Full Inventory

Sort by price high to low, price low to high, author, date high to low, date low to high.

The Jesuit Astronomical Observatory at Beijing. With 105 Double-Page Woodcuts of Astronomical Instruments & the Observatory

Verbiest, Ferdinand, S.J. (1623-1688)
Ling-t’ai I-hsiang t’u or Hsin-chih I-hsiang t’u [trans.: A Newly Made Collection of Astronomical Instruments]

[Beijing: presented to the Emperor 6 March 1674

Small folio, Two Volumes: 39.5 x 19.9 cm. 106 double-page woodcuts.

$750,000.00

First edition, printed by the Jesuits in Beijing, of this magnificent woodcut book depicting the observatory and scientific instruments designed by the Jesuits for the emperor of China. This is a very rare book and one of the greatest masterpieces of Sino-European printing. This is one of only 46 copies known (of which 3 can no longer be located) and is 1 of only 2 copies known to still be in private hands.

>FULL DESCRIPTION<

Chapman, Allan, “Tycho Brahe in China: the Jesuit Mission in Peking and the Iconography of European Instrument-making Processes: in Annals of Science, Vol. 41 (1984), pp. 417-43–(gving a detailed technical exposition of the illustrations in this work). Cordier, Sinica, 1451. Golvers, Ferdinand Verbiest, S.J. (1623-1688) and the Chinese Heaven, no. LO 12 in his census. Sommervogel VIII, 575.

A Fascinating & Important 14th Century Pharmaceutical Manuscript

Matthaeus Platearius [attributed] (ca. 1250), Albertus Magnus (before 1200-1280), Walter Agilon (ca. 1240), et alii.
Circa instans negotium in simplicibus medicinis …”: (Concerning medical simples…). [Together with Walter Agilon’s “De dosis medicinarum”, Albertus Magnus’, “Tractatus de herbis”, and other texts.]

Northwest Germany: 3rd quarter of the 14th c., ca. 1386

Folio: 29.5 x 21 cm. 98 lvs. Text in 2 columns of 38 to 44 lines. Complete.

$200,000.00

Contents: (see also the discussion of these texts on pages 2-3 of this description): I. Matthaeus Platearius (attrib.) “Circa instans” (p. 1-101); II. Walter Agilon, De dosis medicinarum” (p. 101-113); III. Anon., “Ars medicinarum laxativarum” (p. 113-126); IV. Bartholomeo da Varignana, “Practica a capite usque ad pedes” (excerpt) (p.

>FULL DESCRIPTION<

1. See P.O. Kristeller, ‘The School of Salerno: its development and contribution to the history of learning’, in Studies in Renaissance Thought and Letters, 1956.

“Perhaps the First to Use a Keplerian Telescope for Regular Planetary Observation” (King)

Fontana, Francesco (1602-1656)
Novae Coelestium Terrestriumq[ue] Rerum Observationes, et fortasse hactenus non vulgatae à Francisco Fontana, specillis a se inventis, et ad summam perfectionem perductis editae.

Naples: Apud Gaffarum, Mense Februarii, 1646

$85,000.00

A truly remarkable work, the  “Observationes” has been called the first true lunar atlas (preceding that of Hevelius by one year.) Moreover, the work includes the first illustrations of the planet Mars made from telescopic observation (in 1636 and 1638). The first chapter includes a very early history of the telescope. Fontana claims to have invented both the “Keplerian” telescope (composed of two convex lenses) in 1608, and the compound microscope (consisting of two converging lenses, one functioning as objective, the other as eyepiece) in 1618; while his claims to have invented these instruments have been proven untrue, Fontana did in fact construct and use both of these instruments and with them he observed Mars, Venus, Jupiter, Saturn, and the Moon; as well as fleas, flies, ants, bees and human hairs.

