Rare Books, July 2020

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Regulating the Sale of Pulque to Native Indians in Colonial Mexico

ALCOHOL. FOOD & DRINK. NATIVE AMERICANS. MEXICO. Alvares de Abreu, Domingo Pantaleón (1683-1763)
Decree, in Spanish, regulating the sale of Agave and pulque: Domingo Pantaleon Alvares de Abreu, Arzobispo Obispo de la Puebla de Los Angeles, del consejo de su Magestad, assistente del Sacro Solio, &c. : por quanto conviene el que se averigue, y justifique con la mayor claridad, y distincion las personas de razon, Españoles, Mulatos, Mestizos, y demàs que no son Indios, que tratan, y comercian la bebida del Pulque.

[Puebla]: No printer, circa 1750

$3,300.00

Letterpress broadside. 12 x 8 1/2 in.

An effort to regulate commerce in pulque, the traditional alcoholic beverage made from agave sap, particularly as conducted by non-Indians. The decree is undated, but dates from Alvares de Abreu's term as bishop of Puebla (1743 to 1763.)


The regulations apply to Spaniards, mulatos, and mestizos who cultivate maguey (agave) on their own lands or on leased plots and sell their harvest to Mexican Indians, who then extract pulque (para que ellos extraigan el pulque) for their own benefit and enjoyment (para que los beneficien, y desfruten).

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A Complete Set of Aldrovandi’s Natural History Works – With Noble Provenance and all Volumes in First Edition

Aldrovandi, Ulisse (1522-1605)
The complete 13-volume set of Aldrovandi’s natural history works. Vols I-III. Ornithologia; Vol. IV. De Piscibus; Vol V. Monstrorum Historia; Vol VI. De Quadrupedibus Digitatis Viviparis [et] Oviparis; VII. Quadrupedum omnium bisulcorum historia; VIII. De Quadrupedibus solidipedibus; IX. De Reliquis Animalibus Exanguibus; X. Serpentum, et Draconum Historiae; XI. Dendrologia; XII. De Insectis; XIII. Musaeum Metallicum.

Bologna: Various printers, 1599- 1668

$120,000.00

Folio. Each volume 35.3 x 24.5 cm.

Over the course of the second half of the sixteenth-century, the brilliant Italian naturalist Ulisse Aldrovandi’s sought to carry out an encyclopedic description of the natural world. Given the limits of the science of his day and the difficulty of obtaining accurate descriptions and specimens of animals, plants, and minerals from the four corners of the world, it is staggering how close he came to achieving this objective.

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South American Voyages – A Fundamental Work on Brazil - With the Map

AMERICAS. VOYAGES AND TRAVELS. Bry, Theodor de (1528-1598); Staden, Hans von (ca. 1525- ca. 1576); Léry, Jean de (1534-1611); Barré, Nicolas (active 1555)
Americae Tertia Pars Memorabile[m] Provinciae Brasiliae Historiam: Contine[n]s, Germanico Primùm Sermone Scriptam à Ioa[n]ne Stadio Homburgensi Hesso, Nunc Autem Latinitate Donatam à Teucrio Annaeo Priuato Colchanthe Po: & Med: Addita Est Narratio Profectionis Ioannis Lerij in Eamdem Provinciam, Qua[m] Ille Initio Gallicè Conscripsit, Postea Verò Latinam Fecit. His Accessit Descriptio Morum & Ferocitatis Incolarum Illius Regionis, Atque Colloquium Ipsorum Idiomate Conscriptum. Omnia recens evulgata, & eiconibus in aes incisis ac ad vivum expressis illustrata, ad normam exemplaris praedictorum autorum: studio & diligentia Theodori de Bry Leodiensis, atque civis Francofurtensis anno M DXCII. [Second title]: Navigatio in Brasiliam Americae.

