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An Impressive Sammelband of Gesner’s Complete Zoological Works. Illustrated with over 1,000 Woodcuts

Gesner (also Gessner), Conrad (1516-1565)
Vogelbuch: darinn die Art, Natur unnd Eigenschafft aller Vöglen, sampt irer waren Contrafactur angezeigt wirdt : allen Liebhabern der Künsten, Artzeten, Maleren, Goldschmiden, Bildschnitzeren, Seydenstickeren, Weydleüten unnd Köchen, nit allein lustig zu erfaren, sunder gantz nutzlich und dienstlich zebrauchen. erstlich durch Doctor Conradt Geßner in Latin beschrieben, neüwlich aber durch Rudolff Heüßlin mit Fleyß in das Teütsch gebracht unnd in eine kurtze Ordnung gestelt.

$38,000.00

A magnificent sammelband, bound in alum-tawed pigskin over beveled wooden boards, lacking one clasp. Binding soiled and with slight wear but still very fine. The boards are ruled and tooled in blind with medallion portrait heads and Biblical figures. The text of all four volumes is in excellent condition. There is one small tear to the lower corner of leaf B2, with loss of a few letters. One of the birds in the first work has been nicely colored by a 16th c.

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VD 16, G 1736, 1729, 1742 und 1745; Nissen 1552, 1555 and 1557

Navagero’s Travels in Spain & France - With His Important Description of The Alhambra

NAVAGERO, Andrea (1483-1529).
Il viaggio fatto in Spagna, et in Francia, dal magnifico m. Andrea Navagiero, fu oratore dell’illustrissimo Senato Veneto, alla cesarea maesta di Carlo V. Con la descrittione partico-lare delli luochi, et costumi delli popoli di quelle provincie.

Venice: Domenico Farri, 1563

Quarto: (4), 68 leaves.

$7,000.00

As the printer Domenico Farri states in the dedication to the marquis Lepido de Malaspini, he obtained the autograph copy of the work from Paolo Ramusio, who had it found among the papers of his father Giovanni Battista, who died in 1557.

The first part is the account of Navagero’s travels in Spain as Venetian ambassador from his departure from Venice (May 1, 1525) until his return and arrival at the French border.

>FULL DESCRIPTION<

Edit 16, CNCE49467; Universal STC, no. 844339; C. Fletcher, Mere Emulators of Italy: The Spanish in Italian Diplomatic Discourse, 1492-1550, “The Spanish Presence in Sixteenth-Century Italy”, P. Baker-Bates, ed., (Burlington, 2015), pp. 13-15; R. Norbedo, Per l‟edizione dell‟Itinerario in Spagna di Andrea Navagero, in: “Lettere italiane”, LII, (2000), p. 63.

ISLAMOPHOBIA. ATHEISM. Pollot, Laurent (fl. end of the 16th century).
Dialogues contre la Pluralité des Religions et l’Atheisme. 1. De la Religion de Dieu. 2. De la Religion des Hommes. 3. Contre l’Atheisme. Sur la fin est adjousté, par occasion tres-necessaire, un quatriesme Dialogue, contre l’Avarice de ce dernier siecle de Fer.

La Rochelle, Jérôme Haultin, 1595

Octavo: (8), 203 (i.e. 202) leaves.

$4,200.00

An important work in the literature of atheism, and Islamophobia, in which Muslims (Turks in particular) are condemned as “traitorous, vindictive, cruel, nasty sodomites.”

“Toward the end of the sixteenth century, two works in particular undertook a systematic analysis of atheism and its causes: Pierre Charron’s Les trois véritez (1595) and Laurent Pollot’s Dialogues contre la pluralité des religions et l’athéisme (1595).

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Adams, P-1786; A. Cioranesco, Bibliographie de la littérature française du seizième siècle, (Paris, 1959), no. 17743; L. Desgraves, Les Haultins, (Genève, 1960), no. 150; E. Kushner, Le dialogue à la Renaissance: histoire et poétique, (Genève, 2004), p. 103.

