December Miscellany 2018

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The Work of Cloistered Women - A History of Two Mexican Convents - Replete with Miracles

AMERICAS. Sigüenza y Góngora, Carlos de (1645-1700)
Parayso occidental, plantado y cultivado por la liberal benefica mano de los muy catholicos y poderosos reyes de España, nuestros senores, en su magnifico Real Convento de Jesus Maria de Mexico: de cuya fundacion y progressos y de las prodigiosas maravillas y virtudes, con que exalando olor suave de perfeccion, florecieron en su clausura la V.M. Marina de la Crvz y otras exemplarissimas religiosas, da noticia en este volumen D. Carlos Siguenza y Gongora.

Mexico: Juan de Ribera, 1684

$10,500.00

Quarto: 23 x 17 cm. [12], 206, [1] lvs. Collation: [a]-c4, A-Ddd4, Eee8 (lacks blank leaf Eeee8)

First edition of this important history: "Paradise in the West, planted and cultivated by the liberal and beneficent hand of the most Catholic and powerful Kings of Spain, Our Lords, in their magnificent Real Convento de Jesús María of Mexico City: of whose foundation and progress, and prodigious marvels and virtues, with which the Venerable Madre Marina de la Cruz and other exemplary religious women, giving off sweet smells of perfection, flowered in its cloister, don Carlos de Sigüenza y Góngora, Mexican Presbyter, gives notice in this volume.

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Medina, Mexico II: 1328; Palau 312973; Sabin 80980

Astrological Medicine & A Theory of Tides

ASTRONOMY. ASTROLOGY. PHYSICS. MEDICINE. Grisogono, Federico [Federik Grisogono Bartolačić](b. Zadar, Dalmatia, Yugoslavia, 1472; d. Zadar, 2 January 1538)
De modo collegiandi: pronosticandi: & curandi febres: necnon de humana felicitate: ac denique de fluxu & refluxu maris: lucubrationes nuperrime in lucem edite.

Venice: Impressum a Joan. Anto. de Sabbio & fratribus, 1528

$12,000.00

Folio: 30 x 21 cm. [56] p. Collation: A-G4

First editions of three works by the Dalmatian physician-scientist Federico Grisogono of Zara, who became professor of mathematics and astrology at Padua in 1499. The works concern: 1. Determining a treatment course for curing fevers with the aid of astrological prognostication. 2. A philosophical treatise on human happiness. 3. An influential theory of tides. The first work includes a full-page iatromathematical instrument, outfitted with three functioning volvelles, for making astrological (and other celestial) observations, medical forecasting, and creating horoscopes.

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Edit16 21833; Sander 1946; Thorndike, History of magic, 5:314-316; USTC 834694

Charting Comets & Renaming the Constellations

ASTRONOMY. COMETS. Weigel, Erhard (1625–1699)
Speculum Uranicum / Aquilae Romanae Sacrum / Das ist / Himels Spiegel / darinnen ausser denen ordentlichen auch die ungewöhnli- chen Erscheinungen des Himmels / mit gebührender Anführungen abgebildet / vornemlich aber 7 der im Gestirne des Adlers / jüngst- hin entstandene Comet / nebst einer neuen Himmels-Charte unter dem Adler des H. Römischen Reiches / dargestellt wird / von Erhardo VVeigelio, ...

Jena: bey Samuel Krebsen, in Verlegung Thomas Matthias Götzen, 1661

$5,800.00

Quarto: 19.8 x 16 cm. [128] p. π1, ):(4, A-M4, a-c4

A rare astronomical work by the astronomer Erhard Weigel, a teacher of Gottfried W. Leibniz. The engraved frontispiece shows a man holding a telescope, standing before the University of Jena, with other astronomical instruments (quadrants, sextants, a globe, etc.

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Zinner p. 582; Poggendorff II, 1283; Kenney 20; Brüning 1061; Pogg. II, 1283; Struve 17; Bircher A1193; FdF 1506-07; not in Hou-zeau-L.; Lit.: Klaus-Dieter Herbst (ed.). Erhard Weigel (1625–1699) und die Wissenschaften. Frankfurt a.M.: Peter Lang 2013

The City of God

Augustine, Saint, of Hippo (354-430 AD); Vives, Juan Luis (1492-1540); Healy, John [translator] (d. 1610)
Saint Augustine, Of the citie of God : with the learned comments of Io. Lodouicus Viues. Englished first by J. H. and now in this second edition compared with the Latine originall, and in very many places corrected and amended.

