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An Impressive Sammelband of Gesner’s Complete Zoological Works. Illustrated with over 1,000 Woodcuts

Gesner (also Gessner), Conrad (1516-1565)
Vogelbuch: darinn die Art, Natur unnd Eigenschafft aller Vöglen, sampt irer waren Contrafactur angezeigt wirdt : allen Liebhabern der Künsten, Artzeten, Maleren, Goldschmiden, Bildschnitzeren, Seydenstickeren, Weydleüten unnd Köchen, nit allein lustig zu erfaren, sunder gantz nutzlich und dienstlich zebrauchen. erstlich durch Doctor Conradt Geßner in Latin beschrieben, neüwlich aber durch Rudolff Heüßlin mit Fleyß in das Teütsch gebracht unnd in eine kurtze Ordnung gestelt.

$38,000.00

A magnificent sammelband, bound in alum-tawed pigskin over beveled wooden boards, lacking one clasp. Binding soiled and with slight wear but still very fine. The boards are ruled and tooled in blind with medallion portrait heads and Biblical figures. The text of all four volumes is in excellent condition. There is one small tear to the lower corner of leaf B2, with loss of a few letters. One of the birds in the first work has been nicely colored by a 16th c.

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VD 16, G 1736, 1729, 1742 und 1745; Nissen 1552, 1555 and 1557

The First Edition of Anne Finch’s Poems

Winchilsea, Anne Kingsmill Finch, Countess of (1661-1720)
Miscellany Poems, on Several Occasions. Written by a Lady. [with: “Aristomenes: or, the royal shepherd. A tragedy”]

London: Printed for J.B. and sold by Benj. Tooke at the Middle-Temple-Gate, William Taylor in Pater-Noster-Row, and James Round in Exchange-Alley, Cornhill,

Large octavo: 19 x 12 cm. [8], 390 pp. A4, B-Z8, Aa-Bb8, Cc4 (lacking the final blank) Leaves E8, G1 and G3 are cancels.

$8,500.00

Anne Kingsmill Finch, Countess of Winchilsea, was one of the few women of her period to pursue a career as a poet, one of the earliest published women poets, and “one of the best English women poets before the nineteenth-century” (McGovern). This collection of Finch’s work, consisting of eighty-six poems and her second tragedy, is the only collection of her poetry to be printed prior to the 20th century.

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Foxon, F-140; Hayward 151; Rothschild 2585; Williams, Points, p. 72; Lowndes IV, 2949; Graesse VI, 460-61

A Fascinating & Important 14th Century Pharmaceutical Manuscript

Matthaeus Platearius [attributed] (ca. 1250), Albertus Magnus (before 1200-1280), Walter Agilon (ca. 1240), et alii.
Circa instans negotium in simplicibus medicinis …”: (Concerning medical simples…). [Together with Walter Agilon’s “De dosis medicinarum”, Albertus Magnus’, “Tractatus de herbis”, and other texts.]

Northwest Germany: 3rd quarter of the 14th c., ca. 1369

Folio: 29.5 x 21 cm. 98 lvs. Text in 2 columns of 38 to 44 lines. Complete.

$200,000.00

Contents: (see also the discussion of these texts on pages 2-3 of this description): I. Matthaeus Platearius (attrib.) “Circa instans” (p. 1-101); II. Walter Agilon, De dosis medicinarum” (p. 101-113); III. Anon., “Ars medicinarum laxativarum” (p. 113-126); IV. Bartholomeo da Varignana, “Practica a capite usque ad pedes” (excerpt) (p.

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1. See P.O. Kristeller, ‘The School of Salerno: its development and contribution to the history of learning’, in Studies in Renaissance Thought and Letters, 1956.

Renaissance Science and its Medieval Antecedents

Sacrobosco, Johannes de (ca. 1195 – ca. 1256 A.D.); Regiomontanus, Johannes (1436-1476); Peurbach, Georg von (1423-1461)
Sphaera mundi [with] Johannes Regiomontanus: Disputationes contra Cremonensia deliramenta [and] Georg von Peurbach: Theoricae novae planetarum.

