Toronto Book Fair 2018

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Canadian Native Americans as victims & perpetrators of violence

AMERICAS. CANADA. Bressani, Francesco Giuseppe (1612-1672)
Breve Relatione d’Alcune Missioni de’ PP. della Compagnia di Giesù nella Nuova Francia.

Macerata: Heirs of Agostino Grisei, 1653

$15,000.00

Quarto: 21.5 x 15.5 cm. [4], 8 pp., 9-10 ll., 11-127, [1] pp. Collation: π2 A4 B4 (±B1.2) C-Q4

FIRST EDITION of one of the most important eyewitness accounts of 17th-century Canada devoted primarily to the Huron Indians, but also with accounts of other groups, including the Jesuit author’s captivity and mutilation under the Iroquois. He also devotes 25 pages to a 1643 letter written by his Jesuit colleague Isaac Jogues (1607-1646), who was killed by the Mohawks.

Bressani (1612-1672), an Italian Jesuit, travelled to Canada as a missionary in 1642.

>FULL DESCRIPTION<

Alden & Landis 653/15; De Backer & Sommervogel II, col. 133; Walter, Jesuit relations, 43; Church 524; James Ford Bell Lib. B-407; JCB II, p. 428; Lande, Canadiana 57; McCoy, Jesuit relations 82; Sabin 7734; not in Eberstadt; Streeter.

An Invaluable, Eyewitness Account of the Jesuit Reductions of South America

AMERICAS. Ruiz de Montoya, Antonio, S.J. (1585-1652)
Conquista espiritual hecha por los religiosos de la Compañia de Jesus, en las Provincias del Paraguay, Parana, Urugay, y Tape.

Madrid: Imprenta del Reyno, 1639

$28,000.00

Quarto: 18.7 x 13.2 cm. [4], 103, [1] leaves. Collation: [dagger]4, A-N8.

EXTREMELY RARE. An indispensible –and unique- firsthand account of twenty-five years in the Jesuit reductions of South America by a Peruvian-born Jesuit who participated in the founding of many of those reductions, mastered the language of those whom he evangelized, and -as ambassador to the Spanish court- worked tirelessly for indigenous rights and an end to the slave trade in South America.

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Borba de Moraes, p.587; Palau 282092; Sabin 74029; Backer-Sommervogel,; VII, col. 320, no. 2

Astrological Medicine & A Theory of Tides

ASTRONOMY. ASTROLOGY. PHYSICS. MEDICINE. Grisogono, Federico [Federik Grisogono Bartolačić](b. Zadar, Dalmatia, Yugoslavia, 1472; d. Zadar, 2 January 1538)
De modo collegiandi: pronosticandi: & curandi febres: necnon de humana felicitate: ac denique de fluxu & refluxu maris: lucubrationes nuperrime in lucem edite.

Venice: Impressum a Joan. Anto. de Sabbio & fratribus, 1528

$12,000.00

Folio: 30 x 21 cm. [56] p. Collation: A-G4

First editions of three works by the Dalmatian physician-scientist Federico Grisogono of Zara, who became professor of mathematics and astrology at Padua in 1499. The works concern: 1. Determining a treatment course for curing fevers with the aid of astrological prognostication. 2. A philosophical treatise on human happiness. 3. An influential theory of tides. The first work includes a full-page iatromathematical instrument, outfitted with three functioning volvelles, for making astrological (and other celestial) observations, medical forecasting, and creating horoscopes.

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Edit16 21833; Sander 1946; Thorndike, History of magic, 5:314-316; USTC 834694

The Controversy over the use of Telescopic Sights. Hevelius observes the Skies with Edmond Halley Two Months Before his Observatory is Lost to Fire

ASTRONOMY. Hevelius, Johannes (1611-1687)
Johannis Hevelii Annus climactericus, sive Rerum uranicarum observationum annus quadragesimus nonus; exhibens diversas occultationes, tam planetarum, quàm fixarum post editam machinam coelestem; nec non plurimas altitudines meridianas solis, ac distantias planetarum, fixarumq́ue, eo anno, quousque divinaconcessit benignitas, impetratas: cum amicorum nonnullorum epistolis, ad rem istam spectantibus: & continuatione historiae novæ stellæ in collo Ceti, ut & annotationum rerum coelestium ...