>FULL DESCRIPTION<

Carli and Favaro 211; Houzeau and Lancaster II, 1328; Riccardi I/1 467 (‘raro ed apprezzato’); Literature: King, The History of the Telescope p. 46; Clay, The History of the Microscope p. 9; Ashworth, The Face of the Moon: Galileo to Apollo, p. 4)

European Astronomy in 17th c. China. With the Engraving of The Astronomical Observatory in Beijing

Verbiest, Ferdinand, S.J. (1623-1688)
Astronomia Europaea sub Imperatore Tartaro Sinico Cam Hy appellato ex umbra in lucem revocata

Dillingen: Typis & sumptibus Joannis Caspari Bencard, 1687

Quarto: 19 x 16 cm. (8), 126, (2) p. Collation: )(4, A-Q4

$84,000.00

Verbiest and the New Chinese Astronomical Observatory:

In 1669 the Belgian Jesuit Ferdinand Verbiest, with the blessing of the K’ang Hsi Emperor, embarked upon a project to build a new Imperial astronomical observatory of Beijing (Peking). The construction of the new observatory, the replacement of the outdated and far less accurate Chinese instruments, and the introduction of European instruments that used the Western sexagesimal system of 360 degrees (rather than the Chinese system), marked, in a concrete way, the full adoption of European science by the Chinese, a process that had been underway since the beginning of the 17th century, and which had been fraught with set-backs, controversy, and violent opposition.

>FULL DESCRIPTION<

De Backer-Sommervogel, VIII, 580, 24; Streit, Bibliotheca Missionum, V, 2267, III, 14; Cordier, Sinica 1451; Walravens, China illustrata 198; Löwendahl, China illustrate Nova, I, 185; Golvers, ed. The Astronomia Europaea of Ferdinand Verbiest, S.J.; Golvers, Ferdinand Verbiest, S.J. (1623-1688) and the Chinese Heaven

Rome & The Papal States. The Very Rare “Theatrum Italiae”. With 118 Folding & Full page Engraved Illustrations

Blaeu, Joan (1596-1673)
Theatrvm civitatvm et admirandorvm Italiae / ad aevi veteris & praesentis temporis faciem expressum a Ioanne Blaeu, G.F.

Amsterdam: Typis Joannis Blaeu, 1663

Two Large Folio Volumes: 56 x 38 cm. Vol I: 2 ff. (General printed title conjugate with dedication), 2 ff. ("Ad lectorem"), 1 f. (Dedication), 2 ff. (Printed section title, half title), 1-253 pp., 1 f. (Index leaf). Illustrated with an engraved frontispiece and 74 plates.

$75,000.00

A fine set of one of Joan Blaeu’s most magnificent productions. This set is very rare, owing probably to the fire that ravaged Blaeu’s workshop in 1672, the year before the publication of these “town books”. This copy has an additional plate, not recorded by Koeman, of the Obeliscus Pamphilius, in volume 2.

The two volumes are profusely illustrated with town views, architectural plans, ancient, Renaissance, and Baroque architecture (including many villas); and sculpture.

>FULL DESCRIPTION<

Koeman, C. Atlantes Neerlandici; Bl 72.; Koeman, C. Atlantes Neerlandici; Bl 73; Philippsa, 4039; Cremonini, 39

The First Illustrated Edition of Horace (1498)

Horace. Horatius Flaccus, Quintus (65-8 B.C.)
Opera cu[m] quibusdam Annotat[i]o[n]ib[us]. Imaginibusq[ue] pulcherrimis aptisq[ue] ad Odarum conce[n]tus & sente[n]tias.

Strasbourg: Johann Reinhard, called Grüninger, 12 March, 1498

Folio: 298 x 222 mm. Collation: [*]6, A-V6, X-Z6, AA-II6, KK-LL8; [**]6

$60,000.00

This copy is partially rubricated and is annotated, in Latin, throughout in at least two contemporary hands. The early annotations are intact, having been spared by the binder’s knife, and consist of metrical notations, citations from other authors, and comments. There are also two glosses in Greek (leaves S6v and FF1r) as well as an apparent note in German (leaf FF6). An added manuscript index for the “Epistolae” is bound after the final text leaf.