A Beautiful Copy in Contemporary Color, Highlighted in Gold

Snijders, Michael. Jean Galle and Michel Van Lochom (artists)
Amoris Divini et Humani Antipathia sive effectus varii, e varis Sacrae Scripturae locis deprompti Emblematis suis epressi SS PP. ...

Anvers: Michael Snyders, 1629

Large duodecimo: engraved t.p., [8] lvs., 167 p., [3] lvs. With 83 added engravings.

$18,000.00

Brunet attributes the execution of the emblems to Jean Galle and Michel Van Lochom. Funck indicates that 39 of them come from the first edition (1626), while 44 are new and are the work of Charles de Mallery. The dedication to D. Gerard de Vilers is adorned with a full-page coat of arms.

In addition to the Latin and French text of the first edition, this edition includes translations in Dutch and Spanish.

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Brunet, I, 240; Praz. p. 255; Landwehr, no. 619; Funck, 267-268.

A Fascinating & Important 14th Century Pharmaceutical Manuscript

Matthaeus Platearius [attributed] (ca. 1250), Albertus Magnus (before 1200-1280), Walter Agilon (ca. 1240), et alii.
Circa instans negotium in simplicibus medicinis …”: (Concerning medical simples…). [Together with Walter Agilon’s “De dosis medicinarum”, Albertus Magnus’, “Tractatus de herbis”, and other texts.]

Northwest Germany: 3rd quarter of the 14th c., ca. 1369

Folio: 29.5 x 21 cm. 98 lvs. Text in 2 columns of 38 to 44 lines. Complete.

$200,000.00

Contents: (see also the discussion of these texts on pages 2-3 of this description): I. Matthaeus Platearius (attrib.) “Circa instans” (p. 1-101); II. Walter Agilon, De dosis medicinarum” (p. 101-113); III. Anon., “Ars medicinarum laxativarum” (p. 113-126); IV. Bartholomeo da Varignana, “Practica a capite usque ad pedes” (excerpt) (p.

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1. See P.O. Kristeller, ‘The School of Salerno: its development and contribution to the history of learning’, in Studies in Renaissance Thought and Letters, 1956.

Renaissance Science and its Medieval Antecedents

Sacrobosco, Johannes de (ca. 1195 – ca. 1256 A.D.); Regiomontanus, Johannes (1436-1476); Peurbach, Georg von (1423-1461)
Sphaera mundi [with] Johannes Regiomontanus: Disputationes contra Cremonensia deliramenta [and] Georg von Peurbach: Theoricae novae planetarum.

Venice: Erhard Ratdolt, 6 July 1482

Quarto: 19.5 x 14.3 cm. 60 lvs. Collation: a-g8, h4. 30-31 lines, Gothic type

$38,000.00

A fine copy of Erhard Ratdolt’s beautiful printing of Sacrobosco’s “Sphere”, the core astronomical textbook from the Middle Ages to the early 16th century. This edition is the first to include key texts by two of the most influential 15th c. astronomers: Johannes Regiomontanus and Georg Peurbach.

Working in the vein of the Renaissance humanists, Peurbach and his student Regiomontanus sought out the extant scientific writings of antiquity, the classical foundations of medieval European and Arabic science.

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ISTC ij00405000; BMC V 286; Goff J405; Hain-Copinger 14110

Astronomy and Meteorology; Flora and Fauna: The Natural World in the Middle Ages. With 15th c. Provenance. Bound at the Monastery of St Zeno

Berenger of Landorra, Archbishop of Santiago de Compostela (circa 1262-1330), and Gregory of Vorau (ed. Matthias Farinator)
Lumen Animae. Incipit: Liber moralitatum elegantissimus magnarum reru[m] naturalium lumen anime dict[us]: cu[m] septe[m] apparitorib[us] necno[n] sanctoru[m] doctoru[m] orthodoxe fidei p[ro]fessorum Poetaru[m] etia[m] ac oratoru[m] auctoritatib[us] p[er] modum pharatre s[e]c[un]d[u]m ordine[m] alphabeti collectis feliciter incipit.