Venice: Erhard Ratdolt, 6 July 1482

Quarto: 19.5 x 14.3 cm. 60 lvs. Collation: a-g8, h4. 30-31 lines, Gothic type

$38,000.00

A fine copy of Erhard Ratdolt’s beautiful printing of Sacrobosco’s “Sphere”, the core astronomical textbook from the Middle Ages to the early 16th century. This edition is the first to include key texts by two of the most influential 15th c. astronomers: Johannes Regiomontanus and Georg Peurbach.

Working in the vein of the Renaissance humanists, Peurbach and his student Regiomontanus sought out the extant scientific writings of antiquity, the classical foundations of medieval European and Arabic science.

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ISTC ij00405000; BMC V 286; Goff J405; Hain-Copinger 14110

The Natural World & The Human Soul

Berenger of Landorra, Archbishop of Santiago de Compostela (circa 1262-1330), and Gregory of Vorau (ed. Matthias Farinator)
Lumen Animae. Incipit: Liber moralitatum elegantissimus magnarum reru[m] naturalium lumen anime dict[us]: cu[m] septe[m] apparitorib[us] necno[n] sanctoru[m] doctoru[m] orthodoxe fidei p[ro]fessorum Poetaru[m] etia[m] ac oratoru[m] auctoritatib[us] p[er] modum pharatre s[e]c[un]d[u]m ordine[m] alphabeti collectis feliciter incipit.

Strasbourg: Printer of the 1481 Legenda aurea, 22 March 1482

Folio: 29.2 x 21.8 cm. 274 unsigned leaves. [A-C]8, [D]10; [a-m]8, [n]6,[o-z]8, [aa-ff]8, [gg]10. Complete with the initial and final blanks.

$45,000.00

The arrival of printed books is so often regarded as one of the inaugural moments of the renaissance that it is sometimes forgotten that the first years of print also represented the last great flowering of the Middle Ages. The “Lumen Anime” (Light of the Soul), is testament to that. Formerly attributed to the Carmelite friar Mathias Farinator of Vienna (who compiled the index), the “Lumen Anime” is now known to be Berenger of Landorra, General of the Dominican order and archbishop of Campostella from 1317 to 1325.

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BMC I, 97; Hain-Copinger 10333*; Goff L-396; Proctor 413; Polain 1468; Wellcome I, 2175; Klebs 631.3; Thorndyke III, 546ff. Sources: Mary A. and Richard H. Rouse, ‘The Texts called Lumen Anime,’ Archivum Fratrum Praedicatorum, 41 (Rome, 1971), 5-113; N.R. Ker, Records of All Soul’s College Library. 1437-1600 (Oxford, 1971), 27.

The First Printed Illustrations of the Constellations

Hyginus, Caius Julius (fl. 2nd century)
Poeticon astronomicon. Edited by Jacobus Sentinus and Johannes Lucilius Santritter.

Venice: Erhard Ratdolt, 14 October, 1482

Quarto: 20 x 14.6 cm. Collation: a-f8 g10 (a1 blank, a2r dedication to M. Fabius [Quintilianus?], a3r text, g9r commendatory poem by Jacobus Sentinus, g10r poem and verse colophon by Johannes Santritter, g10v blank). 58 leaves. 31 lines. Types 3:91G (text), 7:92G (heading on a2r), 91 Gk (a few words). Title on a2r printed in red, 11-, 7-, 5- and 3-line white-on-black woodcut initials. 47 half-page woodcuts, probably designed by Johannes Santritter, of the constellation and planet figures.

$45,000.00

FIRST ILLUSTRATED EDITION of Hyginus’ “Poeticon Astronomicon”, illustrated with 47 half-page woodcuts of the constellations and the planets personified. The text is set in a pleasing Gothic. The text of Hyginus was first published in an unillustrated edition at Ferrara in 1475.

The “Poeticon Astronomicon” (more correctly, the “Astronomica”) is an ancient Roman work on the constellations chiefly based on the work of the Greek scientist Eratosthenes (3rd c.

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BMC V, 286; BSB-Ink H-459; CIBN H-334; Essling 285; Goff H-560; HC 9062*; Hind II, p. 462; IGI 4959; Klebs 527.2; Pollard/Perrins 31; Redgrave 30; Sander 3472

A Fine Venetian Incunabulum

Horace [Horatius Flaccus, Quintus.] (65-8 B.C.)
Opera [Edited and with a commentary by Cristoforo Landino]

Venice: Joannes and Gregorius de Gregoriis, 17 May, 1483

$24,000.00

The works of Horace with the commentary of the celebrated Renaissance humanist Cristoforo Landino (1424-1498), tutor to Lorenzo and Giuliano de Medici and member of Marsilio Ficino’s Florentine academy. His literary skills were wide-ranging and his edition of the “Commedia” marked a watershed in Dante criticism. Landino’s was the first humanist commentary to be written on Horace’s poems.