>FULL DESCRIPTION<

Hain 8898; Goff H 461; BMC I, 112; Polain 1989; Proctor 485; Walsh 182; Fairfax Murray (German) 205; Rosenwald Collection 188; Dibdin, Bibl. Spenceriana II, 87-95. For Grüninger, his illustrated books, and Locher’s edition of Horace, see Mark Morford, Johann Grüninger of Strasbourg in “Syntagmatia: Essays on Neo-Latin Literature in Honour of Monique Mund-Dopchie and Gilbert Tournoy (Humanistica Lovaniensia, XXVI) 2009

The First Printed Illustrations of the Constellations

Hyginus, Caius Julius (fl. 2nd century)
Poeticon astronomicon. Edited by Jacobus Sentinus and Johannes Lucilius Santritter.

Venice: Erhard Ratdolt, 14 October, 1482

Quarto: 20 x 14.6 cm. Collation: a-f8 g10 (a1 blank, a2r dedication to M. Fabius [Quintilianus?], a3r text, g9r commendatory poem by Jacobus Sentinus, g10r poem and verse colophon by Johannes Santritter, g10v blank). 58 leaves. 31 lines. Types 3:91G (text), 7:92G (heading on a2r), 91 Gk (a few words). Title on a2r printed in red, 11-, 7-, 5- and 3-line white-on-black woodcut initials. 47 half-page woodcuts, probably designed by Johannes Santritter, of the constellation and planet figures.

$45,000.00

FIRST ILLUSTRATED EDITION of Hyginus’ “Poeticon Astronomicon”, illustrated with 47 half-page woodcuts of the constellations and the planets personified. The text is set in a pleasing Gothic. The text of Hyginus was first published in an unillustrated edition at Ferrara in 1475.

The “Poeticon Astronomicon” (more correctly, the “Astronomica”) is an ancient Roman work on the constellations chiefly based on the work of the Greek scientist Eratosthenes (3rd c.

>FULL DESCRIPTION<

BMC V, 286; BSB-Ink H-459; CIBN H-334; Essling 285; Goff H-560; HC 9062*; Hind II, p. 462; IGI 4959; Klebs 527.2; Pollard/Perrins 31; Redgrave 30; Sander 3472

Two of the most important literary works of the English Renaissance, Together with Ascham’s Essay on Historiography - With Manuscript waste from a 15th c. Breviary with several lines in Middle English

Ascham, Roger (1514/15-1568)
The Scholemaster or plaine and perfite way of teaching children, to vnderstand, write, and speake, the Latin tong, but specially purposed for the priuate bringing vp of youth in Ientlemen and Noble mens houses b/w Toxophilus, the schole, or partitions of shooting b/w A Report and Discourse written by Roger Ascham of the affaires and state of Germany and the Emperour Charles his court, duryng certaine yeares while the said Roger was there.

London: Printed by Iohn Daye, dwelling ouer Aldersgate, [1571], London: In Fletestreate neare to Saint Dunstones Churche by Thomas Marshe, 1571, London, Printed by Iohn Daye, dwelling ouer Aldersgate, ca. 1570

Quarto: Three volumes bound as one: 19.5 x 14.2 cm. I. [manicule]2, B-T4. II. *4, A-H8, III. A-I4

$45,000.00

I. “The Schoolmaster”:

“The indispensable link between the earlier Tudor writers and the great Elizabethan and Jacobean writers of English prose”(Ryan, 292)

The Cambridge-educated Ascham, one of the best known of the English humanists, produced two works that had a great influence on the use of English as a literary language as well as on the education of children and the conduct of English gentlemen.