Strasbourg: Printer of the 1481 Legenda aurea, 22 March 1482

Folio: 29.2 x 21.8 cm. 274 unsigned leaves. [A-C]8, [D]10; [a-m]8, [n]6,[o-z]8, [aa-ff]8, [gg]10. Complete with the initial and final blanks.

$24,000.00

The arrival of printed books is so often regarded as one of the inaugural moments of the renaissance that it is sometimes forgotten that the first years of print also represented the last great flowering of the Middle Ages. The “Lumen Anime” (Light of the Soul), is testament to that. Formerly attributed to the Carmelite friar Mathias Farinator of Vienna (who compiled the index), the “Lumen Anime” is now known to be Berenger of Landorra, General of the Dominican order and archbishop of Campostella from 1317 to 1325.

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BMC I, 97; Hain-Copinger 10333*; Goff L-396; Proctor 413; Polain 1468; Wellcome I, 2175; Klebs 631.3; Thorndyke III, 546ff. Sources: Mary A. and Richard H. Rouse, ‘The Texts called Lumen Anime,’ Archivum Fratrum Praedicatorum, 41 (Rome, 1971), 5-113; N.R. Ker, Records of All Soul’s College Library. 1437-1600 (Oxford, 1971), 27.

The First Printed Illustrations of the Constellations

Hyginus, Caius Julius (fl. 2nd century)
Poeticon astronomicon. Edited by Jacobus Sentinus and Johannes Lucilius Santritter.

Venice: Erhard Ratdolt, 14 October, 1482

Quarto: 20 x 14.6 cm. Collation: a-f8 g10 (a1 blank, a2r dedication to M. Fabius [Quintilianus?], a3r text, g9r commendatory poem by Jacobus Sentinus, g10r poem and verse colophon by Johannes Santritter, g10v blank). 58 leaves. 31 lines. Types 3:91G (text), 7:92G (heading on a2r), 91 Gk (a few words). Title on a2r printed in red, 11-, 7-, 5- and 3-line white-on-black woodcut initials. 47 half-page woodcuts, probably designed by Johannes Santritter, of the constellation and planet figures.

$45,000.00

FIRST ILLUSTRATED EDITION of Hyginus’ “Poeticon Astronomicon”, illustrated with 47 half-page woodcuts of the constellations and the planets personified. The text is set in a pleasing Gothic. The text of Hyginus was first published in an unillustrated edition at Ferrara in 1475.

The “Poeticon Astronomicon” (more correctly, the “Astronomica”) is an ancient Roman work on the constellations chiefly based on the work of the Greek scientist Eratosthenes (3rd c.

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BMC V, 286; BSB-Ink H-459; CIBN H-334; Essling 285; Goff H-560; HC 9062*; Hind II, p. 462; IGI 4959; Klebs 527.2; Pollard/Perrins 31; Redgrave 30; Sander 3472

The Koberger Horace

Horace. Horatius Flaccus, Quintus (65-8 B.C.)
Opera cu[m] quibusdam Annotat[i]o[n]ib[us]. Imaginibusq[ue] pulcherrimis aptisq[ue] ad Odarum conce[n]tus & sente[n]tias.

Strasbourg: Johann Reinhard, called Grüninger, 12 March, 1498

Folio: 298 x 222 mm. Collation: [*]6, A-V6, X-Z6, AA-II6, KK-LL8; [**]6

$60,000.00

This copy is partially rubricated and is annotated, in Latin, throughout in at least two contemporary hands. The early annotations are intact, having been spared by the binder’s knife, and consist of metrical notations, citations from other authors, and comments. There are also two glosses in Greek (leaves S6v and FF1r) as well as an apparent note in German (leaf FF6). An added manuscript index for the “Epistolae” is bound after the final text leaf.

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Hain 8898; Goff H 461; BMC I, 112; Polain 1989; Proctor 485; Walsh 182; Fairfax Murray (German) 205; Rosenwald Collection 188; Dibdin, Bibl. Spenceriana II, 87-95. For Grüninger, his illustrated books, and Locher’s edition of Horace, see Mark Morford, Johann Grüninger of Strasbourg in “Syntagmatia: Essays on Neo-Latin Literature in Honour of Monique Mund-Dopchie and Gilbert Tournoy (Humanistica Lovaniensia, XXVI) 2009

The First Aldine Dante

Dante Alighieri (1265-1321)
Le terze rime di Dante.