London: Printed by G. Eld and M. Flesher, 1620

$8,500.00

Folio: 32.3 x 21.5 cm. ¶4, A-Z6, Aa-Zz6, Aaa-Zzz6, Aaaa-Dddd6 (lacks blank ¶1).

This second edition was revised by William Crashaw (1572-1626), father of the poet Richard Crashaw, and includes the commentary of Juan Luis Vives (first published in Basle, 1522), which Vives wrote at the suggestion of Erasmus.

"Fifteen years after Augustine wrote the Confessions, at a time when he was bringing to a close (and invoking government power to do so) his long struggle with the Donatists but before he had worked himself up to action against the Pelagians, the Roman world was shaken by news of a military action in Italy.

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STC 917; Estelrich 119. Pforzheimer 19

A Fine, Large 13th c. "Proto" Paris Bible

BIBLE MANUSCRIPT, with prologues and the Interpretations of Hebrew Names
Decorated manuscript on vellum, in Latin

France (Paris?), early 13th century

$175,000.00

Contents: The books of the Bible and prologues are very close to the standard Paris sequence (f.1), omitting Psalms, and with a capitula list for Genesis; the Interpretations of Hebrew Names in the version from Aaz to Zuzim (f.167), alphabetised to the first two letters; preceded by added notes on the four types of biblical exposition (historical, tropological, anagogical, typological) and the seven rules of theology (f.

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Boyle's Law

Boyle, Robert (1627-91)
New Experiments Physico-Mechanical, touching the Spring of the Air, and its effects, made, for the most part, in a new pneumatical engine… London: Printed by Miles Flesher for Richard Davis, Bookseller in Oxford, 1682. [bound with] [2] A Continuation of New Experiments Physico-Mechanical, Touching the Spring and Weight of the Air, and their effects. The I. Part. Oxford: Printed by Henry Hall…for Richard Davis, 1669. [bound with] [3] A Continuation of New Experiments Physico-Mechanical, Touching the Spring and Weight of the Air, and their effects. The second part.

London: Printed by Miles Flesher for Richard Davis, 1682

$15,000.00

Quarto: 19.5 x 16 cm. 3 works in 2 volumes (the two continuations bound first): 1st Vol. "Continuation… the I. Part"(1669) and "Continuation… the second part"(1682). Collations: *4, **4, A2, B-Z4, Aa-Dd4, Ee2. With 8 engraved plates after p. 198; A4, a4, b2, B-Z4, Aa-Cc4, Dd2. With 5 plates bound after p. 198. 2nd Vol. "New Experiments"(1682) in 3 parts. Collation: A4, a4, B-Z4, Aa-Tt4, Vv4 (-Vv4), a-o4. With 2 engraved plates. The last part is bound first.

THIRD EDITION of Boyle’s book on his original experiments on air, his first scientific work and the one on which his fame rests. This edition, like the second, includes his controversial tracts against Linus and Hobbes, the former provoking an attack to which Boyle wrote a defence that contained “Boyle’s law”, first published in the second edition and present here.

[2] FIRST EDITION.

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Wing B4000, B3934, B3935. Fulton 15, 16, 18. See Horblit 15, PMM 143, and the Norman catalogue 300 for the second edition. Neville I, p. 192, has the same combination of works as are present here.

The "Ship of Fools" - With More than 100 Woodcuts by Tobias Stimmer

Brant, Sebastian (1457-1521); Locher, Jakob (1471-1528); Stimmer, Tobias (1539-1584)
Stultifera navis mortalium .. per Iacobum Locher Latinitati donatus.

Basel: Sebastian Henricpetri, March 1572

$5,800.00

Octavo: 17.5 x 11 cm. 16 lvs. (last 2 blank), 284 p., 2 leaves (the last blank). Collation: [alpha]-[beta]8, a-s8 ([beta]7-8 and s8 blank and present)

Sebastian Brant's celebrated 1494 "Das Narrenschiff" ("Ship of Fools)", in the Latin translation (1497) of Jakob Locher. This is the first edition to include the fine woodcuts of Tobias Stimmer.