>FULL DESCRIPTION<

ISTC S100261, S100277, S100282; STC 834, 838, 830

One of the Most Sought-after Illustrated Books of English Poetry

Heywood, John (1497?-1580?)
The Spider and the Flie. A parable of the Spider and the Flie, made by John Heywood

London: in Flete Streete By Thomas Povvell, 1556

Quarto: 19 x 14.5 cm. A-C4, A-Z4, Aa16, Bb6, Cc8, Dd12, Ee16, Ff14, Gg8, Hh-Ss4.

$42,000.00

“‘The Spider and the Flie’ is an allegorical mock-heroic bestiary in rhyme royal by John Heywood. It was printed in 1556 but, according to Heywood’s epilogue, was begun nineteen years earlier. The time span between composition and publication may account in part for the generally acknowledged obscurities and inconsistencies of Heywood’s political and religious allegory.

>FULL DESCRIPTION<

STC 13308; Grolier, Langland to Wither, 137. Pforzheimer 469; McKerrow & Ferguson 50

The Works of William Tyndale: The Most Important Figure of the Early English Reformation

Tyndale, William (ca. 1494-1536), Frith, John (1503-1533); Barnes, Robert (1495-1540)
The Whole Workes of W. Tyndall, John Frith, and Doct. Barnes, three most worthy Martyrs, and principall Teachers of this Churche of England, collected and compiled in one Tome togither, before beyng scattered, & now in Print here exhibited to the Church …

London: Printed by John Daye, and are to be sold at his Shop … An. 1572 1573

Folio: pp. [14], 478, [18, index], [4], 3-172, [4, index], [8], 183-376, [4]. A4, B4(-B4) C-Y4 Aa-Yy6 AA-BB6 CC6(±CC3) DD-EE6, FF-GG4 HH6(-HH1) II-XX6 YY4 *3A4 3A6(-3A1) 3B-3Q6 3R4. Complete.

$42,000.00

First edition, edited by John Foxe, of the works of Tyndale, Frith, and Barnes, with brief lives drawn from his Book of Martyrs. The works of Tyndale, translator of the Bible into English, occupy the better part of the volume.

 

‘We have great cause to geeve thankes to the high providence of the almighty God, for the excellent arte of Printing, most happely of late found out, and now commonly practised every where, to the singular benefite of Christes Church … Wherfore such Printers in my mynde, are not to be defrauded of their due commendation, who in pretermitting other light triflyng pamflets of matter unneedful, and impertinent, little serving to purpose, lesse to necessitie, doe employe their endeavour and workemanship chiefly to restore such fruitfull workes and monumentes of auncient writers, and blessed Martyrs: who as by theiry godly lyfe, and constant death, gave testimonie to the trueth …’ (Preface).

>FULL DESCRIPTION<

STC 24436; Luborsky & Ingram. Engl. illustrated books, 1536-1603, 24436; McKerrow & Ferguson 76

An Impressive Sammelband of Gesner’s Complete Zoological Works. Illustrated with over 1,000 Woodcuts

Gesner (also Gessner), Conrad (1516-1565)
Vogelbuch: darinn die Art, Natur unnd Eigenschafft aller Vöglen, sampt irer waren Contrafactur angezeigt wirdt : allen Liebhabern der Künsten, Artzeten, Maleren, Goldschmiden, Bildschnitzeren, Seydenstickeren, Weydleüten unnd Köchen, nit allein lustig zu erfaren, sunder gantz nutzlich und dienstlich zebrauchen. erstlich durch Doctor Conradt Geßner in Latin beschrieben, neüwlich aber durch Rudolff Heüßlin mit Fleyß in das Teütsch gebracht unnd in eine kurtze Ordnung gestelt.

$38,000.00

A magnificent sammelband, bound in alum-tawed pigskin over beveled wooden boards, lacking one clasp. Binding soiled and with slight wear but still very fine. The boards are ruled and tooled in blind with medallion portrait heads and Biblical figures. The text of all four volumes is in excellent condition. There is one small tear to the lower corner of leaf B2, with loss of a few letters. One of the birds in the first work has been nicely colored by a 16th c.