Frankfurt: Apud Ioannem Wechelum, impensis Theodori de Bry, 1592 but ? 1597

$32,000.00

Folio: 33.7 x 23.3 cm. [16], 134, [2], 137-296, [15] pp. The 2 engraved titles and the plate of arms are integral to the collation. With a large folding map. Collation: a-b4, A-Z4, Aa-Qq4 (leaf a2 mis-signed as a, leaf Ll2 as L2; leaf Qq4, a blank, absent).

“The collection of voyages, named after the De Bry publishing family coordinating the project, was one of the most monumental geographical publications of the early modern period, ranking alongside treatises like Sebastian Münster’s ‘Cosmographia’, Abraham Ortelius’ ‘Theatrum Orbis Terrarum’, and Joan Blaeu’s ‘Atlas Maior’. The collection encompassed twenty-five folio volumes containing nearly fifty travel accounts of European expeditions to the overseas world.

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Church 149; Borba de Moraes I, p. 249 (vol. 3) “contains the greatest number of accounts of voyages to Brazil.” Brunet vol. 1, col. 1323-1324; Huth catalogue, vol. 2, p. 409-410; JCB, pre-1675, I: p. 390-391; Sabin 8784, p. 33-37; Muller 1862

A "distinctly theatrical text" by the most celebrated actress of the commedia dell'arte

Andreini, Isabella (1562-1604)
Lettere Della Signora Isabella Andreini Padovana, Comica Gelosa, [et] Academica Intenta, nominata l'Accesa. Aggiuntovi di nuovo li Ragionamenti Piacevoli dell'istessa. Con due Tauole vna delle Lettere, e l'altra de' Ragionamenti, che nell'Opera si contengono. Di nuovo ristampate, & con ogni diligenza ricorrette. [With:] Fragmenti.

Venice: Presso Gio. Battista Combi, 1638

$3,200.00

Octavo: 14.2 x 9.5 cm. Two parts in one: [24], 455, [3] pp. Collation: †8, †4, A-Z8, Aa-Ee8, Ff4. (In signature †4 the first leaf is signed “†5” and the 4th leaf has the orphaned catchword “histria”, an error of the compositor, explained by the re-setting of the type from Combi’s 1627 edition to correct omissions in his 1634 edition.)

The first edition of Isabella Andreini's collection of letters appeared in 1607, four years after the author's death, edited by her husband, Francesco. In 1617, with the assistance of Flaminio Scala, Francesco published the "Fragmenti". For a discussion of both works, see below.

"Born in Padua to Venetian parents in 1562, Isabella Andreini (née Canali) would become the most celebrated commedia dell'arte actress of her century by the time of her death in 1604.

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Excavating the Tombs of Ancient Rome

ARCHITECTURE. Bartoli, Pietro Santi (1635-1700)
Gli antichi sepolcri : ovvero Mausolei Romani, ed Etruschi, trouati in Roma & in altri luoghi celebri; nelli quali si contengono molte erudite memorie, raccolti, disegnati, & intagliati da Pietro Santi Bartoli ed ora esistenti tra le Stampe di Domenico de Rossi erede di Gio. Giacomo, a S. Maria della Pace, con privilegio del sommo pontefice.

Rome: Stampe di Domenico de Rossi, erede di Gio. Giacomo [de Rossi], 1727

$3,200.00

Folio: 33 x 22.5 cm. 8 lvs. of letterpress (the last one blank), 114 engraved plates (2 of which are double-paged.) The plates are numbered 1-110 (with four other plates numbered 1, 4, 72, and 72.)

First published in 1697, this is a fascinating and beautifully executed work documenting the ancient sepulchral monuments of Roman and Etruscan Italy. In particular, it highlights tombs discovered from 1689 onwards in the grounds of the Villa Corsini at the Porta San Pancrazio in Rome. The images include renderings and cross-sections of tombs and columbaria,  detailed depictions of tomb paintings, sarcophagi, funerary urns, free-standing and relief sculpture, and inscriptions.