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Goff H 448; GW 13459; BMC , V 339

The Koberger Horace

Horace. Horatius Flaccus, Quintus (65-8 B.C.)
Opera cu[m] quibusdam Annotat[i]o[n]ib[us]. Imaginibusq[ue] pulcherrimis aptisq[ue] ad Odarum conce[n]tus & sente[n]tias.

Strasbourg: Johann Reinhard, called Grüninger, 12 March, 1498

Folio: 298 x 222 mm. Collation: [*]6, A-V6, X-Z6, AA-II6, KK-LL8; [**]6

$60,000.00

This copy is partially rubricated and is annotated, in Latin, throughout in at least two contemporary hands. The early annotations are intact, having been spared by the binder’s knife, and consist of metrical notations, citations from other authors, and comments. There are also two glosses in Greek (leaves S6v and FF1r) as well as an apparent note in German (leaf FF6). An added manuscript index for the “Epistolae” is bound after the final text leaf.

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Hain 8898; Goff H 461; BMC I, 112; Polain 1989; Proctor 485; Walsh 182; Fairfax Murray (German) 205; Rosenwald Collection 188; Dibdin, Bibl. Spenceriana II, 87-95. For Grüninger, his illustrated books, and Locher’s edition of Horace, see Mark Morford, Johann Grüninger of Strasbourg in “Syntagmatia: Essays on Neo-Latin Literature in Honour of Monique Mund-Dopchie and Gilbert Tournoy (Humanistica Lovaniensia, XXVI) 2009

The extremely Rare First Edition of Barbo on Aristotle’s Metaphysics. In a Spanish(?) Binding

Barbo, Paolo, da Soncino [Paulus Soncinas]
Quaestiones in libros metaphysicae Aristotelis

Venice: Simon Bevilaqua, 28 September 1498

Folio: 30.3 x 20.5 cm. (204) ff.

$9,000.00

Paolo Barbò da Soncino [in Latin, Paulus Socinas] was an Italian Thomist philosopher and Doctor of Theology. He taught philosophy at Milan, and then at Ferrara, Siena, and Bologna. His life and work fall within the ambit of Italian Renaissance Thomism of the fifteenth century (He edited Aquinas’ “Opuscula” in 1488.) Among his masters were probably Peter Maldura of Bergamo (d.

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GW M30270. ISTC ip00208000. Goff P-208. Not in BMC

Practicing Medicine in the Age of Petrarch. The Rare First Edition

Garbo, Tommaso de (ca. 1305-1370); Zanelli di Pietro, Francesco (d. 1365?); Johannes, de Penna (d. 1348?)
Summa medicinalis accuratissime revisa & emendata: ac nunc primo quidem diligenter impressa. Tractatus ejusdem de restauratione humidi radicalis. Tractatusque ejusdem de reductione medicinarum ad actum. [With: "Tractatus comminantium" of Francesco Zanelli and the "Reprobationes” of Johannes de Penna.]

Venice: Mandato & expensis heredum Octaviani Scoti, per Bonetum Locatellum, 27 August, 1506

Folio: [1], 119 lvs.

$9,800.00

This publication also includes the "Tractatus comminantium magistri Francisci de Bononia" [i. e. Francesco Zanelli] (leaves 96r-99r) and the "Reprobationes magistri Johannis de Penna."

Son of the famous physician, professor of medicine, and author Dino del Garbo (d. 1327), Tommaso del Garbo would eclipse his father’s success and go on to become one of the most successful –and wealthiest- physicians of mid-14th c.

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Durling 4378; BM STC, Italian Books p. 290; Hirsch/Hüb. II, 682; EDIT 16 CNCE 36854; Not in Adams.