>FULL DESCRIPTION<

VD 16, G 1736, 1729, 1742 und 1745; Nissen 1552, 1555 and 1557

Renaissance Science and its Medieval Antecedents

Sacrobosco, Johannes de (ca. 1195 – ca. 1256 A.D.); Regiomontanus, Johannes (1436-1476); Peurbach, Georg von (1423-1461)
Sphaera mundi [with] Johannes Regiomontanus: Disputationes contra Cremonensia deliramenta [and] Georg von Peurbach: Theoricae novae planetarum.

Venice: Erhard Ratdolt, 6 July 1482

Quarto: 19.5 x 14.3 cm. 60 lvs. Collation: a-g8, h4. 30-31 lines, Gothic type

$38,000.00

A fine copy of Erhard Ratdolt’s beautiful printing of Sacrobosco’s “Sphere”, the core astronomical textbook from the Middle Ages to the early 16th century. This edition is the first to include key texts by two of the most influential 15th c. astronomers: Johannes Regiomontanus and Georg Peurbach.

Working in the vein of the Renaissance humanists, Peurbach and his student Regiomontanus sought out the extant scientific writings of antiquity, the classical foundations of medieval European and Arabic science.

>FULL DESCRIPTION<

ISTC ij00405000; BMC V 286; Goff J405; Hain-Copinger 14110

Astronomy and Meteorology; Flora and Fauna: The Natural World in the Middle Ages. With 15th c. Provenance. Bound at the Monastery of St Zeno

Berenger of Landorra, Archbishop of Santiago de Compostela (circa 1262-1330), and Gregory of Vorau (ed. Matthias Farinator)
Lumen Animae. Incipit: Liber moralitatum elegantissimus magnarum reru[m] naturalium lumen anime dict[us]: cu[m] septe[m] apparitorib[us] necno[n] sanctoru[m] doctoru[m] orthodoxe fidei p[ro]fessorum Poetaru[m] etia[m] ac oratoru[m] auctoritatib[us] p[er] modum pharatre s[e]c[un]d[u]m ordine[m] alphabeti collectis feliciter incipit.

Strasbourg: Printer of the 1481 Legenda aurea, 22 March 1482

Folio: 29.2 x 21.8 cm. 274 unsigned leaves. [A-C]8, [D]10; [a-m]8, [n]6,[o-z]8, [aa-ff]8, [gg]10. Complete with the initial and final blanks.

$35,000.00

The arrival of printed books is so often regarded as one of the inaugural moments of the renaissance that it is sometimes forgotten that the first years of print also represented the last great flowering of the Middle Ages. The “Lumen Anime” (Light of the Soul), is testament to that. Formerly attributed to the Carmelite friar Mathias Farinator of Vienna (who compiled the index), the “Lumen Anime” is now known to be Berenger of Landorra, General of the Dominican order and archbishop of Campostella from 1317 to 1325.

>FULL DESCRIPTION<

BMC I, 97; Hain-Copinger 10333*; Goff L-396; Proctor 413; Polain 1468; Wellcome I, 2175; Klebs 631.3; Thorndyke III, 546ff. Sources: Mary A. and Richard H. Rouse, ‘The Texts called Lumen Anime,’ Archivum Fratrum Praedicatorum, 41 (Rome, 1971), 5-113; N.R. Ker, Records of All Soul’s College Library. 1437-1600 (Oxford, 1971), 27.

