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A Classic in The Study of Greek Dance

GIRONI, Robustiano
Le danze dei Greci descritte e pubblicate pel faustissimo imeneo di Sua Altezza Imperiale e Reale il Serenissimo Principe Ranieri Arciduca d’Austria, ecc. ecc. ecc. e Viceré del Regno Lombardo-Veneto con Sua Altezza Serenissima la Principessa Elisabetta di Savoia-Carignano, ecc. ecc.,

Milan: dall’Imperiale Regia Stamperia, 1820

Folio, 4 leaves, 68 pages, with 6 engraved plates with contemporary coloring.

$6,800.00

THE RARE, SOLE EDITION of this landmark in the history of illustration, typography, and the historical study of dance. The book was published in an edition of only 80 copies on the occasion of the marriage between the Archduke Ranieri of Habsburg, Viceroy of the Lombardo-Venetian Kingdom, and the Princess Elisabetta of Savoy-Carignano.

Robustiano Gironi (1769-1838) was a man of letters and a public official of the Milanese State under both Napoleonic and Austrian rule.

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References: Blackmer 693; Lipperheide 185; Magriel, Bibliography of Dancing, p. 81; G.G. Fagioli Vercellone, s.v. ‘Gironi, Robustiano’, DBI 56 (2001); G. Pucci, Per un’archeologia del gesto: la reinvenzione moderna della danza antica, «Classico Contemporaneo» 2 (2016), 25-40; Encyclopedia.com, s.v. ‘Neoclassicism’.

“The Grand Tour” - The First Printed Guide Book of The Vatican Museums - Printed on Blue Paper

VATICAN MUSEUMS [Clement XIV, Pope (reg. 1769-1774); Pius VI, Pope (reg. 1775-1799)] Massi, Pasquale, da Cesena
Indicazione Antiquaria del Pontificio Museo Pio-Clementino in Vaticano, stesa da Pasquale Mass Cesenate Custode del Museo Stesso/ Catalogue Indicatif des Antiquitès Composant Le Musèe Pie-Clèmentin au Vatican par Paschal Massi de Cesèns Garde du dit Musèe.

Rome: Presso Lazzarini, 1792

Octavo: 15.5 x 10.8 cm. [4] 216 pp. Collation: [ ]2, a-m8, n12 (the first leaf [ ]1 is a blank and is present)

$8,400.00

The Museo Pio-Clementino was the first major curatorial museum within what are known today collectively as the Vatican Museums. In 1771, Pope Clement XIV had Michelangelo Simonetti adapt the Belvedere Pavilion to accommodate the papal collection of ancient art. When Clement’s successor, the avid art collector Pius VI, was elevated to the pontificate in 1775, the pace of acquisition increased dramatically and very soon the collections outgrew the rooms arranged for them by Simonetti.

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Cicognara 3408

With an Account of Benjamin Franklin's Kite Experiment

ELECTRICITY. Calandrelli, Giuseppe
Ragionamento sopra il conduttore elettrico Quirinale dell'abate Giuseppe Calandrelli

Rome: nella stamperia Salomoni, 1789

Octavo: 20.5 x 140 cm. [2], xxxvi p.

$4,800.00

First edition of this rare publication, dealing with the construction of the lightning conductor installed on the Quirinal Palace in Rome (in order to prevent further damage from lightning strikes.)

Calandrelli discusses the electrical experiments of other well-known scientists such as Priestley, Toaldo, Landriani, De Saussure, Reccaria, Lord Malion, and above all, those of Benjamin Franklin, including Franklin's iconic kite experiment of June 1752.

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Wheeler Gift 554

The Scandalous Life of Elizabeth Chudleigh

Chudleigh, Elizabeth (c. 1720-1788)
An Authentic Detail of Particulars relative to the Late Duchess of Kingston.

London: Printed for G. Kearsley, at Johnson’s Head, No. 46, Fleet-Street, 1788

Octavo: 21 x 13 cm. pp. [ii], ii, 178, [18]. Collation: [A]2, B-Z4, A1. With an added engraved frontispiece of the Duchess, with breasts exposed "as she appeared at the Venetian Ambassador

$3,800.00

Duchess of Kingston, granddaughter of the poet Mary Chudleigh (1656-1710), from whom “she seemed to have inherited no notable literary tastes or talents”(Rizzo) Elizabeth was notorious for her sexual escapades, daring, and profligacy. She studiously cultivated this image, referring to herself (in the third person) thus: “She was both wasteful and penurious; the most enormous sums were expended to gratify her love of display, at the same time that she refused to incur some trifling necessary expense in her household….