Writing & Teaching Poetry in 15th c. Poland. With a Fine woodcut of the Author and his Students

Corvinus, Laurentius [Korwin, Wawrzyniec](ca. 1465–1527)
Magistri Laure[n]tij Coruini Nouoforensis, viri lepidissimi Compendiosa et facilis diversorum carminum structura, cu(m) exemplis aptissimis ac ad ungue(m) elaboratis, et postremo brevibus cognoscendarum syllabarum preceptis.

Cologne: Per Martinu[m] de Werdena, 1508

Quarto: 20 x 14.5 cm. [44] pp.

$4,500.00

An early edition (1st 1496), and the only edition with the woodcut of the author instructing his students, of this work on writing poetry by the important Silesian poet Laurentius Corvinus (born Laurentius Rabe and known in Polish as Wawrzyniec Korwin), well-known to historians of science as the man who assisted Copernicus in his first publication, a Latin translation from the Greek of the letters of Theophylactus, for which Corvinus provided two poems, one of which mentions Copernicus’ interest in astronomy.

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VD 16, C 5453; IA 145.627; Estreicher XIV, 420; Goluszka-M. P 205 See: Jacqueline Glomski, “Poetry to Teach the Writing of Poetry”, in Poets and Teachers: Latin didactic poetry and the didactic authority of the Latin poet from the Renaissance to the present: (Proceedings of the Fifth Annual Symposium of the Cambridge Society for Neo-Latin Studies, Clare College, Cambridge, 9-11 September, 1996)/ Edited by Yasmin Haskell and Philip Hardie. Also, “Laurentius Corvinus and the Flowering of Central European Humanism”, Terminus ix (2007), pp. 49-74

The 1515 Froben “Praise of Folly”

Erasmus, Desiderius (ca. 1466-1536): Piccolomini, Aeneas Sylvius (Pope Pius II) (1405-1464); Wimpfeling, Jakob (1450-1528): Lactantius, Lucius Caecilius Firmianus (ca. 240 – ca. 320): Lactantius, Lucius Caecilius Firmianus (ca. 240 – ca. 320)
[Bound with:] Piccolomini, Aeneas Sylvius (Pope Pius II) (1405-1464); Wimpfeling, Jakob (1450-1528) Germania Enee Silvii: in qua candide lector continentur : gravamina germanice nationis : confutatio eorundem cum replicis ; de concilio Constantiensi & Basiliensi ; describuntur hic urbes, civitates, ecclesie, episcopatus, abbacie, principatus & principatus & nobilissime familie Germanorum… De concordatis principum. De officio pape & suis officialibus. De veritate Christiane religionis Strasbourg: Excusum per Renatu[m] Beck in aedibus zum Thiergarten, 21 June 1515 [Bound with:] Lactantius, Lucius Caecilius Firmianus (ca. 240 – ca. 320) Lepida Lactantij Firmiani opera accurate græco adiuncto castigata: Eiusdem Nephytomon: Carmina de Phoenice. & Christi Resurrectione. Io. Chry. de Eucharistia sermo. Lau. Val. sermo. Phil. ad theo. Adhortatio. Paris: Jean Petit, In vico Sancti Iacobi, 1513

Basel: and Strasbourg: and Paris: Io. Froben, and Excusum per Renatu[m] Beck in aedibus zum Thiergarten, and Jean Petit, In vico Sancti Iacobi, 1515 and 1515 and 1513

Large Quarto: 3 works bound in one volume: I. Piccolomini: i-iv, A-B4, C8, D-E4, F8, G-H4, I8, K-L4, M8, N-O4, P6. II. Lactantius: A6, B4, a-z8/4, A-D8/4, E6, F-N8/4, O6, P4. III. “Praise of Folly”: a-h4, a-z4, A-B4, C6

$20,500.00

This edition includes the original dedicatory letter to Thomas More, whose name Erasmus plays upon cleverly in the title of the work; and the letter to Martin Dorp in which Erasmus explains his motives for writing the “Moria”: “My aim in the ‘Folly’ was exactly the same as in my other works. Only the presentation was different. In the ‘Enchiridion’ I simply outlined the pattern of a Christian life.