Froissart’s Chronicles - The Bute Copy - In a Contemporary London Binding

Froissart, Jean (1338?-1410?); Bourchier, John, Lorde Berners (1467–1533), translator
Here begynneth the fyrst volum of Syr Iohan Froyssart: of the cronycles of Englande, Fraunce, Spayne, Portyngale, Scotlaude [sic], Bretayne, Flaunders: and other places adioynynge. Translated out of frenche into our materall [sic] Englysshe tonge, by Iohan Bouchier [sic] knyght lorde Berners: at the co[m]maundement of our moste highe redouted souerayne lorde kynge Henry the. viii. kynge of Englande Frau[n]ce, [and] Irelande defe[n]dour of the fayth and of the churche of Englande and also of Irelande in earth the supreme heade

London: In Fletestrete at the sygne of the George by. [Richard Redman, ca. 1535, and] Wyllyam Myddylton, 1542

$35,000.00

Chronicling the Anglo-French wars that took place between the years 1327 and 1400, Jean Froissart’s “Chroniques de France, d'Angleterre et des pais voisins” is an undisputed masterpiece of 14th c. chivalric literature. It was translated into English by John Bourchier, Lorde Berners (1467–1533) at the command of Henry VIII “to remind Englishmen that France was their traditional enemy and to inspire its readers to feats of glory on the battlefield.

>FULL DESCRIPTION<

Vol. I: STC 11396.5; ESTC S121320. Vol. II: STC 11397; ESTC S121319

The First Edition of Spenser’s Complaints. The Sole 16th Century Edition

Spenser, Edmund (ca.1552-1599)
Complaints. Containing sundrie small poemes of the worlds vanitie. VVhereof the next page maketh mention. By Ed. Sp.

London: Imprinted by Thomas Orwin for VVilliam Ponsonbie, dwelling in Paules Churchyard at the signe of the Bishops head, 1591

Quarto: 18.5 x 14 cm. [184] p. Collation: A-Z4 (lacking final blank Z4)

$35,000.00

The contents are as follows: 1. The Ruines of Time. 2. The Teares of the Muses. 3. Virgils Gnat. 4. Prosopopoia, or Mother Hubberds Tale. 5. The Ruines of Rome: by Bellay. 6. Muiopotmos, or The Tale of the Butterflie. 7. Visions of the Worlds vanitie. 8. Bellayes visions. 9. Petrarches visions.

“Of the nine poems in the volume, four are sonnet sequences while the others are in rhyme royal, ottava rima, sixaines, or couplets.

>FULL DESCRIPTION<

Johnson, A Critical Bibliography of the Works of Edmund Spenser printed before 1700, No. 14; STC (2nd ed.), 23078; Pforzheimer, 968

The Controversy over the use of Telescopic Sights. Hevelius observes the Skies with Edmond Halley Two Months Before his Observatory is Lost to Fire

Hevelius, Johannes (1611-1687)
Johannis Hevelii Annus climactericus, sive Rerum uranicarum observationum annus quadragesimus nonus; exhibens diversas occultationes, tam planetarum, quàm fixarum post editam machinam coelestem; nec non plurimas altitudines meridianas solis, ac distantias planetarum, fixarumq́ue, eo anno, quousque divinaconcessit benignitas, impetratas: cum amicorum nonnullorum epistolis, ad rem istam spectantibus: & continuatione historiae novæ stellæ in collo Ceti, ut & annotationum rerum coelestium ...

Danzig: Sumptibus auctoris, typis D.F. Rhetii, 1685

Folio: 34.8 x 22.5 cm. [6] lvs. 24, 196 pp. Collation: )( 6, )(4, )()(4, )()()(4, A-Z4, AA6. With engraved title page vignette and 7 (1 double-page) engraved plates.

$35,000.00

“Annus Climactericus” was the last of Hevelius’ works published in the author’s lifetime. The book comprises observations of the planets, sun, moon, and fixed stars, many of which were made alongside the English astronomer Edmond Halley. The observations were made from 8 January until 25 September 1679, subsequent to the publication of the second volume of Hevelius’ “Machina Coelestis”, almost the entire press run of which was lost in the fire that destroyed Hevelius’ observatory on 26 September 1679.