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An Unpublished, Illustrated 17th c. Italian Architectural Manuscript - With Images of Saint Peter’s and the Villa Pamphili and its gardens

ARCHITECTURE. ITALY.
Untitled manuscript in Italian on paper in brown ink, with illustrations in ink and was over pencil underdrawings.

Italy: possibly Rome, late 17th c., ca. 1693

$65,000.00

Quarto: 22.5 x 16.4 cm. 2 unn. lvs., 8 lvs. foliated 1-8, pp. 9-180, 183-185, 188-189, 200-205, 208-233, 224-231, [1], 231-267 pp., followed by 68 unn. lvs., blank aside from leaf 61 and 65. Apparently lacking one leaf between pages 180 and 183. The rest of the pagination irregularities are just numbering errors.

A fine, unpublished architectural manuscript with sections on mathematics, perspective, ballistics. Several prominent buildings are described and illustrated, including Rome’s Saint Peter’s Basilica, the Palazzo dei Conservatori and Palazzo dei Senatori on the Campidoglio, Sant’Agnese, and the Villa Pamphili. The text is profusely illustrated with very precise architectural drawings in ink and wash.

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Achieving a Synthesis of Architecture, Painting, & Scenography

ARCHITECTURE. THEATER DESIGN. Galli Bibiena, Giuseppe (1696-1757)
Architetture, e prospettive dedicate alla maesta di Carlo Sesto.

Augsburg: Andreas Pfeffel, 1740

$26,000.00

Folio: 39.5 x 30 cm. 5 folding lvs. (1 letterpress leaf, 4 engraved lvs. (title, dedication, frontis., and portrait), 50 engraved plates divided into 5 series of 10 plates each.

First edition of this important architectural work, richly illustrated, by Giuseppe Galli da Bibiena. First edition of this richly illustrated work on architecture and perspective. The finely engraved plates show brilliant baroque compositions for catafalques, theatrical scenes, a series for the Passion of Christ in elaborate architectural settings, and the decoration of the Riding School at Vienna for the marriage of the Archduchess Mariana with Prince Charles of Lorraine.

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Fowler, 136; Kat. Berlin, 4152; not in Millard; not in Vagnetti

Two New Instruments for Drawing in Perspective

ART. ARCHITECTURE. PERSPECTIVE. Gargiolli, Guglielmo (d. 1664)
Iride celeste de Guglielmo Gargiolli […] Strumento con il quale con facilita si puo disegnare qualsivoglia veduta, e sapere la sua giusta altezza, larghezza, e lontanaza dal luog'ove si sta a disegnarla.

Florence: Giovanni Antonio Bonardi, 1655

$15,000.00

Quarto: 20.3 x 14.7 cm. 93 pp. A-M4 (H1 is a cancel, -L4), π1. With an added portrait-frontispiece of the author, 1 folding table, and 5 folding plates.

Very rare first edition of this treatise on perspective by Guglielmo Gargiolli, the renowned mathematician of the Medici courts of Siena and Florence, and a correspondent of Galileo. The work is dedicated to Ferdinand II, Grand Duke of Tuscany.

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Riccardi, VII, p. 40, «è de noverarsi fra i primi tentativi di distanziometria», Riccardi mistakenly records an earlier edition of 1619 relying on Targioni, Atti, I, p. 334, but the date is obviously incorrect in respect of Gargiolli’s rather obscure biography. See ‘Le opere dei discepoli di G. Galilei, Carteggio (1642–48)’, vol. I, a cura di P. Galluzzi e M. Torrini, Firenze 1975, no. 11

“The indispensable link between the earlier Tudor writers and the great Elizabethan and Jacobean writers of English prose” (Ryan, 292) - Printed by John Day

Ascham, Roger (1514/15-1568)
The Scholemaster or plaine and perfite way of teaching children, to vnderstand, write, and speake, the Latin tong, but specially purposed for the priuate bringing vp of youth in Ientlemen and Noble mens houses, and commodious also for all such, as haue forgot the Latin tonge, and would, by them selves, without a Scholemaster, in short time, and with small paines, recover a sufficient habilitie, to understand, write, and speake Latin. By Roger Ascham. An. 1571.