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I. “Germania”: BM STC German p. 701 = Proctor 10307. Not in Adams. Panzer VI.75.410. Ritter 1878. Muller, Bibliographie Strasbourgeoise II, 228 no. 26. Schmidt (Beck) 21. II. Lactantius: Adams L-14; BSB-Ink L-13; HC 9819; Moreau, Inventaire chronologique II 637. III. “Praise of Folly”: Vander Haeghen I, 122; Kossmann 967; Bezzel 1304; Not in De Reuck; BM STC German p. 282; Adams E 392; VD, 16E 3184

The Lyon Vergil

Vergil (Publius Vergilius Maro) (70-19 B.C.)
Opera Vergiliana docte & familiariter exposita: docte guide[m] Bucollica & Georgica a Servio, Donato, Mancinello & Probo nuper addito, cum adnotationib[us] Beroaldinis, Aeneis vero ab ijde[m] pr[a]eter Mancinellum & Probu[m] & ab Augustino Datho in ejus principio, Opusculoru[m] pr[a]eterea q[uae]da[m] ab Domitio Calderino. familiariter vero o[mn]ia ta[m] opera q[uam] opuscula ab Jodoco Badio Ascencio

Lyon: Jacobus Saçon for Ciriacus Hochperg, 1517

Folio: 30.8 x 21.5 cm. Collation: Pt. I: 216 lvs. Collation:*10, a-z8, aa-bb8, cc6 (cc6 blank). Pt. II: 342 lvs. Collation: ††8, A-Z8, AA-QQ8, RR-SS6, TT10

$30,000.00

These blocks were cut for Grüninger’s 1502 edition of Vergil, the first illustrated Vergil. The book, edited by Sebastian Brant, was extraordinary in the number and variety of its illustrations. “Grüninger’s artist applied to the work a skilled hand and a lively imagination… The blocks must have passed to Saçon at Lyon shortly after the printing of the Strasbourg 1515 edition of Thomas Murner’s German translation of the ‘Aeneid,’ described in Murray’s catalogue of German books, vol.

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Brunet V 1282; Baudrier vol 12, pp. 344-346; Renouard, Badius Ascensius, vol. 3 p. 370-372, no. 11. Cf. Eleanor Winsor Leach, "Brant's and Dryden's Editions of Vergil" in "The Early Illustrated Book", pp. 176 ff.) and Rabb, Theodore K. "Sebastien Brant and the First Illustrated Edition of Vergil." in "Princeton University Library Chronicle 21", 1960: 187-99.

The Original Liberal Arts Student

Hutten, Ulrich von (1488-1523); Weiditz, Hans (1495- ca. 1536), artist.
Outis. Nemo

Augsburg: Johann Miller, 9 September, 1518

Quarto: 20 x 15.5 cm. [24] pp. Collation: A-C4

$7,500.00

First printing of Hutten's second "Nemo", a substantially re-worked and enlarged version of the 1516 original. This edition has been augmented by 60 verses, mainly on political subjects, an introduction dedicated to Johannes Crotus Rubianus (1480-1545) and a letter to Julius von Pflug (1499-1564). It also marks the first appearance of the celebrated woodcut title page (described in detail below.

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Benzing, Hutten 62; Fairfax-Murray 211; Musper, "Petrarka Master" L7; Roettinger 7; Adams H 1237; BM STC German, p. 427; VD 16; H 6384; Worst Brock, German humanism 1480-1520 (2009), p 1200 f., No. 10.2; Röttinger, Weiditz, 7; Fairfax Murray 211; Richard C. Kessler Reformation Collection I, 114

Against the Unchristian Vices of Court Life

Hutten, Ulrich von (1488-1523)
Aula. Dialogus.

Augsburg: S. Grimm and M. Wirsung, 26 March 1519

Quarto: 20 x 15.5 cm. [23] ff. A-E4, F4 (lacking final blank leaf F4)

$4,800.00

Hutten’s famous satire on courtly life. It is dedicated to Heinrich Stromer von Auerbach, court physician of the Mainz Elector. At the end is a verse “Prognosticon ad annum. M.D.XVI. ad Leonem .X. Pont. Max.” (Hutten’s warning that if Leo X engaged in war with the Emperor Maximilian, Italy would be destroyed) and a publisher’s advertisement of Hutten’s “Ebrietatis laus” (in praise of drunkenness.

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VD-16 H-6299. Benzing (Hutten) 75. STC German (BL) 426. Not in Adams

The First Aldine Edition of Plutarch’s “Parallel Lives”

Plutarch (c. 50–c. 120 AD)
Ploutarchou Parallela en Biois Hellenon te kai Romaion [Graece]. Plutarchi quae vocantur Parallela: hoc est, vitae illustrium virorum Graeci nominis ac Latini, prout quaeque alteri convenire videbatur, digestae.