Danzig: Sumptibus auctoris, typis D.F. Rhetii, 1685

$35,000.00

Folio: 34.8 x 22.5 cm. [6] lvs. 24, 196 pp. Collation: )( 6, )(4, )()(4, )()()(4, A-Z4, AA6. With engraved title page vignette and 7 (1 double-page) engraved plates.

“Annus Climactericus” was the last of Hevelius’ works published in the author’s lifetime. The book comprises observations of the planets, sun, moon, and fixed stars, many of which were made alongside the English astronomer Edmond Halley. The observations were made from 8 January until 25 September 1679, subsequent to the publication of the second volume of Hevelius’ “Machina Coelestis”, almost the entire press run of which was lost in the fire that destroyed Hevelius’ observatory on 26 September 1679.

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VD17 39:125045B; DSB 6, 363; Honeyman 1675. For a thorough discussion of the Hevelius-Hooke controversy, see Saridakis, “Converging Elements in the Development of Late Seventeenth-Century Disciplinary Astronomy: Instrumentation, Education, and the Hevelius-Hooke Controversy”, p. 129 ff.; For an assessment of the relative accuracy of Halley’s and Hevelius’ computations at Danzig, see Cook, “Edmond Halley: Charting the Heavens and the Seas”, p. 93 ff.; For Hevelius’ work on the binary star Mira Ceti, see Hatch, “Hevelius- History and Identity”, in “Change and Continuity in Early Modern Cosmology”, p 158 ff.; For D. Capellus’ contemporary account of the fire and a detailed inventory of Hevelius’ losses, see MacPike, “Hevelius, Flamsteed, Halley”, Appendix I. (London, 1937)

The Monuments of Ancient Rome Engraved by Piranesi’s Collaborator & Rival

Barbault, Jean (1718-1762)
Les Plus Beaux Monuments De Rome Ancienne. Ou Recueíl Des Plus Beaux Morceaux de L'Antiquité Romaine Qui Existent Encore: Dessinés Par Monsieur Barbault Peintre Ancien Pensionnaire Du Roy a Rome, Et Gravés, en 128 Planches Avec Leur Explication.

Rome: Chez Bouchard et Gravier Libraires François rüe du Cours près de Saint Marcel, de l 1761

$16,000.00

Large Folio: 51 x 35.5 cm. VIII, 90 pp. Collation: [π]1, [a]-[c]1, A-Z, Aa-Yy1. With 73 added plates. Complete.

The French artist Jean Barbault arrived in Rome in 1747 and quickly became involved with the circle of Piranesi, with whom he worked on the “Varie Vedute di Roma Antica e Moderna” and for whose “Antichità Romane” he contributed figures for 14 plates “thus becoming one of the few official collaborators” of Piranesi. Barbault’s own views appeared 7 years after his collaboration with Piranesi.

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La Cicognara 3593; Fowler 37; Millard IV, no. 13; RIBA, Early Printed Books, 184

Magnificent Views of Medieval, Renaissance and Baroque Rome. A Masterpiece By Piranesi’s Collaborator & Rival

Barbault, Jean (1718-1762); Montagù, Domenico (d. 1767)
Les Plus Beaux Édifices De Rome Moderne, Ou Recueíl Des Plus Belles Vües Des Principales Églises, Places, Palais, Fontaines &c. Qui Sont Dans Rome Dessinées Par Jean Barbault Peintre, Ancien Pensionnaire Du Roy a Rome, Et Gravées en XLIV. Grandes Planches et Plusieurs Vignettes; Par D’Habiles Maitres. Avec La Description Historique De Chaque Edifice.

Rome: Chez Bouchard et Gravier Libraires françois rüe du Cours près l’Eglise de S. Marcel, de l 1763

$22,000.00

Large Folio: 53.5 x 38 cm. [vi], 72 pp. Collation: [π]3, A-Z1, Aa-.Nn1. With 44 double-paged plates. Complete.

