16 mo. 2 volumes. 12.1 x 7.8 cm. I : 528 p. (Collation: a-z8, A-K8), II : 361 p., [1] f. (Collation: aa-yy8, zz6)
Robert Estienne’s second Greek New Testament, printed in the celebrated “grecs du roi” Greek types of Claude Garamond. With the iconic device of the French king’s printer on the title pages and the Estienne device at the end of the second volume.
The extant works of Sallust, the "Bellum Iugurthinum", "Bellum Catilinarium" (and associated texts), and the fragments of his "Histories," dealing with the years 78-67 B.
Octavo: 17 x 11 cm. (32), 523, (1, blank), (108) pp. Collation: I. *8, **8 (**4 and 5 are conjugates that form the folded map of Spain), a-z8, A-Q8, R4. II. 134, (16) pp. Collation: A-I8, K4
This edition of Caesar includes the texts of the “Gallic Wars” and “Civil War”, together with the "De bello Alexandrino", "De bello Africano", and "De bello Hispaniense", ascribed to Aulus Hirtius. This edition also includes Raimundo Marliano’s useful index of the topography of Gaul in Roman times.
Admired for their style (most famously by Cicero) and read by both his supporters and detractors alike in antiquity, Caesar’s Commentarii fell into obscurity in the Middle Ages.
Venice: Venice: Philippus Pincius (Filippo Pinzi), 1510
$16,000.00
Folio: 31 x 21.5 cm. I. (Catullus) [158] lvs. Collation: A-c8, d-e6, f-s8, t-x6 (lacking blank leaf x6). II. (Martial) CLXI lvs. Collation: A-T8, V10 (lacking blank V10)
THE FIRST ILLUSTRTED EDITION OF MARTIAL:
The book is illustrated with 15 woodcuts, beginning with a scene showing five seated figures writing, the central three identified as Martial and his commentators Domizio Calderini (1447-1478) and Giorgio Merula (ca.
I. Goff T-372; Hain 4763; Proctor 5029; BMC V, 439; Literature: Julia Craig Gaiser, “Catullus” in “Catalogus Translationum et Commentariorum”, Vol. VII). II. EDIT 16, CNCE 34895
Venice: Guilielmo de Fontaneto. Montisferrati, 1520
$4,800.00
Folio: 30.5 x 21 cm. Collation: aa4, a-c8, d10, e-k8, l6, m10, n-x8, y10 (final blank lacking.)
With the commentaries of Bernardinus Cyllenius on Tibullus; Antonius Parthenius and Palladius Fuscus on Catullus, Philippus Beroaldus on Propertius; and the Emendationesof Hieronymus Avantius on Lucretius, Catullus, the Priapeia, and Statius' Silvae.
Folio: Five volumes bound as two: 37.5 x 25 cm. Vol I: “Rhetorica”: *8, a-s8. (*1 is the general title, a1 is the title to Vol I); “Orationes”: aa-zz8, aaa-qqq8, rrr-sss6 (lacking blank sss6); Vol II: “Epistolae”: A-Z8, AA-CC8; “Philosophica”: Aa-Zz8, AAA-DDD8, EEE10; “Explicationes”: A-P8, Q10 (Q10 blank and present)
For his edition, Robert Estienne used the text of Cicero as edited by Pietro Vettori, and has included Vettori's important "Explicationes" as a fifth volume. Vettori would later (in 1557) furnish the first complete text of Aeschylus' "Oresteia" for Henri Estienne II's celebrated edition of the tragedian's plays.
"The respect and renown accumulated by the edition of Cicero's complete works produced by Petrus Victorius (Pietero Vettori, 1499-1585) between 1534 and 1537, was in large part due to the careful and extensive integration of manuscript evidence into the text.