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VD16, B 7081; BM STC, German Books p. 147; Adams B 2673; For Stimmer, see Geelhaar, Stimmer 1984 54; Andresen, Der Deutsche Peintre-Graveur 1864-78, III.210.1

The English “Ship of Fooles”, Illustrated with 116 Large Woodcuts

Brant, Sebastian (1458-1521); Barclay, Alexander (1475?-1552) and Locher, Jacob (1471-1528), translators
Stultifera Navis… The Ship of Fooles, wherin is shewed the folly of all States, with divers other workes adioyned unto the same, very profitable and fruitfull for all men. Translated out of Latin into Englishe by Alexander Barclay, Priest.

London: in Paules Churchyarde by John Cawood printer to the Queenes Maiestie, 1570

$40,000.00

Folio: 28 x 19 cm. ¶6, ¶¶6, A-Z6, Aa-Uu6, Xx4, A-G6, A-D6. [12], 259, [3]; [42]; [24] leaves

Sebastian Brant's celebrated “Ship of Fooles” ("Narrenschiff"), here in the English translation of Alexander Barclay, printed together with the Latin version of the poem by Jacob Locher. The first edition of Barclay’s translation (1509) is unobtainable. In this second edition there are also additional works by Barclay, “The Mirrour of good Maners” and “Certayne Eglogues", which did not appear in the 1509 edition.

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STC 3546; Pforzheimer 41; Langland to Wither, 18; Wilhelmi, Sébastian Brant (Bibliography) 218; Brant ("500e anniversaire" Exhibition catalogue, Basle 1994), 109

Praised by Copernicus in Book I of the ‘De Revolutionibus’ for Capella’s Model of Heliocentric Orbits

Capella, Martianus Minneus Felix. (circa 420-490), Edited by Franciscus Vitalis Bodianus.
Opus Martiani. Capellae de Nuptiis Philologiae & Mercurii libri duo. De Grammatica. Liber. Tertius. De Dialectica. Liber. Quartus. De Rhetorica. Liber. Quintus. De Geometria. Liber. Sextus. De Arithmetica. Liber. Septimus. De Astronomia. Liber. Octavus. De Musica. Liber. Nonus.

Modena, Dionysius Bertochus, 15 May, 1500

$28,000.00

Bound with:

Hyginus, C. Julius (1st century A.D.); Aratus, of Soli. (c. 315-c. 245 B.C.); Proclus Diadochus (ca. 410-484)

Fabularum Liber, Ad Omnium Poetarum Lectionem Mire necessarius, & nunc denuo excusus: Eiusdem Poeticon Astronomicon Libri quatuor. Quibus accesserunt similis argumenti, Palaephati de fabulosis narrationibus, Liber I.

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I. Goff C-118; Hain 4371*; Klebs 668.2; Smith (Rara Arithmetica) p. 67; Pell 3225; IGI 2427; Pr 7215; BMC VII 1068 (IB 31860). II. Wellcome I, 3377; Zinner 1592

Catullus & Martial - Two Books Printed by Henricus Petri

Catullus, Gaius Valerius (Ca. 84-Ca.54 B.C.); Tibullus (Ca. 50-Ca.18 B.C.); Propertius, Sextus. (Ca. 49-Ca. 16 B.C.)
C. Valerii Catulli...Liber I. Alb. Tibulli Equitis Romani libri IIII. Sex Aurelii Propertii umbri libri IIII. C N. Cornelii Galli fragmenta. Basel: Henricus Petri, 1530 b/w Martialis, Marcus Valerius (40- ca. 100) Epigrammaton Libri XIIII

Basel: Henricus Petri, 1530

$2,800.00

Octavo: 15 x 9.7 cm. 2 vols. bound together: I. (Catullus et al.) [8], 192 lvs. Collation: a-z8, A-B8; II. (Martial) [231] lvs. Collation: A-Z8, Aa-Ff8

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VD 16 C 1740 and M 1163

With 23 Woodcuts of the Canterbury Pilgrims

Chaucer, Geoffrey (d. 1400)
The Workes of Geffrey Chaucer, newlie printed, with divers addicions, whiche were never in print before: With the siege and destruccion of the worthy Citee of Thebes, compiled by Jhon Lidgate, Monke of Berie. As in the table more plainly doeth appere.

London: John Kyngston for John Wight, 1561

$68,000.00

Folio: 33 x 22 cm. [14], ccclxxviij leaves. Collation: [fleuron]⁴ [Maltese cross]⁶ A⁴, B-V⁶, 2A-2P⁶, ²Q-T⁶, ²V-X⁸, ²Y-Z⁶, 3A-3T⁶, 3V⁸. Leaves 03/4 reversed. Complete.