The French artist Jean Barbault arrived in Rome in 1747 and quickly became involved with the circle of Piranesi, with whom he worked on the “Varie Vedute di Roma Antica e Moderna” and for whose “Antichità Romane” he contributed figures for 14 plates “thus becoming one of the few official collaborators” of Piranesi. Barbault’s own views of the ancient city appeared 7 years after his collaboration with Piranesi; the present work on “Rome Moderne” appeared two years later, the year that Barbault died.

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Berlin Catalogue 2712; Millard IV, 14; Not in Fowler

A Fine, Large 13th c. "Proto" Paris Bible

BIBLE MANUSCRIPT, with prologues and the Interpretations of Hebrew Names
Decorated manuscript on vellum, in Latin

France (Paris?), early 13th century

$175,000.00

Contents: The books of the Bible and prologues are very close to the standard Paris sequence (f.1), omitting Psalms, and with a capitula list for Genesis; the Interpretations of Hebrew Names in the version from Aaz to Zuzim (f.167), alphabetised to the first two letters; preceded by added notes on the four types of biblical exposition (historical, tropological, anagogical, typological) and the seven rules of theology (f.

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The Cornerstone of Prison Literature. The Heber-Britwell copy

Boethius, Anicius Manlius Severinus (480-525 A.D.); Coleville, George, translator (fl. 1556)
Boetius de Consolationae [sic] Philosophiæ. The boke of Boecius, called the comforte of philosophye, or wysedome, moche necessary for all men to read and know, wherein suche as be in aduersitie, shall fynde muche consolation and comforte, and suche as be in great worldly prosperitie may knowe the vanitie and frailtie therof, and consequently fynde eternall felycytie. And this boke is in maner of a dialoge or communication betwene two persones, the one is Boecius, and the other is Philosophy, whose disputations and argumentes do playnly declare the diuersitie of th lyfe actiue, that consisteth in worldly, temporall, and transitory thynges, ... Translated out of Latin into the Englyshe toungue by George Coluile, alias Coldewel, to thintent that such as be ignoraunt in the Latin tongue, and can rede Englyshe, maye vnderstande the same. And to the mergentes is added the Latin, accordynge to the boke of the translatour, whiche was a very olde prynte

London: In Paules churche yarde at the sygne of the holy Ghost, by Ihon Cawoode, prynter to the Kynge and Quenes Maiesties, 1556

$30,000.00

Quarto: 20 x 14 cm. [A]4, B-Z4, Aa-Ff4 (blank Ff4 lacking)

Dedicated to Queen Mary Tudor, Coleville’s English translation of Boethius’ masterpiece is the only early English translation to include the original Latin text, indicating that, in addition to those readers with no knowledge of Latin, the author took into consideration the more educated, Latin-literate English audience. Coleville provides interesting marginal glosses and explanatory notes, including the tale of the sword of Damocles.

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STC 3201

The Scandalous Life of Elizabeth Chudleigh

Chudleigh, Elizabeth (c. 1720-1788)
An Authentic Detail of Particulars relative to the Late Duchess of Kingston.

London: Printed for G. Kearsley, at Johnson’s Head, No. 46, Fleet-Street, 1788

$3,800.00

Octavo: 21 x 13 cm. pp. [ii], ii, 178, [18]. Collation: [A]2, B-Z4, A1. With an added engraved frontispiece of the Duchess, with breasts exposed "as she appeared at the Venetian Ambassador

Duchess of Kingston, granddaughter of the poet Mary Chudleigh (1656-1710), from whom “she seemed to have inherited no notable literary tastes or talents”(Rizzo) Elizabeth was notorious for her sexual escapades, daring, and profligacy. She studiously cultivated this image, referring to herself (in the third person) thus: “She was both wasteful and penurious; the most enormous sums were expended to gratify her love of display, at the same time that she refused to incur some trifling necessary expense in her household….

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ESTC T92902

The Rare Church Calendar, Use of Rome. For the Leap Year 1684

Church Calendar: Ordo Officii Divini Recitandi.
Ordo Officii Divini Recitandi juxta Ritum Breviarii Romani pro Anno Bissextili M.DC.LXXXIV. Cum annotatione colorum, quibus Eminentiss. et Reverendiss. Domini Cardinales Romae degentes in vestibus, et Cappis Pontificalibus utuntur; Ac etiam Cappellarum, quae infra annum celebrantur.

