angelica de casibus conscientiae.

Nuremberg: Anton Koberger, 28 August 1488

Chancery folio: 30.5 x 21.5 cm. [1], cccx, [1] lvs. (complete with first and last blanks.) Collation: a8, b-z6, 2a-2z6, [2et]6, [2con]6, 2t6, 2A-3B8. Leaf a2, a3, a4, and a5 are signed "a", "aii", "aiii", "aiiii". Foliation begins on leaf a2 and is continuous.

$12,000.00

An attractive Koberger printing of Angelo Carletti's authoritative compendium of moral theology. Written as a comprehensive manual for confessors, the "Summa" includes a section dealing with the actual administration of confession, how confessors are to conduct themselves, the questions they are to ask, and the penances to be levied.

Angelo Carletti di Chivasso: Moral theologian of the order of Friars Minor, was born in 1411, and died at Coni in 1495.

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ISTC ia00717000; HC *5385; GW 1927; BMC II 432; Bod-inc A-288; BSB-Ink A-527; Goff A-717

One of the Most Beautiful Emblem Books. The Landwehr Copy

Arias Montanus, Benedictus [Benito Arias Montano] (1527-1598)
Humanae Salutis Monumenta

Antwerp: Christophe Plantin, 1571

Octavo: Collation: A-I8, K4, A-B8.

$19,000.00

Engraved title, engraved portrait medallion of Christ, and 70 engraved emblematic plates. Later calf binding, rebacked, spine renewed, wear to corners. Fine impressions of the plates. Provenance: J.C. Landwehr

A series of beautifully rendered emblems, engraved by Abraham de Bruyn (ca. 1539-1587), Pieter Huys (1520-1577), Jan Wierix (ca. 1549-1615) and his brother Hieronymus Wierix (ca.

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Landwehr 44; cf. Sorgeloos 111; Voet 588

Two of the most important literary works of the English Renaissance, Together with Ascham’s Essay on Historiography - With Manuscript waste from a 15th c. Breviary with several lines in Middle English

Ascham, Roger (1514/15-1568)
The Scholemaster or plaine and perfite way of teaching children, to vnderstand, write, and speake, the Latin tong, but specially purposed for the priuate bringing vp of youth in Ientlemen and Noble mens houses b/w Toxophilus, the schole, or partitions of shooting b/w A Report and Discourse written by Roger Ascham of the affaires and state of Germany and the Emperour Charles his court, duryng certaine yeares while the said Roger was there.

London: Printed by Iohn Daye, dwelling ouer Aldersgate, [1571], London: In Fletestreate neare to Saint Dunstones Churche by Thomas Marshe, 1571, London, Printed by Iohn Daye, dwelling ouer Aldersgate, ca. 1570

Quarto: Three volumes bound as one: 19.5 x 14.2 cm. I. [manicule]2, B-T4. II. *4, A-H8, III. A-I4

$45,000.00

I. “The Schoolmaster”:

“The indispensable link between the earlier Tudor writers and the great Elizabethan and Jacobean writers of English prose”(Ryan, 292)

The Cambridge-educated Ascham, one of the best known of the English humanists, produced two works that had a great influence on the use of English as a literary language as well as on the education of children and the conduct of English gentlemen.

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ISTC S100261, S100277, S100282; STC 834, 838, 830

The City of God

Augustine, Saint, of Hippo (354-430 AD); Vives, Juan Luis (1492-1540); Healy, John [translator] (d. 1610)
Saint Augustine, Of the citie of God : with the learned comments of Io. Lodouicus Viues. Englished first by J. H. and now in this second edition compared with the Latine originall, and in very many places corrected and amended.

London: Printed by G. Eld and M. Flesher, 1620

Folio: 32.3 x 21.5 cm. ¶4, A-Z6, Aa-Zz6, Aaa-Zzz6, Aaaa-Dddd6 (lacks blank ¶1).

$8,500.00

This second edition was revised by William Crashaw (1572-1626), father of the poet Richard Crashaw, and includes the commentary of Juan Luis Vives (first published in Basle, 1522), which Vives wrote at the suggestion of Erasmus.

"Fifteen years after Augustine wrote the Confessions, at a time when he was bringing to a close (and invoking government power to do so) his long struggle with the Donatists but before he had worked himself up to action against the Pelagians, the Roman world was shaken by news of a military action in Italy.

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STC 917; Estelrich 119. Pforzheimer 19

The Monuments of Ancient Rome Engraved by Piranesi’s Collaborator & Rival

Barbault, Jean (1718-1762)
Les Plus Beaux Monuments De Rome Ancienne. Ou Recueíl Des Plus Beaux Morceaux de L'Antiquité Romaine Qui Existent Encore: Dessinés Par Monsieur Barbault Peintre Ancien Pensionnaire Du Roy a Rome, Et Gravés, en 128 Planches Avec Leur Explication.

Rome: Chez Bouchard et Gravier Libraires François rüe du Cours près de Saint Marcel, de l 1761

Large Folio: 51 x 35.5 cm. VIII, 90 pp. Collation: [π]1, [a]-[c]1, A-Z, Aa-Yy1. With 73 added plates. Complete.