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ESTC T92902

The Grand Tour. 18th c. Views of Rome by Piranesi’s Pupil

ROME. Cassini, Giovanni Maria (1745-1824)
Nuova raccolta delle megliori vedute antiche et moderne di Roma disegnate ed incise da Giovanni Cassini.

Rome: Venanzio Monaldini, 1779

Oblong folio: 27 x 40.5 cm. Engraved allegorical title, dedication leaf, index, and 80 engraved plates.

$12,500.00

First edition of these elegant views of Roman monuments by the engraver Giovanni Maria Cassini, who learned his craft from none other than Giambattista Piranesi, and who would go on to win fame as an important map and globe-maker. In the “Nuova raccolta”, Cassini includes a view of Santa Maria Del Priorato (pl. 13), one of the very few architectural designs of Piranesi to come to fruition, and a church considered to be the first Neoclassical building in Rome.

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Cicognara 3657; Millard, Italian No. 30

Zanotti, Eustachio (1709-1782)
Ephemerides motuum caelestium ex anno 1775 in annum 1786 ad meridianum Bononiae es Halleii tabulis supputatae.

Bologna: Ex typ. Lælii a Vulpe Instituti scientiarum impressoris, 1774

Quarto: 26.5 x 20 cm. VII, 384. With an engraved frontispiece, engraved title vignette, and 3 folding engraved plates.

$2,800.00

In 1750 Zanotti produced a volume covering 1751-1762. In 1762 he published another volume for the years 1763-1774. This volume, for 1775-1786 was the last published in Zanotti’s lifetime. In 1786, his successor at the observatory, Petronio Mateucci, published a final volume for 1787-1798.

Like the astronomer Eustachio Manfredi, his godfather, Zanotti belonged to a prominent family distinguished in the arts, letters, and sciences.

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Houzeau-L. 15537; Riccardi I/2, 655, 34; DSB XIV, 589

The Monuments & Art of Roman Italy - With 166 Engravings - A Companion to Barbault’s “Les Plus Beaux Monuments De Rome Ancienne” - Barbault’s Rarest Work

Barbault, Jean (1718-1762)
Recueil De Divers Monumens Anciens Répandus En Plusieurs Endroits De L'Italie. Dessinés Par Feu Monsieur Barbault Peintre Pensionnaire Du Roi A Rome, Et Gravé En 166 Planches Avec Leur Explication Historique Pour Servir De Suite Aux Monuments De Rome Ancienne.

Rome: Chez Bouchard & Gravier Libraires françois rüe du Cours près de Saint Marcel, 1770

Large Folio: 52 x 38.5 cm. [6], 54 pages, 104 plates. The book is composed of large bi-folia, many comprising a large printed plate of engravings and a text leaf. The plates are not tipped-in or mounted on guards; they are integral to the sewn gatherings.

$22,000.00

Intended as a companion to Barbault’s “Les Plus Beaux Monuments De Rome Ancienne”(1761), the “Recueil De Divers Monumens Anciens”(1770) is Barbault’s rarest work. As with the “Monumens Anciens”, the “Recueil” comprises engravings and descriptions of ancient Roman architecture, monuments, and sculpture.

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RIBA, Early printed books, 1 (1994), 185; Rossetti G-1254

The First Edition of Catherine Jemmat's Poems

Jemmat, Catherine (1714-1766)
Miscellanies, in prose and verse. By Mrs. Catherine Jemmat. Daughter of the late Admiral Yeo, of Plymouth, and Author of her own Memoirs.

London: Printed for the author, 1766

Quarto: [16], 28 ,33-227, [1]p. Collation: a-d2, B-Z2, Aa-Zz2, Aaa-Lll2

$3,500.00

First edition of this collection by the diarist Catherine Jemmat. Jemmat tells us that some of the poems were supplied by friends, and there is as yet no scholarly consensus on which poems may be confidently ascribed to her. Yet a number of the poems and the essays seem to reflect aspects of Jemmat's own difficult life. She suffered physical and emotional abuse at the hands of her father and husband, and was forced to write in order to support herself and her young daughter.