London: Printed by Iohn Daye, dwelling ouer Aldersgate, 1571

$15,000.00

Quarto: 18.4 x 14 cm. [manicule]2, B-T4

 “The Scholemaster”, Ascham’s Masterpiece:

The Cambridge-educated Ascham, one of the best known of the English humanists, produced two works that had a great influence on the use of English as a literary language as well as on the education of children and the conduct of English gentlemen.

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STC 834; cf. PMM 90

One of the earliest Eucharistic tracts of the Edwardine Reformation

Ascham, Roger (1514/15-1568)
Apologia pro caena Dominica

London: Henry Middleton for Francis Coldock, 1577

$4,500.00

Octavo: 14 x 9.5 cm. ¶8, a-s8, T4

One of the greatest of the Tudor humanists, Ascham was favored by Henry VIII, to whom he dedicated his “Toxophilus”, tutor to the princess Elizabeth, and author of a masterpiece of English pedagogy, “The Scholemaster”. Ascham also tutored the boy king Edward VI in the art of elegant handwriting, and Edward thought of him fondly, and so it is of interest that Ascham wrote this “reformed” work while Edward was being groomed by his close advisors to be a thoroughly Protestant monarch.

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ESTC S100257; STC 825

Gutenberg's Other Great Innovation - The Hibbert-Botfield copy of the Catholicon

BALBUS, Johannes (O.P., d.1298)
Catholicon.

Mainz: [Peter Schoeffer, ca. [1469], 1460

$600,000.00

Theo Gerardy in Gutenberg Jahrbuch articles of 1971, 1973 and 1980 showed that the Galliziani and Tower/Crown paper stocks in the Catholicon did not exist in 1460 and therefore suggested a date in the late 1460s for the edition as a whole. This dating of all three issues to c. 1469 was later taken up by Lotte Hellinga, who added numerous details and arguments to support it in a wide-ranging investigation of typographical evidence in the Catholicon and textual evidence in the 4° Aquinas (see Gutenberg Jahrbuch1989, 1990, 1991, Bulletin du Bibliophile 1991, The Book Collector 1992, Archiv für Geschichte des Buchwesens 1993).

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HC *2254; GW 3182(3); BMC I, 39 (IC. 303); Goff B-20; CIBN B-13 (II); De Ricci, Mayence 90.71 (one of two "exemplaires disparus"). BMC assigns letters to the collation: a-f10, g4, h-t10, v4+1, A-S10, T4. On the Polling provenance, see Richard van Dülmen, “Aufklärung und Reform in Bayern, I. Das Tagebuch des Pollinger Prälaten Franz Töpsl (1744–1752) und seine Korrespondenz mit Gerhoh Steigenberger (1763–1768),” in Zeitschrift für Bayerische Landesgeschichte(ZBLG, 1969) 32 (1969), p. 733, letter of 7 January 1766 to Steigenberger [attached]; and Aretin, Neunter Brief, in Beyträge zur Geschichte und Literatur, vorzüglich aus den Schätzen der Königl. Hof- und Centralbibliothek zu München. I (Munich: Lindauer, 1803), 89

Astronomy and Meteorology; Flora and Fauna: The Natural World in the Middle Ages. With 15th c. Provenance. Bound at the Monastery of St Zeno

Berenger of Landorra, Archbishop of Santiago de Compostela (circa 1262-1330), and Gregory of Vorau (ed. Matthias Farinator)
Lumen Animae. Incipit: Liber moralitatum elegantissimus magnarum reru[m] naturalium lumen anime dict[us]: cu[m] septe[m] apparitorib[us] necno[n] sanctoru[m] doctoru[m] orthodoxe fidei p[ro]fessorum Poetaru[m] etia[m] ac oratoru[m] auctoritatib[us] p[er] modum pharatre s[e]c[un]d[u]m ordine[m] alphabeti collectis feliciter incipit.

