Contents: The books of the Bible and prologues are very close to the standard Paris sequence (f.1), omitting Psalms, and with a capitula list for Genesis; the Interpretations of Hebrew Names in the version from Aaz to Zuzim (f.167), alphabetised to the first two letters; preceded by added notes on the four types of biblical exposition (historical, tropological, anagogical, typological) and the seven rules of theology (f.
16 mo. 2 volumes. 12.1 x 7.8 cm. I : 528 p. (Collation: a-z8, A-K8), II : 361 p., [1] f. (Collation: aa-yy8, zz6)
Robert Estienne’s second Greek New Testament, printed in the celebrated “grecs du roi” Greek types of Claude Garamond. With the iconic device of the French king’s printer on the title pages and the Estienne device at the end of the second volume.
Strasbourg: Johann Knobloch, [?January] 1524, July 1524, March 1525
$85,000.00
Folio: Three volumes bound as one. 30.5 x 20.8 cm. Vol. I: [6], CLI, [1] lvs. Vol. II: [1], CXC, [1] lvs., Vol. III: LXXXVII lvs. Collation: Vol. I: i-vi, A-Z6, Aa6, Bb8 (Bb8 blank and present.) Vol. II: A-Z6, Aa-Ii6 (Ii6 blank and present). Vol III: A-C6, D4, E-P6
A fine set of an early printing of Luther's German Old Testament, profusely illustrated. The first volume of the Old Testament, including the Pentateuch, was first published at Wittenberg by Melchior Lotter, the Younger, for Lucas Cranach and Christian Döring,in mid-1523.
London: [by S. Mierdman] for Gwalter Lynne, dwellynge on Somers Keye, by Byllinges gate. And they are to be solde in Paules church yarde, nexte the great Schole, at the sygne of the sprede Egle, 1550
$10,900.00
Quarto: 19 x 12.7 cm. [8], cclxv, cclxvii-cclxxix, [13] leaves. Collation: *8, A-X8, Z8, Aa-Oo8, Pp4, (lacking blank leaf Nn8)
This is the first edition in English of the work known as “Carion’s Chronicle”, translated by Walter Lynne and dedicated to Edward VI. The work was first conceived of and written by Johann Carion (1499-1537/8), Professor of Mathematics in the University of Frankfurt am Oder, and for a time, court astrologer to Joachim I, Elector of Brandenburg. Carion sent the work to Philip Melanchthon for editing and correction.
Octavo: 2 parts in 1 vol. 15 x 9.3 cm. [16]-111-[1 bl.], [16]-77-[3] pp. *8, A-G8; A-F8
Two gripping, contemporary accounts of Carthusian martyrdom: The first is Maurice Chauncy’s relation of the May 1535 execution of eighteen English Carthusians, including their prior, John Houghton, who refused to take Henry VIII’s Oath of Supremacy.
London: By Iohn Day, dwelling ouer Aldersgate, beneath Saint Martines, 1564
$16,000.00
Quarto: 18 x 13.5 cm. [8], 46, 49-689, [5] p. Collation: A4, B-C8, D8(-D8), E-I8, K8(-K6), L-Y8 2A-2X8, 2Y8 + [hand]Y4 (Leaves D8 and K6 are canceled, as intended.)
An important collection of writings by English Protestants, many of whom had been martyred, compiled and with a preface by Miles Coverdale. There are letters by Lady Jane Gray (1536/7-1554) (a letter written “to her syster the Ladye Katheryne, immediately before she suffered”), John Bradford (1510?-1555) (including a partial reprint of \"An exhortacion to the carienge of Chrystes crosse\", STC 3480.
In the utopian vision “Wolfaria” (the Land of Welfare) Eberlin describes an idealized society under the leadership of a democratically elected nobility. The work occupies an intermediate position between reality-related pragmatism and a purely utopian program. It is significant for foreshadowing ideas that will be re-emerge in the Twelve Articles of the German Peasants in 1524 (Eberlin, himself the son of peasants, was born into poverty in Swabia.