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ESTC T39452

Magnificent Views of Medieval, Renaissance and Baroque Rome. A Masterpiece By Piranesi’s Collaborator & Rival

Barbault, Jean (1718-1762); Montagù, Domenico (d. 1767)
Les Plus Beaux Édifices De Rome Moderne, Ou Recueíl Des Plus Belles Vües Des Principales Églises, Places, Palais, Fontaines &c. Qui Sont Dans Rome Dessinées Par Jean Barbault Peintre, Ancien Pensionnaire Du Roy a Rome, Et Gravées en XLIV. Grandes Planches et Plusieurs Vignettes; Par D’Habiles Maitres. Avec La Description Historique De Chaque Edifice.

Rome: Chez Bouchard et Gravier Libraires françois rüe du Cours près l’Eglise de S. Marcel, de l 1763

Large Folio: 53.5 x 38 cm. [vi], 72 pp. Collation: [π]3, A-Z1, Aa-.Nn1. With 44 double-paged plates. Complete.

$22,000.00

The French artist Jean Barbault arrived in Rome in 1747 and quickly became involved with the circle of Piranesi, with whom he worked on the “Varie Vedute di Roma Antica e Moderna” and for whose “Antichità Romane” he contributed figures for 14 plates “thus becoming one of the few official collaborators” of Piranesi. Barbault’s own views of the ancient city appeared 7 years after his collaboration with Piranesi; the present work on “Rome Moderne” appeared two years later, the year that Barbault died.

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Berlin Catalogue 2712; Millard IV, 14; Not in Fowler

The Monuments of Ancient Rome Engraved by Piranesi’s Collaborator & Rival

Barbault, Jean (1718-1762)
Les Plus Beaux Monuments De Rome Ancienne. Ou Recueíl Des Plus Beaux Morceaux de L'Antiquité Romaine Qui Existent Encore: Dessinés Par Monsieur Barbault Peintre Ancien Pensionnaire Du Roy a Rome, Et Gravés, en 128 Planches Avec Leur Explication.

Rome: Chez Bouchard et Gravier Libraires François rüe du Cours près de Saint Marcel, de l 1761

Large Folio: 51 x 35.5 cm. VIII, 90 pp. Collation: [π]1, [a]-[c]1, A-Z, Aa-Yy1. With 73 added plates. Complete.

$16,000.00

The French artist Jean Barbault arrived in Rome in 1747 and quickly became involved with the circle of Piranesi, with whom he worked on the “Varie Vedute di Roma Antica e Moderna” and for whose “Antichità Romane” he contributed figures for 14 plates “thus becoming one of the few official collaborators” of Piranesi. Barbault’s own views appeared 7 years after his collaboration with Piranesi.

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La Cicognara 3593; Fowler 37; Millard IV, no. 13; RIBA, Early Printed Books, 184

“The Foundation of a Library of California”. A Jesuit Natural history of California. With the Kino Map

Venegas, Miguel, S.J. (1680-1764)
Natural and Civil History of California: Containing an accurate description of that Country, Its Soil, Mountains, Harbours, Lakes, Rivers, and Seas; Its Animals, Vegetables, Minerals, and Famous Fishery for Pearls. The Customs of the Inhabitants, Their Religion, Government, and Manner of Living Before Their Conversion the Christian Religion by the missionary Jesuits : together with accounts of the several voyages and attempts made for settling California and taking actual surveys of that country, its gulf, and coast of the South-sea : illustrated with copper plates, and an accurate map of the country and the adjacent seas / tr. from the original Spanish of Miguel Venegas, a Mexican Jesuit, published at Madrid 1758

London: For James Rivington and James Fletcher, 1759

Two large octavo volumes: [20], 455; [8], 387. I. A8, a2, B-Z8, Aa-Ff8, Gg4 II. A4, B-Z8, Aa-Bb8, Cc2. With four added engraved plates and a large folding map.

$4,200.00

This English translation preceded the French and German translations. Considered by Cowan to be "the foundation of a library of California," this work is the most extensive account of Lower California of its period. It was presumably published in part to counteract anti-Jesuit statements that had appeared in accounts of George Anson's voyage in the Pacific (1740-1744). Venegas was for many years a Jesuit missionary among the Indians of Mexico and California and his account of the Jesuit Missions in California ("The Reduction of California by the Jesuits, and their transactions to the present time") occupies more than half of the text of both volumes (more than 450 pages).

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Sommervogel VIII, col 559; Cowan, p. 658. Graff 4471. Hill, p. 307.