There were two series of woodcut illustrations used in 15thand 16thc. editions of the "Canterbury Tales": one by William Caxton, used in his 1483 edition, in 1498 by Wynkyn de Worde, and the 1532 and 1542 editions of the "Works". The second set, modeled on Caxton's, was made for Richard Pynson's 1492 edition of the "Tales". For the second Pynson edition (1526), some of the original 1492 blocks were used while others were re-cut on new blocks.

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Pforzheimer 176; ESTC S107206 (STC 5075); Langland to Wither, 42; Literature: E.P. Hammond, Chaucer, p. 119-122; David Carlson, "Woodcut Illustrations of the Canterbury Tales, 1483-1602", The Library, Vol. s6-19, Issue 1 (1 March, 1997), pages 25-67; David Carlson, "Woodcut Illustrations in Early Printed Editions of Chaucer's Canterbury Tales", in Chaucer Illustrated: Five Hundred Years of The Canterbury Tales in Pictures; Joe Dane, "Press-Variants in John Stow's Chaucer (1561) and the Text of Adam Scriveyn" (with Seth Lerer). Transactions of the Cambridge Bibliographical Society 11 (1999): 468-79.

A FUNERAL TO RIVAL THAT OF MICHELANGELO - THE FUNERAL PROCESSION AND OBSEQUIES FOR COSIMO I DE’ MEDICI

CINI, Giovanni Battista (1528-1586) attributed author
Descritione della pompa funerale fatta nelle essequie del Ser.mo Sig. Cosimo de’ Medici Gran Duca di Toscana nell’Alma Città di Firenze il giorno XVIJ di Maggio dell’Anno MDLXXIIII.

Florence, Giunti, 1574

$5,500.00

Quarto: 20.4 x 14.4 cm. [20] leaves. Signatures: A-E4.

This is a very rare first-hand account, commissioned by Francesco de’ Medici, of the elaborate ceremonies in Florence for the obsequies of Cosimo I de’ Medici, Grand Duke of Tuscany (1519-1584).  It includes minute descriptions of the elaborate funeral apparatus built for the occasion. Among those who managed the artistic aspects of the spectacle was Don Vincenzo Borghini, "one of the guiding spirits of the Accademia del Disegno, an adept inventor of allegorical themes for the Medici court", who worked together with Vasari on Michelangelo's funeral.

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Moreni, I, 321; Cat. Cavalieri, 148, nr. 721; Melzi, I, 285; Gamba, 2750; M. Schraven, Festive Funerals in Early Modern Italy: The Art and Culture of Conspicuous Commemoration. Visual Culture in Early Modernity, Farnham, 2014, p. 108 no. 42, and p. 279; M. Praz, Studies in Seventeenth-century Imagery, Roma, 1975, p. 551.

England's Descent into Tyranny

Elyot, Thomas, Sir (1490?-1546)
The image of gouernaunce compiled of the actes and sentences notable, of the most noble emperour Alexandre Seuerus, late translated out of Greke into Englishe, by sir Thomas Elyote knyght, in the fauour of nobilitee

London: Imprinted in the house of Thomas Berthelette, 1549

$16,000.00

Octavo: 14 x 9.5 cm. [11], 167 [i.e. 174], [3] lvs. A-Z8, Aa4

The amusing, manuscript poem on the final leaf reads:

This booke is I knowe not wose [whose]

wherefore he may go wipe

his nose yffe he haue the pose

"The last of Elyot’s great works, 'The Image of Governance', a life of the Roman Emperor Alexander Severus, is far from being a straightforward life of an ideal emperor. The 'Image' is actually a complex, bitter, and at times savagely satirical rumination on princely power and its perversions, probably prompted at least in part by the fall of Elyot’s patron and friend Thomas Cromwell.

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ESTC S111496; STC (2nd ed.), 7666

“My yoke is sweet and my burden light.” A Vernacular Translation of Erasmus’ Annotation on Mathew 11:29-30

Erasmus, Desiderius (ca.1466-1536)
Herr Erasmus von Ro||terdam/ verteutschte außlegung/|| über das/ go[e]ttlich tro[e]stlich wort || vnsers lieben Herrñ vnnd selig=||machers Christi/ Nement auff || euch mein Joch/ vnd ler=||nent von mir.