Cambridge: Ex officinâ Johan. Hayes, celeberrimæ Academiæ typographi. Impensis Richardi Green bibliopolæ Cantab., 1694
$1,500.00
Folio: 32 x 20.5 cm. [8], lvi, 330; [2], 529, [43 ] p. Collation: a-g4, h2, (A)2, B-Z4, Aa-Tt4, Vv2, a-z4, aa-zz4, aaa-zzz4, aaaa-bbbb4, cccc2. With two added engraved portraits of Barnes and Euripides.
“The merits of all preceding editions are eclipsed by this celebrated one of Joshua Barnes. Fabricius observes that ‘the text is accurately revised and printed, the metrical rules of Canter diligently corrected, and the entire ancient scholia on the first seven plays subjoined and enriched by excerpta from a manuscript in Corpus Christi College, Cambridge. The notes of various learned men, and those of Barnes accompany the scholia; the fragments of Euripides are carefully collected and displayed, with Greek and Latin notes as far as verse 2068; lastly, there are some epistles, attributed to Euripides.
Folio: 32.7 x 21.7 cm. [12], 804, 809-1351, 1354-1403, [43] pp. Collation: [A] B-6F . (with blank [A]6 and without blank 6F6)
This is the first complete rendering into English of the most important Roman historian. The scholar-surgeon Philemon Holland is one of the great literary figures of the twilight years of the Elizabethan age. Like his contemporary John Florio, who translated Montaigne’s “Essays” into English in 1599, Holland not only made the works that he translated accessible to English readers, but also put his own stamp on those works, creating something at once faithful and new.
Venice: Aldus Manutius and Andrea Torresani di Asolo, 1515
$4,500.00
Octavo: 15.5 x 9.5 cm. *8, a-q8 (blank leaves *8 and q7 both present)
“The Lucretius of January 1515 was the last book printed by Aldus, shortly before his death on 6 February. The text had been revised and edited by Andrea Navagero (1483–1529), the editor of all the last Latin editions published by Aldus from the Cicero of 1514 onwards. Unlike Aldus’s first Lucretius of 1500, this book was a classical enchiridion, in the octavo format with text in Italic types, with no accompanying commentary or printed decoration.
Octavo: 16.7 x 11 cm. 3 works bound as one (See below): I. *8, **8, A-Z8, Aa-Hh8 (Hh8 and present). II. A-G8, H4. III. A-G8.
The Lucretius is here bound together with two other works dealing with “physical philosophy”: Marcantonio Flaminio’s “Paraphrasis in duodecimum Aristotelis librum de prima philosophia” (Paris, Nicolas Le Riche, 1547) and Richard de Gorris’ “Tabula, Qua totius Philosophiae partitiones … facillimae ac doctissimae explicationes continentur”.
Voet 1590; Renouard BP16-112771; Gordon, A Bibliography of Lucretius, 103; Adams L 1664; John Nassichuk, « Entre traduction et commentaire. La paraphrase du livre λ de la Métaphysique d’Aristote par Marcantonio Flaminio », Commenter et philosopher à la Renaissance, éd. L. Boulègue, 2014, pp. 209-224 ; Sybille von Gültlingen, VII, p. 76: 473, USTC 153013
Quarto: 19 x 14 cm. Aa-Bb4; A-X4, Y6; aa-dd4. Complete.
Fourth and most complete edition of Huttich’s "Imperatorum et Caesarum Vitae", his most important work, first published in 1525.
This volume is profusely illustrated with several hundred woodcut images derived from ancient coins and medals, most of which are by Hans Weiditz. "The medallions of the emperors [and their families] are 268 in number, commencing with Julius Caesar and ending with Frederick III, Maximilian I and his son Philip the Fair, Charles V and Ferdinand I.
Frankfurt: Joh. Feyerabend for S. Feyerabend, H. Takke and P. Fischer, 1587
$6,500.00
Octavo: 15.8 x 9.6 cm. [16], 573, [18] pp. Collation: *8, a-z8, A-Z8, aa-oo8
This edition is illustrated with 178 woodcut illustrations by the great Nuremberg artist Virgil Solis (1514-1562), a member of the German mannerist school, who partly followed in the tradition of Dürer.