The First Three-Volume Guide Book to Ancient & “Modern” Rome. In Contemporary Bindings

ROME. Roisecco, Gregorio (18th c.)
Roma Antica, e Moderna: o sia Nuova descrizione di tutti gl' edifizj antichi, e moderni tanto sagri, quanto profani della città di Roma: formata con l’autorità del Cardinale Baronio, Ciacconio, Bosio, Panciroli, Marliani, Panvinio… Abbellita con duecento, e più figure di rame e con curiose notizie istoriche. Distinta in 14 rioni secondo l’ultimo dipartimento fattone per comandamento di N.S.Benedetto XIV.. felicemente regnante. Divisa in tre tomi.

Rome: Gregorio Roisecco mercante di libri in Piazza Navona nella stamperia Puccinelli, 1750

Octavo: 3 volumes: 16.5 x 11 cm.

$6,800.00

A beautiful three-volume set, describing and illustrating the ancient, medieval, Renaissance, and Baroque monuments and buildings of Rome. In addition to the 3 engraved title pages, the 2 folding engraved maps, and the 29 folding engraved plates, the three volumes are illustrated with 158 engravings in the text. (Vol. I with 82, Vol. II with 68, Vol. III with 8.)This publication marks the culmination of a long series of developments in illustrated guides to Rome.

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Fossati Bellani 704; Olschki Choix 17963; Schudt 207

Kircher Revived: The Great Plague of 1740

Kircher, Athanasius (1602-1680)
Scrutinium Pestis Physico-Medicum publico commodo recusum. dum per reverend. patrem Urbanum Madcho ... in ejusdem Universitatis aula academica, de re litteraria philosophica benemeriti, supremâ philosophiae laureâ donarentur

Graz: Typis Haeredum Widmanstadii, 1740

Octavo: 15.5 x 9.5 cm. 240 p. Collation: )(6, A-P8, Q2

$4,500.00

 

 

Originally published in 1658, 7 years before Hooke's "Micrographia" appeared in print, Kircher's work on the plague and its causes was a landmark work on the subject. In 1740, in response to the Great Plague that was ravaging Eastern Europe, the Jesuit faculty at the University of Graz republished the work "for the public good." The plague began in 1738 and killed at least 50,000 people in areas of (modern-day) Romania, Hungary, Ukraine, Serbia, Croatia, and Austria.

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For the first edition, see: Brunet III, 668; Caillet II, 365.5792; Clendening 7.8; De Backer I, 426.16; VII, 286.13; Garrison /Morton 589.5118; Grassse IV, 22; Sommervogel IV, 1057-58.16

The Single most Valuable contribution to Wunderkammer Studies. The Complete 3 Volume Edition

Valentini, Michael Bernhard (1657-1729)
Museum Museorum, oder vollständige Schau-Bühne aller Materialien und Specereyen, nebst deren natürlichen Beschreibung. Aus andern Material-Kunst- und Naturalien-Kammern, Oost- und West-Indischen Reiss-Beschreibungen.

Frankfurt: heirs of Johann David Zunner and Johann Adam Jungen, 1714

Folio: 3 volumes in one. 38.5 x 24 cm. With two engraved titles, 95 engraved plates, of which many double-page, 287 engravings, and 5 woodcuts in text. Collation: Vol. I: π1 (half-title), 1 (engraved t.p.), π4, )(4; ) () (2, )( )( )(2, A-Z4, Aa-Zz4, Aaa-Ttt4, **2, A-I4, K2, π2, (A)-(P)4. Vol. II: π1 (half title), 1 (engraved t.p.), π4, )()( 6, A-Z4, Aa4, Bb2, a-o4, p2. Vol. III: π4, [A]-[Z]4, [Aa]-{Ff]4, [Gg]2, *4, **2, a6.

$24,000.00

A complete three-volume copy of Valentini’s “Museum of museums”, a comprehensive survey of European Wunder- kunst- und Schatzkammern. “Valentini was the personal physician to the Margrave of Assia and professor of experimental science and medicine at Giessen. His 'Museum Museorum' is the single most valuable contribution to Wunderkammer studies as it reprints many early collection catalogues [many of which are completely unobtainable now] and gives a list of all the museums known to exist at the time (some 159).

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Cobres I p. 106 n. 9; Eales 1259; Ferguson II pp.493-95; Nissen BBI 2035 and ZBI 4217; Alden 714/146.