[Mainz: Johann Schöffer], 1521

$5,200.00

Quarto: [8] pp. Collation: AA4

A German translation of Erasmus’ annotation on Mathew 11:29 (taken from his “In Novum Testamentum annotationes”) in which Erasmus differentiates between the divine order and human positive law. He laments that people ignore the commands of God and follow human law instead: ‘Christ’s law is inviting and easy, but it becomes onerous and difficult through the addition of human prescriptions and dogmas.

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Bezzel 1228; VD16 E 3106

Fine’s Astronomical & Mathematical Magnum Opus

Finé, Oronce (1494-1555)
Protomathesis opus uarium, ac scitu non minus utile quàm iucundum, nunc primùm in lucem foeliciter emissum: cuius index uniuersalis, in uersa pagina continetur.

Paris: Impensis Gerardi Morrhij & Ioannis Petri, 1532

$35,000.00

Large Folio: 33.5 x 24 cm. Collation: AA8, A-L6, M-N6, O-Z8, Aa-Bb8, Cc6, Dd8 (including both blanks, F8 and N6.) Complete.

The “Protomathesis”, a universally acclaimed monument of book production and design, is profusely illustrated.The book is introduced by a fine architectural title page border with a lunette of Hercules defeating the Lernean Hydra. This is followed by the well-known full-page image of the goddess of astronomy, Urania, lecturing Finé, who holds a book and an astrolabe, beneath a spherical model of the solar system.

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Hoover 312, Lalande, p. 50; Smith, Rara Arithmetica, pp. 160-61; Stillwell, The Awakening Interest in Science during the First Century of Printing, 838

“Perhaps the First to Use a Keplerian Telescope for Regular Planetary Observation” (King)

Fontana, Francesco (1602-1656)
Novae Coelestium Terrestriumq[ue] Rerum Observationes, et fortasse hactenus non vulgatae à Francisco Fontana, specillis a se inventis, et ad summam perfectionem perductis editae.

Naples: Apud Gaffarum, Mense Februarii, 1646

$85,000.00

A truly remarkable work, the  “Observationes” has been called the first true lunar atlas (preceding that of Hevelius by one year.) Moreover, the work includes the first illustrations of the planet Mars made from telescopic observation (in 1636 and 1638). The first chapter includes a very early history of the telescope. Fontana claims to have invented both the “Keplerian” telescope (composed of two convex lenses) in 1608, and the compound microscope (consisting of two converging lenses, one functioning as objective, the other as eyepiece) in 1618; while his claims to have invented these instruments have been proven untrue, Fontana did in fact construct and use both of these instruments and with them he observed Mars, Venus, Jupiter, Saturn, and the Moon; as well as fleas, flies, ants, bees and human hairs.

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Carli and Favaro 211; Houzeau and Lancaster II, 1328; Riccardi I/1 467 (‘raro ed apprezzato’); Literature: King, The History of the Telescope p. 46; Clay, The History of the Microscope p. 9; Ashworth, The Face of the Moon: Galileo to Apollo, p. 4)

Johnson’s Celebrated Edition of Gerard’s Herbal Describing Numerous American Plants

Gerard, John (1545-1612)
The Herball or Generall Historie of Plantes. Gathered by John Gerarde of London Master in Chirvrgerie. Very much Enlarged and Amended by Thomas Johnson Citizen and Apothecarye of London.

London: A. Islip, Joice Norton, and R. Whitaker, 1633

$9,500.00

Folio: 34.5 x 22.5 cm. ¶8, ¶¶-¶¶¶6, A-B8, C-Z6, Aa-Zz6, Aaa-Zzz6, Aaaa-Zzzz6, Aaaaa-Zzzzz6, Aaaaaa-Vvvvvv6, Xxxxxx4, Yyyyyy-Zzzzzz6, Aaaaaaa-Bbbbbbb6. (lacking the first and final blank leaves.)

"This is the first edition enlarged and edited by Thomas Johnson (1595-1644) who corrected many of Gerard’s more gullible errors, and improved the accuracy of the illustrations by using Plantin’s woodcuts." (Hunt)

John Gerard is to this day one of the best known of English herbalists. In 1586 the Royal College of Physicians established a garden of physic and appointed Gerard its curator.

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STC 11751; Hunt 223; Nissen 698; Graesse Vol. III, p. 56; Henrey 155.