London: Imprinted… in Povles Churcheyarde by Richard Iugge and Iohn Cavvood, Printers to the Quenes Maiestie, 1559
$22,000.00
Quarto: 18 x 13 cm. [14] pp. Collation: A-B4 (lacking blank leaf B4)
With the signature of the 16th c. book collector Humphrey Dyson (1582-1633) at the foot of the title page. The bookplate of Albert Ehrman, with his motto “Pro Viribus Summis Contendo” is affixed to the front pastedown. This was lot 270 in the 1978 sale of Ehrman’s library. Very rare. ESTC locates 4 copies in the U.S.: Folger, Huntington, Harvard, Yale.
First edition of the first visitation articles established for the reformed church after Elizabeth’s accession.
Quarto: 19.8 x 14.5 cm. CXX leaves. Collation: a-p8
The rare 1524 Parisian “Praise of Folly”, printed by Erasmus’ friend, the scholar-printer Badius Ascensius, who printed the fourth edition in 1512. This edition differs markedly from the 1512 edition and contains all of the supplementary texts found in the Froben editions, including the dedicatory letter to Thomas More, whose name Erasmus plays upon cleverly in the title of the work; and the letter to Martin Dorp in which Erasmus explains his motives for writing the “Moria”: “My aim in the ‘Folly’ was exactly the same as in my other works.
Vander Haeghen I, 123; Kossmann 979; Bibl. Belgica E 866; (Not in Bezzel, De Reuck, or BM STC French); Renouard, Badius II, 424; Adams E 397. Inventaire chronologique des editions Parisiennes du XVIe siecle III, no. 669; Renouard, Imprimeurs Parisiens du XVIe siècle II, no. 539
Folio: 31.2 x 20 cm. [88], 3-874, [1] pp. A-d6, e8, f-g6, A-Z6, Aa-Zz6, Aaa-Zzz6, Aaaa-Dddd6 (last leaf is blank.)
A very rare Cologne edition of Erasmus’ beloved and extraordinarily influential “Adages”, first conceived as a collection of proverbial sayings drawn from the Latin authors of antiquity elucidated for the use of those who aspired to write an elegant Latin style. In its first incarnation, the “Adagia” consisted of about eight hundred proverbs. The present version, Erasmus' "Adagia Chiliades" (“Thousands of Adages”) is more than just a vastly expanded edition of that first enterprise: "
A glance at its composition reveals that the ‘Adagia Chiliades’ was in fact -as well as in name- a new book, and that Greek scholarship was largely responsible for the difference.
Basel: and Strasbourg: and Paris: Io. Froben, and Excusum per Renatu[m] Beck in aedibus zum Thiergarten, and Jean Petit, In vico Sancti Iacobi, 1515 and 1515 and 1513
$20,500.00
Large Quarto: 3 works bound in one volume: I. Piccolomini: i-iv, A-B4, C8, D-E4, F8, G-H4, I8, K-L4, M8, N-O4, P6. II. Lactantius: A6, B4, a-z8/4, A-D8/4, E6, F-N8/4, O6, P4. III. “Praise of Folly”: a-h4, a-z4, A-B4, C6
This edition includes the original dedicatory letter to Thomas More, whose name Erasmus plays upon cleverly in the title of the work; and the letter to Martin Dorp in which Erasmus explains his motives for writing the “Moria”: “My aim in the ‘Folly’ was exactly the same as in my other works. Only the presentation was different. In the ‘Enchiridion’ I simply outlined the pattern of a Christian life.
I. “Germania”: BM STC German p. 701 = Proctor 10307. Not in Adams. Panzer VI.75.410. Ritter 1878. Muller, Bibliographie Strasbourgeoise II, 228 no. 26. Schmidt (Beck) 21. II. Lactantius: Adams L-14; BSB-Ink L-13; HC 9819; Moreau, Inventaire chronologique II 637. III. “Praise of Folly”: Vander Haeghen I, 122; Kossmann 967; Bezzel 1304; Not in De Reuck; BM STC German p. 282; Adams E 392; VD, 16E 3184
“My yoke is sweet and my burden light.” A Vernacular Translation of Erasmus’ Annotation on Mathew 11:29-30
A German translation of Erasmus’ annotation on Mathew 11:29 (taken from his “In Novum Testamentum annotationes”) in which Erasmus differentiates between the divine order and human positive law. He laments that people ignore the commands of God and follow human law instead: ‘Christ’s law is inviting and easy, but it becomes onerous and difficult through the addition of human prescriptions and dogmas.