>FULL DESCRIPTION<

VD17 39:125045B; DSB 6, 363; Honeyman 1675. For a thorough discussion of the Hevelius-Hooke controversy, see Saridakis, “Converging Elements in the Development of Late Seventeenth-Century Disciplinary Astronomy: Instrumentation, Education, and the Hevelius-Hooke Controversy”, p. 129 ff.; For an assessment of the relative accuracy of Halley’s and Hevelius’ computations at Danzig, see Cook, “Edmond Halley: Charting the Heavens and the Seas”, p. 93 ff.; For Hevelius’ work on the binary star Mira Ceti, see Hatch, “Hevelius- History and Identity”, in “Change and Continuity in Early Modern Cosmology”, p 158 ff.; For D. Capellus’ contemporary account of the fire and a detailed inventory of Hevelius’ losses, see MacPike, “Hevelius, Flamsteed, Halley”, Appendix I. (London, 1937)

First Edition of Coryate’s Bizarre Travelogue. A Fascinating Account of An Adventurer in Europe

Coryate, Thomas (1577-1617)
Coryats crudities; hastily gobled vp in five moneths trauells in France, Sauoy, Italy, Rhetia co[m]monly called the Grisons country, Heluetia aliàs Switzerland, some parts of high Germany, and the Netherlands; newly digested in the hungry aire of Odcombe in the county of Somerset, & now dispersed to the nourishment of the trauelling members of this kingdome

London: printed by William Stansby for the author, 1611

Quarto: 20.5 x 15.5 cm. π1 (engraved title page), π1 (printed title), a3, b4, π1(woodcut arms), a4-8, b8, c-g8, h-l4, B-C8, D1, (+D1-3), D2-8, E-Z8; Aa-Zz8; Aaa-Ccc8, Ddd4, [Eee]1, signed “Eee3”, [Fff]1 (unsigned).

$32,000.00

First edition of one of the earliest travelogues in English, written by Thomas Coryate (1577-1617), one of the great English eccentrics and travellers.

“Coryate joined the household of Henry, Prince of Wales. Driven by curiosity he sailed from Dover in 1608 and arrived soon in Paris, 'which he found even filthier and smellier than London. At Fontainebleau he was befriended by members of Henri IV's garde écossaise and saw more of the royal household than would normally have been permitted to chance visitors.

>FULL DESCRIPTION<

ESTC S108716; Pforzheimer, 218

The Lyon Vergil

Vergil (Publius Vergilius Maro) (70-19 B.C.)
Opera Vergiliana docte & familiariter exposita: docte guide[m] Bucollica & Georgica a Servio, Donato, Mancinello & Probo nuper addito, cum adnotationib[us] Beroaldinis, Aeneis vero ab ijde[m] pr[a]eter Mancinellum & Probu[m] & ab Augustino Datho in ejus principio, Opusculoru[m] pr[a]eterea q[uae]da[m] ab Domitio Calderino. familiariter vero o[mn]ia ta[m] opera q[uam] opuscula ab Jodoco Badio Ascencio

Lyon: Jacobus Saçon for Ciriacus Hochperg, 1517

Folio: 30.8 x 21.5 cm. Collation: Pt. I: 216 lvs. Collation:*10, a-z8, aa-bb8, cc6 (cc6 blank). Pt. II: 342 lvs. Collation: ††8, A-Z8, AA-QQ8, RR-SS6, TT10

$30,000.00

These blocks were cut for Grüninger’s 1502 edition of Vergil, the first illustrated Vergil. The book, edited by Sebastian Brant, was extraordinary in the number and variety of its illustrations. “Grüninger’s artist applied to the work a skilled hand and a lively imagination… The blocks must have passed to Saçon at Lyon shortly after the printing of the Strasbourg 1515 edition of Thomas Murner’s German translation of the ‘Aeneid,’ described in Murray’s catalogue of German books, vol.