$16,000.00

The French artist Jean Barbault arrived in Rome in 1747 and quickly became involved with the circle of Piranesi, with whom he worked on the “Varie Vedute di Roma Antica e Moderna” and for whose “Antichità Romane” he contributed figures for 14 plates “thus becoming one of the few official collaborators” of Piranesi. Barbault’s own views appeared 7 years after his collaboration with Piranesi.

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La Cicognara 3593; Fowler 37; Millard IV, no. 13; RIBA, Early Printed Books, 184

The Monuments & Art of Roman Italy - With 166 Engravings - A Companion to Barbault’s “Les Plus Beaux Monuments De Rome Ancienne” - Barbault’s Rarest Work

Barbault, Jean (1718-1762)
Recueil De Divers Monumens Anciens Répandus En Plusieurs Endroits De L'Italie. Dessinés Par Feu Monsieur Barbault Peintre Pensionnaire Du Roi A Rome, Et Gravé En 166 Planches Avec Leur Explication Historique Pour Servir De Suite Aux Monuments De Rome Ancienne.

Rome: Chez Bouchard & Gravier Libraires françois rüe du Cours près de Saint Marcel, 1770

Large Folio: 52 x 38.5 cm. [6], 54 pages, 104 plates. The book is composed of large bi-folia, many comprising a large printed plate of engravings and a text leaf. The plates are not tipped-in or mounted on guards; they are integral to the sewn gatherings.

$18,000.00

Intended as a companion to Barbault’s “Les Plus Beaux Monuments De Rome Ancienne”(1761), the “Recueil De Divers Monumens Anciens”(1770) is Barbault’s rarest work. As with the “Monumens Anciens”, the “Recueil” comprises engravings and descriptions of ancient Roman architecture, monuments, and sculpture.

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RIBA, Early printed books, 1 (1994), 185; Rossetti G-1254

Magnificent Views of Medieval, Renaissance and Baroque Rome. A Masterpiece By Piranesi’s Collaborator & Rival

Barbault, Jean (1718-1762); Montagù, Domenico (d. 1767)
Les Plus Beaux Édifices De Rome Moderne, Ou Recueíl Des Plus Belles Vües Des Principales Églises, Places, Palais, Fontaines &c. Qui Sont Dans Rome Dessinées Par Jean Barbault Peintre, Ancien Pensionnaire Du Roy a Rome, Et Gravées en XLIV. Grandes Planches et Plusieurs Vignettes; Par D’Habiles Maitres. Avec La Description Historique De Chaque Edifice.

Rome: Chez Bouchard et Gravier Libraires françois rüe du Cours près l’Eglise de S. Marcel, de l 1763

Large Folio: 53.5 x 40 cm. [vi], 72 pp. Collation: [π]3, A-Z1, Aa-.Nn1. With 44 double-paged plates. Complete.

$28,000.00

The French artist Jean Barbault arrived in Rome in 1747 and quickly became involved with the circle of Piranesi, with whom he worked on the “Varie Vedute di Roma Antica e Moderna” and for whose “Antichità Romane” he contributed figures for 14 plates “thus becoming one of the few official collaborators” of Piranesi. Barbault’s own views of the ancient city appeared 7 years after his collaboration with Piranesi; the present work on “Rome Moderne” appeared two years later, the year that Barbault died.

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Berlin Catalogue 2712; Millard IV, 14; Not in Fowler

Behn's Only Complete Volume of Verse

Behn, Aphra (1640-89)
Poems upon Several Occasions with a Voyage to the Island of Love. By Mrs. A. Behn.

London: Printed by R. Tonson and J. Tonson, at Gray 1684

Octavo: 17.6 x 11.5 cm. A8, (b)8, B-K8, L1; B-I8 (L1 bound last)

$18,000.00

The poems of the celebrated Aphra Behn, with nine prefatory poems in praise of Behn and her writings, including one by Thomas Creech and an anonymous poem sometimes attributed to Dryden. Behn, best known for her contributions to Restoration drama, was the first professional woman writer to produce a substantial body of work in English. The "Poems" is the only 17th c. volume dedicated solely to Behn's poetry.

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O’Donnell “Aphra Behn, an Annotated Bibliography of Primary and Secondary Sources” A18.1a; Wing B1757; Term Catalog 2, 73 (Easter 1684) Case “A Bibliography of English Poetical Miscellanies” 1521-1750), 184b

With Verses by Aphra Behn. A Fantastic, Large-Paper Copy

Behn, Aphra (1640-89); Aesop (ca. 620-564 B.C.); Barlow, Francis (1626?-1702)
Aesop’s fables with his life: in English, French and Latin. Newly translated. Illustrated with one hundred and twelve sculptures. To this edition are likewise added, thirty one new figures representing his life. By Francis Barlow.