Venice: Aldus Manutius, August 1502

Octavo: 15 x 9.1 cm. 244 unnumbered leaves. Collation: a-z8, A-G8, H4. Leaf l2 is a blank.

$16,000.00

This is the issue with the Aldine anchor and dolphin device on the final leaf. Quires a-c were also completely re-set, the present copy having the headline 'INFERNO' on a2r, and 'INF' in all the other leaves of these quires.

The edition – titled here simply “Le terze rime” – signals a linguistic restoration of the work and an important advance in the recovery of the original text.

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De Batines, I, pp. 60-62; Mambelli, 17; Renouard, p. 34, no. 5; Ahmanson-Murphy, 59; Dionisotti-Orlandi, “Aldo Manuzio editore”, no. XXX; Adams, D-83; Gamba, 385

A Vergilian Art of Memory

Sibutus, Georg Daripinus (c. 1480-1528)
Ars memorativa Gerogii [!] Sibuti daripini co[n]cionatorib[us] et iurisperitis multum utilis et fructuosa. Carmen eiusdem in vita[m] sanctae Annae Heroicu[m]. Sphico annexum. Saphicum Ioannis Murmellii. Saphicum Ioanuis [!] cesarii.

Cologne: [heirs of Heinrich] Quentel, 7. VIII. 1506

Quarto: 16 pp.

$4,650.00

The humanist Sibutus (c. 1480-1528), probably from Tannroda in Thuringia, was a student of Conrad Celtis. Crowned poet laureate by Emperor Maximilian in 1505, he practiced as a physician and taught rhetoric in Wittenberg, Rostock, Cologne, and Vienna.

A practitioner of mnemotechnics as well as a theorist, Sibutus was famously proficient in the art. We know, for instance, that for Frederick, Elector of Saxony, Sibutus recited from memory 600 verses of his "Silvula in Albiorim", a poem in praise of Wittenberg.

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VD 16, S 6262. BM-STC German 812. Panzer VI, p. 358, no. 104. Verfasserlex. II.3, col. 892. OCLC 230985978. Not in Adams.

Practicing Medicine in the Age of Petrarch. The Rare First Edition

Garbo, Tommaso de (ca. 1305-1370); Zanelli di Pietro, Francesco (d. 1365?); Johannes, de Penna (d. 1348?)
Summa medicinalis accuratissime revisa & emendata: ac nunc primo quidem diligenter impressa. Tractatus ejusdem de restauratione humidi radicalis. Tractatusque ejusdem de reductione medicinarum ad actum. [With: "Tractatus comminantium" of Francesco Zanelli and the "Reprobationes” of Johannes de Penna.]

Venice: Mandato & expensis heredum Octaviani Scoti, per Bonetum Locatellum, 27 August, 1506

Folio: [1], 119 lvs.

$9,800.00

This publication also includes the "Tractatus comminantium magistri Francisci de Bononia" [i. e. Francesco Zanelli] (leaves 96r-99r) and the "Reprobationes magistri Johannis de Penna."

Son of the famous physician, professor of medicine, and author Dino del Garbo (d. 1327), Tommaso del Garbo would eclipse his father’s success and go on to become one of the most successful –and wealthiest- physicians of mid-14th c.

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Durling 4378; BM STC, Italian Books p. 290; Hirsch/Hüb. II, 682; EDIT 16 CNCE 36854; Not in Adams.

Writing & Teaching Poetry in 15th c. Poland. With a Fine woodcut of the Author and his Students

Corvinus, Laurentius [Korwin, Wawrzyniec](ca. 1465–1527)
Magistri Laure[n]tij Coruini Nouoforensis, viri lepidissimi Compendiosa et facilis diversorum carminum structura, cu(m) exemplis aptissimis ac ad ungue(m) elaboratis, et postremo brevibus cognoscendarum syllabarum preceptis.