Rome: ex Typographia Rever. Cam. Apost., 1684

$3,500.00

Octavo: 16 x 10.6 cm. A-D8, A8, a8

This is an extremely rare Vatican “Directorium”, the yearly calendar of the Church of Rome, published for the leap year 1684, during the reign of Pope Innocent XI (1611-1689), whose woodcut arms appear on the title page. It consists of a calendar for the year, in which there are printed against each day concise directions concerning the Office and Mass to be said on that day. There are also indications of fast days, special indulgences, days of devotion, etc.

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A FUNERAL TO RIVAL THAT OF MICHELANGELO - THE FUNERAL PROCESSION AND OBSEQUIES FOR COSIMO I DE’ MEDICI

CINI, Giovanni Battista (1528-1586) attributed author
Descritione della pompa funerale fatta nelle essequie del Ser.mo Sig. Cosimo de’ Medici Gran Duca di Toscana nell’Alma Città di Firenze il giorno XVIJ di Maggio dell’Anno MDLXXIIII.

Florence, Giunti, 1574

$5,500.00

Quarto: 20.4 x 14.4 cm. [20] leaves. Signatures: A-E4.

This is a very rare first-hand account, commissioned by Francesco de’ Medici, of the elaborate ceremonies in Florence for the obsequies of Cosimo I de’ Medici, Grand Duke of Tuscany (1519-1584).  It includes minute descriptions of the elaborate funeral apparatus built for the occasion. Among those who managed the artistic aspects of the spectacle was Don Vincenzo Borghini, "one of the guiding spirits of the Accademia del Disegno, an adept inventor of allegorical themes for the Medici court", who worked together with Vasari on Michelangelo's funeral.

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Moreni, I, 321; Cat. Cavalieri, 148, nr. 721; Melzi, I, 285; Gamba, 2750; M. Schraven, Festive Funerals in Early Modern Italy: The Art and Culture of Conspicuous Commemoration. Visual Culture in Early Modernity, Farnham, 2014, p. 108 no. 42, and p. 279; M. Praz, Studies in Seventeenth-century Imagery, Roma, 1975, p. 551.

The Poems of Vittoria Colonna - The Best Edition

Colonna, Vittoria (1492-1547)
Le rime spirituali della illustrissima signora Vittoria Colonna Marchesana di Pescara. Alle quali di nuouo sono stati aggiunti, oltre quelli non pur dell’altrui stampe, ma ancho della nostra medesima, piu di trenta, ò trentatre Sonetti, no mai piu altroue stampati; un capitolo; et in non pochi luoghi ricorrette, et piu chiaramente distinte

Venice: Vincenzo Valgrisi, 1548

$5,500.00

Quarto: 20 x 15 cm. 120 pp. Collation: A-P4.

The first edition of Colonna's Rime had been printed in Parma by Viotto in 1538 and presented 145 poems of which 9 by other authors. The first Valgrisi edition (the first in 4to format and the first with the title Rime spirituali) had appeared in 1546 and included 180 poems. The important later edition edited by Rinaldo Corso in 1558 has only 158 poems.

The poetic production of Vittoria Colonna comprises two main characters: one profane, which consists of Petrarchan poems celebrating the love for her husband, the Marquis of Pescara Francesco D'Avalos, whom she married in 1509 and who died in battle in 1525; and one sacred, in which the personal pain for the loss of her husband is transfigured and becomes more and more universal up to a point in which it coincides with the pain of Christ on the cross.

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M. Bandini Buti, Poetesse e scrittrici, Rome, 1941, I, pp. 164-171; Gamba, no. 1325 (“più copiosa e meno scorretta”); Edit 16, CNCE12833; A. Erdmann, My Gracious Silence, Lucerne, 1999, p. 211.

The First Aldine Dante

Dante Alighieri (1265-1321)
Le terze rime di Dante.

Venice: Aldus Manutius, August 1502

$16,000.00

Octavo: 15 x 9.1 cm. 244 unnumbered leaves. Collation: a-z8, A-G8, H4. Leaf l2 is a blank.