A Beautiful 2 Volume Guide to Ancient, Renaissance, & Baroque Rome - Bound in Matching Contemporary Bindings

ROME.
Descrizione di Roma Antica Formata Novamente Con le Auttorità, Di Bartolomeo Marliani, Onofrio Panvinio, Alessandro Donati,e Famiano Nardini, e d’altri celebri Scrittori antichi,& Antiquarii moderni, accennati nella lettera al Lettore: Nella quale si discorre, degli’ Aquedotti, Archi, Basiliche, Circhi, Colonne, Curie, Fori, Librarie, Naumachie, Obeleschi, Palazzi, Tempii, Terme, Vie, & altri famosi Edifici. Accresciuta di moltissime Figure in Rame, di varie Medaglie, di curiose Notizie Istoriche, e della Cronologia di tutti gli Re, Consoli, e Imperadori Romani. Tomo I. Descrizione di Roma Moderna Formata Nuovamente con le Auttorità, del Card. Cesare Baronio, Alfonso Ciaconio, Antonio Bosio,e Ottavio Panciroli, E d’altri celebri Scrittori, accennati nella lettera al Lettore: Nella quale si discorre delle Sagre Basiliche, Chiese, Collegii, COnfraternite, Librarie, Monasteri, Ospedali, Fontane, Giardini, Palazzi, Pitture, Sculture, e Statue piu famose, che sono dentro, e fuori della Città; come ancora dell’ Opere Pie, Indulgenze, e Reliquie de Santi, custodite nelle dette Chiese; e de Sommi Pontefici, e Cardinali Fondatori, o Restauratori delle medesime. Distinta in Quaatordici Rioni, abbellita con Figure nuove di Rame, & accresciuta di molte Notizie istoriche, e della Cronologia di tutti li Sommi Pontefici Romani. Tomo II.

Rome: Nella Libraria di Michel’ Angelo, e Pier Vincenzo Rossi all’ Insegna della Salamandra, 1708

Octavo: 2 volumes. 16 x 11 cm.

$6,500.00

With 180 engravings in the text and 16 added engraved plates. According to Rossetti (Vol. I, G-1052), “the number of plates may vary from copy to copy”. In this set, both volumes have engraved frontispieces and a total of 19 added engraved plates: 7 in the first volume and 12 in the second. Of all recorded copies, the copy with the most plates has 9 in the first volume and 13 in the second.

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Schudt, Le Guide di Roma, 196-197; Rossetti, Rome, Vol. I, G-1052; Fossati Bellani 700; Olschki 17197

The Last Quarto

Shakespeare, William (1564-1616)
Othello, the Moor of Venice, a tragedy. As it hath been divers times acted at the Globe, and at the Black-Friers: and now at the Theatre Royal, by Her Majesties servants.

London: Printed for R. Wellington, at the Dolphin and Crown at the West-End of St. Paul’s Church-Yard, 1705

Quarto: 21.3 x 15.8 cm. [4], 75, [1] p.

$14,000.00

"Othello has been dated to between mid-1601 and mid-1602. One important source for Othello was Philemon Holland’s translation of Pliny, Historie of the World, published in 1601. There are several echoes of Othello in the first quarto of Hamlet, published in 1603. These suggest that Othello must have been written by early 1603, and probably before July 1602 when Hamlet was entered on the Stationers’ Register.

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Bartlett, A census of Shakespeare’s plays in quarto, 1594-1709, 109; ESTC T43495; Jaggard, Shakespeare bibliography, 422

The First Edition. A Fine Copy in a Contemporary Binding

Chudleigh, Mary Lee, Lady (bap. 1656- d. 1710)
Poems on several occasions. Together with The song of the three children paraphras’d. By the Lady Chudleigh

London: printed by W[illiam]. B[owyer]. for Bernard Lintott at the Middle Temple Gate in Fleetstreet, 1703

Octavo: 19.5 x 12 cm. [16], 125, [17], 73, [1] pp. Collation: A-O8, P4

$15,000.00

Mary Chudleigh was a friend of Elizabeth Thomas and an admirer of Mary Astell, with whom she corresponded and whose ‘Defence of the Female Sex’ she tried to emulate. Dedicated to Queen Anne, her ‘Poems on Several Occasions’ was widely noticed, achieving a second edition in 1709. The poems include a wide range of subjects, from lyrics and satires of the age of Dryden, to philosophical and more contemplative verse in keeping with the solitary and often melancholy life that she led in Devon.

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Foxon p. 121; ESTC t97275; Maslen and Lancaster, Bowyer ledgers, D36

The Art of Glass

GLASS. CHEMISTRY. Haudicquer de Blancourt, Jean, approximately 1650?-1704); Neri, Antonio (d. 1614); Merret, Christopher (1614-1695)
The art of glass. Shewing how to make all sorts of glass, crystal and enamel. Likewise the making of pearls, precious stones, china and looking-glasses. To which is added, the method of painting on glass and enameling. Also how to extract the colours from minerals, metals, herbs and flowers. A work containing many secrets and curiosities never before discovered. Illustrated with proper sculptures. Written originally in French, by Mr. H. Blancourt, and now first translated into English. With an appendix, containing exact instructions for making glass-eyes of all colours.