Cologne: Per Martinu[m] de Werdena, 1508

Quarto: 20 x 14.5 cm. [44] pp.

$4,500.00

An early edition (1st 1496), and the only edition with the woodcut of the author instructing his students, of this work on writing poetry by the important Silesian poet Laurentius Corvinus (born Laurentius Rabe and known in Polish as Wawrzyniec Korwin), well-known to historians of science as the man who assisted Copernicus in his first publication, a Latin translation from the Greek of the letters of Theophylactus, for which Corvinus provided two poems, one of which mentions Copernicus’ interest in astronomy.

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VD 16, C 5453; IA 145.627; Estreicher XIV, 420; Goluszka-M. P 205 See: Jacqueline Glomski, “Poetry to Teach the Writing of Poetry”, in Poets and Teachers: Latin didactic poetry and the didactic authority of the Latin poet from the Renaissance to the present: (Proceedings of the Fifth Annual Symposium of the Cambridge Society for Neo-Latin Studies, Clare College, Cambridge, 9-11 September, 1996)/ Edited by Yasmin Haskell and Philip Hardie. Also, “Laurentius Corvinus and the Flowering of Central European Humanism”, Terminus ix (2007), pp. 49-74

The 1515 Froben “Praise of Folly”

Erasmus, Desiderius (ca. 1466-1536): Piccolomini, Aeneas Sylvius (Pope Pius II) (1405-1464); Wimpfeling, Jakob (1450-1528): Lactantius, Lucius Caecilius Firmianus (ca. 240 – ca. 320): Lactantius, Lucius Caecilius Firmianus (ca. 240 – ca. 320)
[Bound with:] Piccolomini, Aeneas Sylvius (Pope Pius II) (1405-1464); Wimpfeling, Jakob (1450-1528) Germania Enee Silvii: in qua candide lector continentur : gravamina germanice nationis : confutatio eorundem cum replicis ; de concilio Constantiensi & Basiliensi ; describuntur hic urbes, civitates, ecclesie, episcopatus, abbacie, principatus & principatus & nobilissime familie Germanorum… De concordatis principum. De officio pape & suis officialibus. De veritate Christiane religionis Strasbourg: Excusum per Renatu[m] Beck in aedibus zum Thiergarten, 21 June 1515 [Bound with:] Lactantius, Lucius Caecilius Firmianus (ca. 240 – ca. 320) Lepida Lactantij Firmiani opera accurate græco adiuncto castigata: Eiusdem Nephytomon: Carmina de Phoenice. & Christi Resurrectione. Io. Chry. de Eucharistia sermo. Lau. Val. sermo. Phil. ad theo. Adhortatio. Paris: Jean Petit, In vico Sancti Iacobi, 1513

Basel: and Strasbourg: and Paris: Io. Froben, and Excusum per Renatu[m] Beck in aedibus zum Thiergarten, and Jean Petit, In vico Sancti Iacobi, 1515 and 1515 and 1513

Large Quarto: 3 works bound in one volume: I. Piccolomini: i-iv, A-B4, C8, D-E4, F8, G-H4, I8, K-L4, M8, N-O4, P6. II. Lactantius: A6, B4, a-z8/4, A-D8/4, E6, F-N8/4, O6, P4. III. “Praise of Folly”: a-h4, a-z4, A-B4, C6

$20,500.00

This edition includes the original dedicatory letter to Thomas More, whose name Erasmus plays upon cleverly in the title of the work; and the letter to Martin Dorp in which Erasmus explains his motives for writing the “Moria”: “My aim in the ‘Folly’ was exactly the same as in my other works. Only the presentation was different. In the ‘Enchiridion’ I simply outlined the pattern of a Christian life.