This is the issue with the Aldine anchor and dolphin device on the final leaf. Quires a-c were also completely re-set, the present copy having the headline 'INFERNO' on a2r, and 'INF' in all the other leaves of these quires.

The edition – titled here simply “Le terze rime” – signals a linguistic restoration of the work and an important advance in the recovery of the original text.

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De Batines, I, pp. 60-62; Mambelli, 17; Renouard, p. 34, no. 5; Ahmanson-Murphy, 59; Dionisotti-Orlandi, “Aldo Manuzio editore”, no. XXX; Adams, D-83; Gamba, 385

"Sir, more than kisses, letters mingle souls."

Donne, John (1573-1631)
Letters to Severall Persons of Honour: Written by John Donne, Sometime Deane of St Pauls London. Published by John Donne Dr. of the Civill Law.

London: Printed by J. Flesher, for Richard Marriot, and are to be sold at his shop in St Dunstans Church-yard under the Dyall. 1651

$12,000.00

Quarto: 17.5 x 13 cm. [5] (title page plus dedicatory epistle), 318 pp. Collation: A4 (-blank leaf A1) B-Z4, Aa-Ss4 (with blank leaf Ss4 present). With the added engraved portrait.

Provenance: This copy was once the property of the author and essayist Sir Thomas Pope Blount (1649-1697) and bears his familiar ms. note “Tittenhanger library” on the free endpaper. Blount inherited the Tittenhanger estate in Hertfordshire in 1678. In his “Essays on Several Subjects” (1692), Blount wrote: “If learning happens to be in the possession of a Fool, ‘tis then but a Bawble, and like Dr.

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Pforzheimer, 295; Wing D1864; Keynes 55

With the Engraved Portrait of Donne

Donne, John (1573-1631)
Poems, by J.D. VVith elegies on the authors death

London: Printed by M[iles]. F[lesher]. for John Marriot, and are to be sold at his shop in St Dunstans Church-yard in Fleet-street, 1639

$16,500.00

Octavo: 13.5 x 9.1 cm. [8], 300, [4], 301-388, [32] pp. A-Z8, Aa-Dd8. With the engraved frontispiece portrait.

“The poetry of Donne represents a sharp break with that written by his predecessors and most of his contemporaries. Much Elizabethan verse is decorative and flowery in its quality. Its images adorn; its meter is mellifluous. Image harmonizes with image, and line swells almost predictably into line. Donne’s poetry, on the other hand, is written very largely in conceits— concentrated images that involve an element of dramatic contrast, of strain, or of intellectual difficulty.

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STC 7047; Keynes 80; Pforzheimer 297

“No man is an Island”

Donne, John (1573-1631)
Devotions vpon emergent occasions, and seuerall steps in my sicknes: digested into 1. Meditations vpon our humane condition. 2. Expostulations, and debatements with God. 3. Prayers, vpon the seuerall occasions, to him. By Iohn Donne, Deane of S. Pauls, London. The third edition.

London: Printed [by Augustine Mathewes] for Thomas Iones, and are to be sold at the signe of the Black Rauen in the Strand, 1627

$20,000.00

Duodecimo: 13.8 x 8.4 cm. [8], 589, [1] p. A-Z12 (lacks blank A1); Aa-Bb12

“[The ‘Devotions’] present a more vivid and intimate picture of Donne than anything else written by himself or others.” –Sparrow

“Donne’s ‘Devotions’ is the source of the author’s famous meditation on the interconnectedness of all human lives: ‘No man is an island, entire of itself; every man is a piece of the continent, a part of the main;… any man’s death diminishes me, because I am involved in mankind.

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Keynes, G. Donne (4th ed.), 38; STC 7035a; ESTC S114971; Grolier/Donne 20 (this copy)

England's Descent into Tyranny

Elyot, Thomas, Sir (1490?-1546)
The image of gouernaunce compiled of the actes and sentences notable, of the most noble emperour Alexandre Seuerus, late translated out of Greke into Englishe, by sir Thomas Elyote knyght, in the fauour of nobilitee

London: Imprinted in the house of Thomas Berthelette, 1549

$16,000.00

Octavo: 14 x 9.5 cm. [11], 167 [i.e. 174], [3] lvs. A-Z8, Aa4

The amusing, manuscript poem on the final leaf reads:

This booke is I knowe not wose [whose]

wherefore he may go wipe

his nose yffe he haue the pose

"The last of Elyot’s great works, 'The Image of Governance', a life of the Roman Emperor Alexander Severus, is far from being a straightforward life of an ideal emperor. The 'Image' is actually a complex, bitter, and at times savagely satirical rumination on princely power and its perversions, probably prompted at least in part by the fall of Elyot’s patron and friend Thomas Cromwell.