London: Printed by H. Hills jun. for Francis Barlow, and are to be sold by Chr. Wilkinson at the Black-boy against St. Dunstan’s Church in Fleet-street, Tho. Fox in Westminster-hall, and Henry Faithorne at the Rose in St. Paul’s Church-yard, 1687

Folio: 36.3 x 22.8 cm. [8], 40; 40; 17, 2-221, [3] p. COLLATION: π1(printed title), a2, B-L2; B-L2, B-Z2, Aa-Zz2, Aaa-Ppp2.

$28,000.00

For this second edition of his magnificent production, Barlow commissioned Aphra Behn, then at the height of her popularity as a playwright and poet, to write verses to be engraved on the 110 plates illustrating the fables. In order to substitute Behn’s verses for those of Thomas Philipot (d. 1682), the lower area of the plate needed to be burnished down and the new verses engraved onto the plate in place of the earlier ones.

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Wing (CD-ROM, 1996), A703

Astronomy and Meteorology; Flora and Fauna: The Natural World in the Middle Ages. With 15th c. Provenance. Bound at the Monastery of St Zeno

Berenger of Landorra, Archbishop of Santiago de Compostela (circa 1262-1330), and Gregory of Vorau (ed. Matthias Farinator)
Lumen Animae. Incipit: Liber moralitatum elegantissimus magnarum reru[m] naturalium lumen anime dict[us]: cu[m] septe[m] apparitorib[us] necno[n] sanctoru[m] doctoru[m] orthodoxe fidei p[ro]fessorum Poetaru[m] etia[m] ac oratoru[m] auctoritatib[us] p[er] modum pharatre s[e]c[un]d[u]m ordine[m] alphabeti collectis feliciter incipit.

Strasbourg: Printer of the 1481 Legenda aurea, 22 March 1482

Folio: 29.2 x 21.8 cm. 274 unsigned leaves. [A-C]8, [D]10; [a-m]8, [n]6,[o-z]8, [aa-ff]8, [gg]10. Complete with the initial and final blanks.

$35,000.00

The arrival of printed books is so often regarded as one of the inaugural moments of the renaissance that it is sometimes forgotten that the first years of print also represented the last great flowering of the Middle Ages. The “Lumen Anime” (Light of the Soul), is testament to that. Formerly attributed to the Carmelite friar Mathias Farinator of Vienna (who compiled the index), the “Lumen Anime” is now known to be Berenger of Landorra, General of the Dominican order and archbishop of Campostella from 1317 to 1325.

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BMC I, 97; Hain-Copinger 10333*; Goff L-396; Proctor 413; Polain 1468; Wellcome I, 2175; Klebs 631.3; Thorndyke III, 546ff. Sources: Mary A. and Richard H. Rouse, ‘The Texts called Lumen Anime,’ Archivum Fratrum Praedicatorum, 41 (Rome, 1971), 5-113; N.R. Ker, Records of All Soul’s College Library. 1437-1600 (Oxford, 1971), 27.

With an Engraving of Besler’s Wunderkammer & 31 Engraved Plates of Specimens

Besler, Basilius (1561-1629)
Continvatio rariorvm et aspectv dignorvm varii generis quae collegit et svis impensis aeri ad vivvm incidi cvravit atqve evvlgavit

Nuremberg, by the author, [chronogram date] 1622

Oblong Quarto: 29.2 x 20.5 cm. Contents: Engraved title page, 1 leaf of letterpress, 31 engraved plates. Complete.

$28,000.00

Both the Fasciculus and Continuatio are quite rare. For the U.S., OCLC records only 2 copies of the Fasciculus (Harvard and Yale) and only 5 copies of the Continuatio (Chicago Botanic Garden, Linda Hall, Getty, Johns Hopkins, and Philadelphia Academy of Natural Sciences.)

Basil Besler (1561-1629), compiler of the celebrated Hortus Eystettensis, 1613, was a Nuremberg apothecary and one of the first to assemble a natural history Wunderkammer.

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Wellcome 826; Nissen ZBI 345

Rome & The Papal States. The Very Rare “Theatrum Italiae”. With 118 Folding & Full page Engraved Illustrations

Blaeu, Joan (1596-1673)
Theatrvm civitatvm et admirandorvm Italiae / ad aevi veteris & praesentis temporis faciem expressum a Ioanne Blaeu, G.F.

Amsterdam: Typis Joannis Blaeu, 1663

Two Large Folio Volumes: 56 x 38 cm. Vol I: 2 ff. (General printed title conjugate with dedication), 2 ff. ("Ad lectorem"), 1 f. (Dedication), 2 ff. (Printed section title, half title), 1-253 pp., 1 f. (Index leaf). Illustrated with an engraved frontispiece and 74 plates.

$75,000.00

A fine set of one of Joan Blaeu’s most magnificent productions. This set is very rare, owing probably to the fire that ravaged Blaeu’s workshop in 1672, the year before the publication of these “town books”. This copy has an additional plate, not recorded by Koeman, of the Obeliscus Pamphilius, in volume 2.

The two volumes are profusely illustrated with town views, architectural plans, ancient, Renaissance, and Baroque architecture (including many villas); and sculpture.

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Koeman, C. Atlantes Neerlandici; Bl 72.; Koeman, C. Atlantes Neerlandici; Bl 73; Philippsa, 4039; Cremonini, 39

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