Venice: In aedibus Aldi et Andreae Soceri, mense Augusto 1519

Folio: 30 x 20.5 cm. [4], 345, [1] leaves. Collation: *4, (lacking blank *4), a[alpha]-z[zeta]8, aa[2alpha]-tt[2tau]8, uu[2upsilon]10

$18,000.00

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Renouard, p. 87, no. 9; New UCLA 182; Hoffmann III, 175; Schweiger p. 259, col. 2

“On the Recipients, Signs, and Promise of the Holy Sacrament, The Flesh and Blood of Christ”

Karlstadt, Andreas Bodenstein von (ca. 1480-1541)
Von den Empfahern: zeichen: und zusag des heylige(n) Sacraments, fleysch unnd bluts Christi.

Strasbourg: Johann Prüss the younger, 1521

Quarto: 19.6 x 14.9 cm. [12] leaves. Collation: A-C4 (final leaf blank and present)

$3,500.00

Karlstadt’s first treatise on the Lord’s Supper of 1521. Karlstadt still holds to the doctrine of corporeal presence, but views it as a sign of divine promise. Karlstadt wrote numerous tracts on the reception of the sacrament in both kinds. This tract deals especially with those who receive the sacrament, what the signs of the sacrament signify, and what promises are given to those who partake.

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Cf. Freys & Barge 57

On Christian Liberty. Luther’s Revised Edition, With Marginal Notes by Beatus Rhenanus

Luther, Martin (1483-1546)
Epistola Lvtheriana Ad Leonem Decimum Svmmvm Pontificem. Dissertatio de Libertate Christiana per Autorem Recognita. Wittenbergae.

Basel: Adam Petri, 1521

Quarto: 19.8 x 14.5 cm. Collation: A-E4, F6 (lacking blank F6)

$7,500.00

Together with his “Address to the Nobility of the German Nation” and “On the Babylonian Captivity of the Church”, Luther’s “On Christian Liberty” stands as one of the central pillars of Luther’s model of the reformed church. In this work, the Reformer articulates his doctrine of “sola fides” (justification by faith alone) and sets up his model of the “priesthood of all believers” against the corrupt and false hierarchy of the Catholic Church.

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Benzing 759

A Fine Copy of Erasmus’ “Praise of Folly”, Printed by Froben

Erasmus, Desiderius (ca. 1466-1536)
Moriae Encomium nunc postremum ab ipso autore religiose recognitu[m] una cum alijs aliquot libellis, no[n] minus eruditis quam amoenis, quorum omniu[m] titulos proxima pagella loquetur.

Basel: Apud Io[hannem] Frob[enium], 1522

Octavo: 17 x 11.5 cm. 408, [16] pp. Collation: a-z8, A-B8, C4, D8

$8,500.00

“The Praise of Folly has long been famous as the best-known work of the greatest of the Renaissance humanists, Erasmus of Rotterdam. It is a fantasy that starts off as a learned frivolity but turns into a full-scale ironic encomium after the manner of the Greek satirist Lucian, the first and in its way the finest example of a new form of Renaissance satire. It ends with a straightforward and touching statement of the Christian ideals that Erasmus shared notably with his English friends John Colet and Thomas More.

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Van der Haeghen, Bibliotheca Erasmiana, ser. 1, p. 123; Bezzel, Erasmus, 1313; Adams E396

“On Disdaining the World”. Erasmus’ First Work, Contemplating Monastic Life

Erasmus, Desiderius (ca.1466-1536)
De contemptu mundi epistola.

Cologne: Johann Soter, 1523

Octavo: 15 x 9.8 cm. [64] p. Collation: A-D8

$5,500.00

This is an early edition of Erasmus’ first work written somewhere between 1486 and 1489, when Erasmus, as he himself tells us, “was scarcely twenty years old” (olim vix annos natus viginti) and shortly after he had become a member of the Augustinian Canons Regular at Steyn. Despite its early date, the book was not printed until 1521, when Erasmus was already well established as an international man of letters.

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Erasmus Online 5529; Mynors 1137; Bezzel, Erasmusdrucke 686; VD16 E 2598; Not in De Reuck

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