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ESTC S111496; STC (2nd ed.), 7666

The Rare 1524 Paris “Praise of Folly”

Erasmus, Desiderius (ca. 1466-1536)
Moriae encomium D. Erasmi Roterodami cu[m] Gerardi Listrii trium linguarum periti commentariis. Praemittuntur Ludus L. Annei Senec[ae], de morte Claudii, cu[m] scholiis Beati Rhenani. Synesius Cyrenen[sis] de Laudibus caluitii. Adduntur Martini Dorpii theologi ad Erasmum epistola et Erasmi ad eandem responsio apologetica.

Paris: Jodocus Badius Ascensius, 1524

$8,500.00

Quarto: 19.8 x 14.5 cm. CXX leaves. Collation: a-p8

The rare 1524 Parisian “Praise of Folly”, printed by Erasmus’ friend, the scholar-printer Badius Ascensius, who printed the fourth edition in 1512. This edition differs markedly from the 1512 edition and contains all of the supplementary texts found in the Froben editions, including the dedicatory letter to Thomas More, whose name Erasmus plays upon cleverly in the title of the work; and the letter to Martin Dorp in which Erasmus explains his motives for writing the “Moria”: “My aim in the ‘Folly’ was exactly the same as in my other works.

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Vander Haeghen I, 123; Kossmann 979; Bibl. Belgica E 866; (Not in Bezzel, De Reuck, or BM STC French); Renouard, Badius II, 424; Adams E 397. Inventaire chronologique des editions Parisiennes du XVIe siecle III, no. 669; Renouard, Imprimeurs Parisiens du XVIe siècle II, no. 539

The longest and most detailed of Erasmus’ anti-Lutheran writings. The Rare First Edition

Erasmus, Desiderius (ca. 1466-1536)
Hyperaspistae liber secundus, adversus librum Martini Lutheri, cui titulum fecit, Servum arbitrium.

Basel: Joannes Froben, 1527

$8,500.00

Octavo: 17 x 11.6 cm. 575 pp. Collation: A-Z8, a-n8

This is the extremely rare first edition of Erasmus’ second response to Luther’s “De Servo Arbitrio” (On the Enslaved Will):

In December 1525 Erasmus had published “De Libero Arbitrio” (On Free Will), setting of a debate with Martin Luther, who responded to Erasmus with his own “De Servo Arbitrio” (On the Enslaved Will). Erasmus responded in turn with his “Hyperaspistes I” and, a year later, the present work, “Hyperaspistes II.

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VD 16, E 3033; Bezzel 1122; Vander Haeghen I, 110

Ariosto as Operatic Ballet - A Rare Account of a 17th c. Italian Festival - The Feltrinelli Copy

FESTIVALS. Rondinelli, Simone Carlo [Salvadori (Andrea), 1591-1634, librettist] Accademia dei Rugginosi (Florence)
Le Fonti d’Ardenna festa d’arme, e di ballo; fatta in Firenze da dodici Signori Accademici Rugginosi il carneuale dell’anno 1623. Nel principato del Sig. Alessandro del Nero. Inuenzione del Sig. Andrea Saluadori. Descritta dal Rugginoso Percosso

Florence: Pietro Cecconcelli, 1623

$4,800.00

A fascinating and vivid description of ‘The fountains of the Ardennes’, an entertainment that included singing, a tournament on horseback, and dancing, performed by the Accademici Rugginosi in the Palazzo della Gherardesca (Casa Rinaldi), on 3 February 1622 (stile fiorentino). The librettist was Andrea Salvadori, from 1616 to 1628 the principal author of texts for theatrical entertainments at the Florentine court.

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