Octavo: 19.3 x 11.5 cm. I. *8 (-*1, blank), **8, ***2, A-Z8, Aa-Oo8, Pp4, Aaa-Lll8; II. *4, A-F8, G4 (lacking blank leaf G4) With an added, engraved title page by Romeyn de Hooghe (1645-1708).
Michael Hadrianides’ 1669 edition of Petronius is the first to incorporate the “Fragmentum” discovered in Trau, Dalmatia, which contained the hitherto unknown text of the “Cena Trimalchionis” and is also "the first edition to contain all the fragments of the novel that we currently possess”. This copy is bound together with the –often lacking- 1670 edition of the “Fragmentum”, which prints the text as it appeared in the manuscript, here edited by Johannes Lucius, with the Apologia of Marino Statileo, who discovered the manuscript in Dalmatia.
Schmeling & Stuckley, Bibilography of Petronius, 71 & 78; Gaselee (Bibliography of Petronius), 49 & 51; Schweiger II p.723; Brunet IV 574; Graesse Vol 5 p. 239; Dibdin (4th ed.) Vol II, p. 276. Literature: See M.S. Smith’s 1975 Oxford edition of the “Cena Trimalchionis”, pp. xxii-xxiii and xxxvi; See also Alfred R. Allinson’s introduction to his translation of the “Satyricon.”
Venice: Aldus Manutius and Andrea Torresani, January 1513
$15,000.00
Octavo: 15.8 x 10 cm. Collation: *8, 1-24 in 8s. 188 leaves, including final blank. Types: 1:80 italic, 90 Greek.
The edition princeps of Pindar’s odes. With the second editions of Callimachus’ hymns and Dionysius Periegetes’ “De Situ Orbis”, and the first edition of Lycophron’s “Alexandra”. This "particularly elegant edition" combines Aldus’s portable octavo format with his attractive large Greek typeface.” (Fletcher)
The text is dedicated to Aldus' friend Andrea Navagero.
Folio: 33 x 22 cm. π6 [par.]4 a-b6 A8 B-3I6 3K4; A-3G6 3H4 3I-3O6 3P8 (lacking blank leaves π1 and 3P8) Complete in two parts; with a divisional title page to the second tome and the errata/colophon on leaf 3P7
“The ‘Natural History’ of Pliny the Elder is more than a natural history: it is an encyclopaedia of all the knowledge of the ancient world… It comprises 37 books with mathematics and physics, geography and astronomy, medicine and zoology, anthropology and physiology, philosophy and history, agriculture and mineralogy, the arts and letters… The ‘Historia’ soon became a standard book of reference; abstracts and abridgements appeared by the third century.
Antwerp: Ex officina Plantiniana apud viduam et filios J. Moreti, 1632
$5,500.00
Folio: 38.5 x 25 cm. *6, A-C6, A-Z6; Aa-Zz6; Aaa-Zzz6, Aaaa-Ffff6 (with blank leaf Ffff6 present). Added engraved
The third edition of Lipsius’ Seneca and the second to feature the Rubens images. Lipsius’ Seneca is the second of his two philological masterpieces. This edition was edited by Jan Van de Wouwer (1576-1635), to whom Lipsius entrusted his unpublished works.
Quarto: 25.8 x 16.7 cm. *4, a-z4, aa-zz4, aaa-kkk4, lll2; A-Z4, Aa-Gg4, Hh2 (includes blank ggg4; lacks blank Hh2).
“The great Estienne Sophocles, important for the scholia, which include those of Triclinius. The Greek text is followed by the commentary of Joachim Camerarius, and his Latin versions of Ajax and Electra. [Estienne] has again employed his peculiar system of diacritical annotations.” (Schreiber) With Estienne’s “Noli altum Sapere” printer’s device on the title page.