>FULL DESCRIPTION<

Brunet V 1282; Baudrier vol 12, pp. 344-346; Renouard, Badius Ascensius, vol. 3 p. 370-372, no. 11. Cf. Eleanor Winsor Leach, "Brant's and Dryden's Editions of Vergil" in "The Early Illustrated Book", pp. 176 ff.) and Rabb, Theodore K. "Sebastien Brant and the First Illustrated Edition of Vergil." in "Princeton University Library Chronicle 21", 1960: 187-99.

The Cornerstone of Prison Literature. The Heber-Britwell copy

Boethius, Anicius Manlius Severinus (480-525 A.D.); Coleville, George, translator (fl. 1556)
Boetius de Consolationae [sic] Philosophiæ. The boke of Boecius, called the comforte of philosophye, or wysedome, moche necessary for all men to read and know, wherein suche as be in aduersitie, shall fynde muche consolation and comforte, and suche as be in great worldly prosperitie may knowe the vanitie and frailtie therof, and consequently fynde eternall felycytie. And this boke is in maner of a dialoge or communication betwene two persones, the one is Boecius, and the other is Philosophy, whose disputations and argumentes do playnly declare the diuersitie of th lyfe actiue, that consisteth in worldly, temporall, and transitory thynges, ... Translated out of Latin into the Englyshe toungue by George Coluile, alias Coldewel, to thintent that such as be ignoraunt in the Latin tongue, and can rede Englyshe, maye vnderstande the same. And to the mergentes is added the Latin, accordynge to the boke of the translatour, whiche was a very olde prynte

London: In Paules churche yarde at the sygne of the holy Ghost, by Ihon Cawoode, prynter to the Kynge and Quenes Maiesties, 1556

Quarto: 20 x 14 cm. [A]4, B-Z4, Aa-Ff4 (blank Ff4 lacking)

$30,000.00

Dedicated to Queen Mary Tudor, Coleville’s English translation of Boethius’ masterpiece is the only early English translation to include the original Latin text, indicating that, in addition to those readers with no knowledge of Latin, the author took into consideration the more educated, Latin-literate English audience. Coleville provides interesting marginal glosses and explanatory notes, including the tale of the sword of Damocles.

>FULL DESCRIPTION<

STC 3201

Magnificent Views of Medieval, Renaissance and Baroque Rome. A Masterpiece By Piranesi’s Collaborator & Rival

Barbault, Jean (1718-1762); Montagù, Domenico (d. 1767)
Les Plus Beaux Édifices De Rome Moderne, Ou Recueíl Des Plus Belles Vües Des Principales Églises, Places, Palais, Fontaines &c. Qui Sont Dans Rome Dessinées Par Jean Barbault Peintre, Ancien Pensionnaire Du Roy a Rome, Et Gravées en XLIV. Grandes Planches et Plusieurs Vignettes; Par D’Habiles Maitres. Avec La Description Historique De Chaque Edifice.

Rome: Chez Bouchard et Gravier Libraires françois rüe du Cours près l’Eglise de S. Marcel, de l 1763

Large Folio: 53.5 x 40 cm. [vi], 72 pp. Collation: [π]3, A-Z1, Aa-.Nn1. With 44 double-paged plates. Complete.

$28,000.00

The French artist Jean Barbault arrived in Rome in 1747 and quickly became involved with the circle of Piranesi, with whom he worked on the “Varie Vedute di Roma Antica e Moderna” and for whose “Antichità Romane” he contributed figures for 14 plates “thus becoming one of the few official collaborators” of Piranesi. Barbault’s own views of the ancient city appeared 7 years after his collaboration with Piranesi; the present work on “Rome Moderne” appeared two years later, the year that Barbault died.

>FULL DESCRIPTION<

Berlin Catalogue 2712; Millard IV, 14; Not in Fowler

Javascript currency conversion