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I. “Germania”: BM STC German p. 701 = Proctor 10307. Not in Adams. Panzer VI.75.410. Ritter 1878. Muller, Bibliographie Strasbourgeoise II, 228 no. 26. Schmidt (Beck) 21. II. Lactantius: Adams L-14; BSB-Ink L-13; HC 9819; Moreau, Inventaire chronologique II 637. III. “Praise of Folly”: Vander Haeghen I, 122; Kossmann 967; Bezzel 1304; Not in De Reuck; BM STC German p. 282; Adams E 392; VD, 16E 3184

The Lyon Vergil

Vergil (Publius Vergilius Maro) (70-19 B.C.)
Opera Vergiliana docte & familiariter exposita: docte guide[m] Bucollica & Georgica a Servio, Donato, Mancinello & Probo nuper addito, cum adnotationib[us] Beroaldinis, Aeneis vero ab ijde[m] pr[a]eter Mancinellum & Probu[m] & ab Augustino Datho in ejus principio, Opusculoru[m] pr[a]eterea q[uae]da[m] ab Domitio Calderino. familiariter vero o[mn]ia ta[m] opera q[uam] opuscula ab Jodoco Badio Ascencio

Lyon: Jacobus Saçon for Ciriacus Hochperg, 1517

Folio: 30.8 x 21.5 cm. Collation: Pt. I: 216 lvs. Collation:*10, a-z8, aa-bb8, cc6 (cc6 blank). Pt. II: 342 lvs. Collation: ††8, A-Z8, AA-QQ8, RR-SS6, TT10

$30,000.00

These blocks were cut for Grüninger’s 1502 edition of Vergil, the first illustrated Vergil. The book, edited by Sebastian Brant, was extraordinary in the number and variety of its illustrations. “Grüninger’s artist applied to the work a skilled hand and a lively imagination… The blocks must have passed to Saçon at Lyon shortly after the printing of the Strasbourg 1515 edition of Thomas Murner’s German translation of the ‘Aeneid,’ described in Murray’s catalogue of German books, vol.

>FULL DESCRIPTION<

Brunet V 1282; Baudrier vol 12, pp. 344-346; Renouard, Badius Ascensius, vol. 3 p. 370-372, no. 11. Cf. Eleanor Winsor Leach, "Brant's and Dryden's Editions of Vergil" in "The Early Illustrated Book", pp. 176 ff.) and Rabb, Theodore K. "Sebastien Brant and the First Illustrated Edition of Vergil." in "Princeton University Library Chronicle 21", 1960: 187-99.

"Nobody" dares to criticize the luxury of the priests and the idle life of the Pope.

Hutten, Ulrich von (1488-1523); Weiditz, Hans (1495- ca. 1536), artist.
Outis. Nemo

Augsburg: Johann Miller, 9 September, 1518

Quarto: 20 x 15.5 cm. [24] pp. Collation: A-C4

$9,500.00

First printing of Hutten's second "Nemo", a substantially re-worked and enlarged version of the 1516 original. This edition has been augmented by 60 verses, mainly on political subjects, an introduction dedicated to Johannes Crotus Rubianus (1480-1545) and a letter to Julius von Pflug (1499-1564). It also marks the first appearance of the celebrated woodcut title page (described in detail below.

>FULL DESCRIPTION<

Benzing, Hutten 62; Fairfax-Murray 211; Musper, "Petrarka Master" L7; Roettinger 7; Adams H 1237; BM STC German, p. 427; VD 16; H 6384; Worst Brock, German humanism 1480-1520 (2009), p 1200 f., No. 10.2; Röttinger, Weiditz, 7; Fairfax Murray 211; Richard C. Kessler Reformation Collection I, 114

The First Aldine Edition of Plutarch’s “Parallel Lives”

Plutarch (c. 50–c. 120 AD)
[Parallel Lives in Greek] Ploutarchou Parallela en Biois Hellenon te kai Romaion [Graece]. Plutarchi quae vocantur Parallela: hoc est, vitae illustrium virorum Graeci nominis ac Latini, prout quaeque alteri convenire videbatur, digestae.

Venice: In aedibus Aldi et Andreae Soceri, mense Augusto 1519

Folio: 30 x 20.5 cm. [4], 345, [1] leaves. Collation: *4, (lacking blank *4), a[alpha]-z[zeta]8, aa[2alpha]-tt[2tau]8, uu[2upsilon]10

$18,000.00

>FULL DESCRIPTION<

Renouard, p. 87, no. 9; New UCLA 182; Hoffmann III, 175; Schweiger p. 259, col. 2

Selling your Scholarly Soul for the Vices of Court Life

Hutten, Ulrich von (1488-1523)
Aula. Dialogus.