London: printed for Dan. Brown at the Black Swan without Temple-Bar; Tho. Bennet at the Half-Moon, D. Midwinter and Tho. Leigh at the Rose and Crown, and R. Wilkin at the King’s-Head in St. Paul’s Church-yard, 1699

Octavo: 18.3 x 11.5 cm. [16], 355, [13] p. Collation: A-Z8, Aa8. With 9 engraved plates.

$6,850.00

The core of Blancourt's text is Christopher Merret's annotated Latin edition (1668) of Antonio Neri's "L'Arte Vetraria"(1612). Merret had produced his own English (unillustrated) translation of Neri's work in 1662. Blancourt has expanded Neri's original 7 books to 12. Among Blancourt's notable contributions to the text are a chapter on crystal, glass and metal mirrors; and an appendix on a secret technique for making glass eyes look "Very Natural".

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ESTC R16918; Wing (CD-ROM, 1996), H1150. See Dwight P. Lanmon and David Whitehouse, "Glass in the Robert Lehman Collection", p. 102

First Edition in English of Three 17th century South American Voyages & Travels

Acuña, Cristóbal de, S.J. (1597-1676?); Acarete, du Biscay (17th c.); Grillet, Jean, S.J. (1624-1677); Béchamel, François, S.J. (1637-1676)
Voyages and discoveries in South-America. The first up the river of Amazons to Quito in Peru, and back again to Brazil, perform'd at the command of the king of Spain. By Christopher D'Acugna. The second up the river of Plata, and thence by land to the mines of Potosi. By Mons. Acarete. The third from Cayenne into Guiana, in search of the lake of Parima, reputed the richest place in the world. By M. Grillet and Bechamel. Done into English from the originals, being the only accounts of those parts hitherto extant. The whole illustrated with notes and maps.

London: Printed for S. Buckley, 1698

Octavo: 19 x 11.1 cm. viii, 1-176, (169)-(176), 177-190, [ii], 79, [v], 68 pp. Illustrated with two folding engraved maps.

$12,500.00

FIRST EDITION IN ENGLISH of the narratives of the first Europeans to traverse these regions. Part I of this collected work is "Voyages and Discoveries... up the River of Amazon to Quito in Peru, and back again to Brazil by Acuña;" Part II is "An Account of a Voyage up the River de la Plata, and thence over Land to Peru" by Acarete du Biscay; Part III is "A Journal of the Travels of John Grillet and Francis Bechamel into Guiana, in the Year 1674.

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Borba de Moraes I: 12 ("It is a rare book"); Hill 1788 (pp.311-312); Palau 2487; Sabin 152; Streeter sale VII: 4132; Wing V-746.

A Fine Large-Paper Copy of the First Edition

Vergil (Publius Vergilius Maro) (70-19 B.C.); Dryden, John (1631-1700)
THE WORKS OF VIRGIL: Containing His PASTORALS , GEORGICS, AND ÆNEIS. Translated into English Verse; By Mr. Dryden. Adorn’d with a Hundred Sculptures.

London: Printed for Jacob Tonson 1697

Folio: 44.6 x 28.7 cm. [ ]2, A2, *4, **4, ***2, ****2, *****2, †2, ††2 x1, B-G4, [¶]4, [¶¶]2, H-T4, U2; (a)-(f)4, Aa-Zz4, Aaa-Zzz4, Aaaa-Ffff4, Gggg2, Hhhh-Iiii4, Kkkk2.

$20,000.00

“Dryden’s translation of Vergil” says Pope, (whose own translation of Homer was inspired by Dryden’s work) “is the most noble and spirited translation I know in any language.”

“The book was published by subscription, a system of joint-stock patronage now coming into vogue. Dryden’s correspondence with [his publisher] Tonson showed a good many bickerings during the publication.

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Wing V-616; Macdonald 33A; Wither to Prior #325; Malone I.1.313; See John Barnard “The Large- and Small-Paper Copies of Dryden’s The Works of Virgil (1697)” in “Papers of the Bibliographical Society of America” {Columbia, SC} 92, no. 3 (1998 Sept): p. 259-71.

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