Gessner's Encyclopedia of Birds –Bound in Contemporary Pigskin

Gessner, Conrad (1516-1565)
Vogelbuch, darinn die Art, Natur unnd Eigenschafft aller Vöglen, sampt irer waren Contrafactur angezeigt wirdt : allen Liebhabern der Künsten, Artzeten, Maleren, Goldschmiden, Bildschnitzeren, Seydenstickeren, Weydleüten unnd Köchen, nit allein lustig zu erfaren, sunder gantz nutzlich und dienstlich zebrauchen, erstlich durch Doctor Conradt Geßner in Latin beschrieben, neüwlich aber durch Rudolff Heüßlin mit Fleyß in das Teütsch gebracht unnd in eine kurtze Ordnung gestelt.

Zürich, Christoph Froschauer, 1582

$17,500.00

Folio: 37.5 x 23.5 cm. [6], CCLXI, [1] lvs. Collation: a6, A6, b-z6, A-T6, V4, X5 (final blank absent)

A fine copy of the German translation of Conrad Gessner’s landmark book of birds "De avium natura”(1555), the third published volume of his lavishly illustrated encyclopedia of animals, considered “the basis of modern zoology” (Horblit). The book was translated from the Latin by the Zurich clergyman Rudolf Huesli (or Heusslein, 1530-1600). All 217 original woodcuts were reused and supplemented with two woodcuts borrowed from Olaus Magnus’ 'Historia de gentibus septentrionalis' of 1555.

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Nissen, IVB, n°350; VD16, G 1736; Horblit, n°39 (for the first edition of Historiæ animalium, « considered the basis of modern zoology »)

The Art of Glass

GLASS. CHEMISTRY. Haudicquer de Blancourt, Jean, approximately 1650?-1704); Neri, Antonio (d. 1614); Merret, Christopher (1614-1695)
The art of glass. Shewing how to make all sorts of glass, crystal and enamel. Likewise the making of pearls, precious stones, china and looking-glasses. To which is added, the method of painting on glass and enameling. Also how to extract the colours from minerals, metals, herbs and flowers. A work containing many secrets and curiosities never before discovered. Illustrated with proper sculptures. Written originally in French, by Mr. H. Blancourt, and now first translated into English. With an appendix, containing exact instructions for making glass-eyes of all colours.

London: printed for Dan. Brown at the Black Swan without Temple-Bar; Tho. Bennet at the Half-Moon, D. Midwinter and Tho. Leigh at the Rose and Crown, and R. Wilkin at the King’s-Head in St. Paul’s Church-yard, 1699

$6,850.00

Octavo: 18.3 x 11.5 cm. [16], 355, [13] p. Collation: A-Z8, Aa8. With 9 engraved plates.

The core of Blancourt's text is Christopher Merret's annotated Latin edition (1668) of Antonio Neri's "L'Arte Vetraria"(1612). Merret had produced his own English (unillustrated) translation of Neri's work in 1662. Blancourt has expanded Neri's original 7 books to 12. Among Blancourt's notable contributions to the text are a chapter on crystal, glass and metal mirrors; and an appendix on a secret technique for making glass eyes look "Very Natural".

>FULL DESCRIPTION<

ESTC R16918; Wing (CD-ROM, 1996), H1150. See Dwight P. Lanmon and David Whitehouse, "Glass in the Robert Lehman Collection", p. 102

A Dutch Mystic on the Ten Commandments

Henricus de Herpf (c.1410-1477)
Speculum aureum decem praeceptorum Dei.

Nuremberg: Anton Koberger, 12 March 1481

$12,000.00

Median folio: 31.5 x 21.5 cm. 325 of 326 lvs. (lacks 1st blank leaf). Collation (supplied by BMC): *10, a-z8, A-P8, Q-R6.

213 sermons on the Ten Commandments by the Dutch mystic Hendrik Herp, whose writings had a profound impact on later mystical writers, including Francisco de Osuna, who in turn influenced St. Teresa of Jesus.

From 1445, Herpf was a rector of the Brothers of the Common Life in Delft and, later, in Gouda, where he encouraged book production in particular. In 1450, on a pilgrimage to Rome, he joined the Franciscan Observance (the Capuchin reform) at the Convent of Ara Coeli.

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ISTC ih00040000; H *8524; GW 12227; BMC II 419; Bod-inc H-020; BSB-Ink H-219; Goff H-40