Augsburg: S. Grimm and M. Wirsung, 26 March 1519

Quarto: 20 x 15.5 cm. [23] ff. A-E4, F4 (lacking final blank leaf F4)

$4,800.00

Hutten’s famous satire on courtly life. It is dedicated to Heinrich Stromer von Auerbach, court physician of the Mainz Elector. At the end is a verse “Prognosticon ad annum. M.D.XVI. ad Leonem .X. Pont. Max.” (Hutten’s warning that if Leo X engaged in war with the Emperor Maximilian, Italy would be destroyed) and a publisher’s advertisement of Hutten’s “Ebrietatis laus” (in praise of drunkenness.

>FULL DESCRIPTION<

VD-16 H-6299. Benzing (Hutten) 75. STC German (BL) 426. Not in Adams

The Second Aldine Caesar

Caesar, Gaius Iulius (100-44 B.C.)
Hoc volvmine continentvr haec: Commentariorum de bello Gallico libri VIII. De bello ciuili Pompeiano libri IIII. De bello Alexandrino liber I. De bello Africano liber I. De bello Hispaniensi liber I. Pictura totius Galliae, & Hispaniae secundum C. Caesaris Commentarios. Nomina locorum, urbiumq[ue] & populorum Galliae, & Hispaniae, ut olim dicebantur latine, & nunc dicantur, secundum ordinem alphabeti. Pictura pontis in Rheno. Item Auarici. Alexiae. Vxelloduni. Massiliae.

Venice: In aedibvs Aldi, et Andreae soceri, Mense Ianvario. 1518 [and] Mense Novemb. 1519

Octavo: 16.3 x 10 cm. [16], 296 leaves. Collation: A-B8, a-z8, aa-kk8; ll-oo8. Complete with blank leaves B8 and kk7.

$6,500.00

This edition contains Caesar's extant works: the “Commentarii de Bello Gallico”, Caesar’s account of his campaigns in Gaul, covering the period from 58 to 52 B.C.; and the “De Bello Civili”, covering the events of the civil war between Caesar and Pompey in 49 and 48 B.C.. Also included are Book VIII of the "Bellum Gallicum", and the "Bellum Alexandrinum" (appended to the three books of the “Bellum Civili” as Books IV through VII), both attributed to Caesar's lieutenant Aulus Hirtius.

>FULL DESCRIPTION<

Renouard, p. 88, no. 11; Ahmanson-Murphy, No.’s 185 and 185a

Illustrated with 100 Woodcuts - In a Contemporary Italian Binding

Dante Alighieri (1265-1321)
Opere del Divino Poeta Danthe con svoi Comenti : Recorrecti et con ogne diligentia novamente in littera cvrsiva impresse. In bibliotheca S. Bernardini. [With the commentary of Cristoforo Landino.]

Venice: Per Miser Bernardino Stagnino da Trino de monferra, 28 March, 1520

Quarto: [12], 441 leaves. Collation: AA12, a-z8, [et]8, aa-zz8, 2[et]8, [con]8, [rum]8, A-E8

$16,500.00

The book is illustrated with a full-paged woodcut of Dante with three scenes (1. wandering in the “selva oscura”, 2. beset by the lion, leopard and wolf, and 3. led by Vergil.) The poems are illustrated with 98 smaller woodcuts. In addition to the woodcuts that illustrate the text, there is a vignette of Adam & Eve, God, and the Serpent in the Garden of Eden that appears on the title page and again in the woodcut border on the first leaf of the Inferno.

>FULL DESCRIPTION<

Adams D 90; Mambelli, Annali delle Edizioni Dantesche, no. 27; Colomb De Batines, Indice generale della Bibliografia dantesca I, 78; Sander, Le livre à figures italien, depuis 1467 jusqu’a 1530, 2325; Essling, Les livres à figures Vénitiens de la fin du xve siècle et du commencement du xvie, 529

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