Cologne: [Eucharius Cervicornus and Hero Fuchs], 1520
$6,500.00
Quarto: 18.2 x 13.5 cm. [62] lvs. A-h4, I6, K-L4, M6, N4, O6 (lacking final blank)
Printed in 1520, Erasmus’ “Antibarbarians” had a dual purpose. First, and as originally conceived, the book is a spirited defense of humanism, in particular the reading and study of classical literature and languages, against charges that such literature and pursuits are fundamentally un-Christian. At the same time, the book is also a defense of Erasmus’ theological positions, his views on Church reform, and his application of humanist principles and philological methods to the study of religious texts, in particular Holy Scripture.
Hans Greiffenberger was a Nuremberg painter who ran afoul of the authorities for both his art and for his subversive religious activism. In October 1524 he was investigated on the charge of creating an unsuitable and offensive painting and "because he seduces the people to a new sect." The artwork was described as "a shameful painting that he made against papal sanctity."
While he lacked the literary skills of Hans Sachs, Greiffenberger's works had a similar immediacy.
Quarto: 21 x 15.5 cm. xxxxvj, 195, [1] p. Collation: bb-nn, a-z, A4, B2
Written in 1521 in response to Martin Luther’s “The Babylonian Captivity of the Church” -the reformer’s radical exposition of the Protestant faith and attack on the papacy- Henry VIII’s “Defense of the Seven Sacraments” won for its author the coveted title of “Defensor Fidei” (Defender of the Faith) from Pope Leo X. Coming as it did from such a powerful Christian prince, Luther was forced to respond to Henry’s work, which he did with more than his usual severity, insulting the king and challenging his theological points.
Quarto: 21.5 x 15.5 cm. 37, [1] lvs. (final leaf blank). Collation: A-H4, I6 (I6 blank and present)
Sole edition of these new satiric dialogues. In the “Bull or Bull Killer”, Hutten satirizes Leo X’s bull “Exsurge Domine”, which threatened Luther and his followers with excommunication.
Quarto: 20 x 14.5 cm. [144] p. Collation: A-B4, C6, D-N4, O6, P-R4.
First edition of this important collection. Only the first “Fever” poem had appeared previously (in 1519). The anonymous German satire "Trias Romana"(1519) is a different work than Hutten's satire of the same name.
Luther’s pivotal appeal to a church council, written on 28 November 1518, six weeks after his meeting at Augsburg with Cardinal Cajetan, who had instructions and authority from the pope to have Luther apprehended and brought to Rome for examination should he fail to recant his errors. Luther wrote the appeal in anticipation of his excommunication. The printed appeal opens and closes with the attestation of the notary to whom Luther presented the document.
A sermon for Lichtmeß (Candlemas), the feast of the presentation of the infant Jesus in the temple and the purification of Mary (February 2). Jesus takes as his text Luke 2:22-39.
For the complexities of Luther’s evolving Mariology, see Thomas O'Meara, Mary in Protestant and Catholic Theology (1966). “Luther's attitude toward the theology of Mary and toward the devotion which a Christian should have to the Mother of God is a small-scale representation of his entire religious accomplishment.
Quarto: 21 x 15.5 cm. a-r4 (lacking final blank leaf r4) 115 pp.
Luther's response to Ambrosius Catharinus Politus' (1487-1552) "Defense of the True Catholic and Apostolic Faith and Doctrine against the Disease-spreading Dogma of Martin Luther" (Florence, 1520). In his defense of papal supremacy, Catharinus also defends the opinions of Sylvester Mazolinus de Prierio (Prierius, d. 1523), Pope Leo X's theologian and the first man to censor Luther's works.