Strasbourg: Printer of the 1481 Legenda aurea, 22 March 1482

$35,000.00

Folio: 29.2 x 21.8 cm. 274 unsigned leaves. [A-C]8, [D]10; [a-m]8, [n]6,[o-z]8, [aa-ff]8, [gg]10. Complete with the initial and final blanks.

The arrival of printed books is so often regarded as one of the inaugural moments of the renaissance that it is sometimes forgotten that the first years of print also represented the last great flowering of the Middle Ages. The “Lumen Anime” (Light of the Soul), is testament to that. Formerly attributed to the Carmelite friar Mathias Farinator of Vienna (who compiled the index), the “Lumen Anime” is now known to be Berenger of Landorra, General of the Dominican order and archbishop of Campostella from 1317 to 1325.

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BMC I, 97; Hain-Copinger 10333*; Goff L-396; Proctor 413; Polain 1468; Wellcome I, 2175; Klebs 631.3; Thorndyke III, 546ff. Sources: Mary A. and Richard H. Rouse, ‘The Texts called Lumen Anime,’ Archivum Fratrum Praedicatorum, 41 (Rome, 1971), 5-113; N.R. Ker, Records of All Soul’s College Library. 1437-1600 (Oxford, 1971), 27.

A Fine, Large 13th c. "Proto" Paris Bible

BIBLE MANUSCRIPT, with prologues and the Interpretations of Hebrew Names
Decorated manuscript on vellum, in Latin

France (Paris?), early 13th century

$175,000.00

Contents: The books of the Bible and prologues are very close to the standard Paris sequence (f.1), omitting Psalms, and with a capitula list for Genesis; the Interpretations of Hebrew Names in the version from Aaz to Zuzim (f.167), alphabetised to the first two letters; preceded by added notes on the four types of biblical exposition (historical, tropological, anagogical, typological) and the seven rules of theology (f.

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The 1549 Estienne Greek New Testament

BIBLE. ESTIENNE PRINTING FIRM.
Tes Kaines Diathekes hapanta. [Novum Testamentum ex bibliotheca regia].

Paris: Robert Estienne, 1549

$6,500.00

16 mo. 2 volumes. 12.1 x 7.8 cm. I : 528 p. (Collation: a-z8, A-K8), II : 361 p., [1] f. (Collation: aa-yy8, zz6)

Robert Estienne’s second Greek New Testament, printed in the celebrated “grecs du roi” Greek types of Claude Garamond. With the iconic device of the French king’s printer on the title pages and the Estienne device at the end of the second volume.

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Renouard, Annales Estienne, 73, 1; Schreiber 102; Darlow & Moule, 4620; USTC, 150379

Otto Schäfer's Copy –An Exceptional Set in Contemporary Green Calf –Illustrated with 75 Fine Woodcuts

BIBLE. OLD TESTAMENT IN GERMAN. Luther, Martin (1483-1546), translator
Das Alte Testament Deutsch nach urspringlicher Hebreischer warheit. Mit schöner der schwersten [W]örter ausslegung.

Strasbourg: Johann Knobloch, [?January] 1524, July 1524, March 1525

$85,000.00

Folio: Three volumes bound as one. 30.5 x 20.8 cm. Vol. I: [6], CLI, [1] lvs. Vol. II: [1], CXC, [1] lvs., Vol. III: LXXXVII lvs. Collation: Vol. I: i-vi, A-Z6, Aa6, Bb8 (Bb8 blank and present.) Vol. II: A-Z6, Aa-Ii6 (Ii6 blank and present). Vol III: A-C6, D4, E-P6

A fine set of an early printing of Luther's German Old Testament, profusely illustrated. The first volume of the Old Testament, including the Pentateuch, was first published at Wittenberg by Melchior Lotter, the Younger, for Lucas Cranach and Christian Döring,in mid-1523.

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In a Beautiful French Binding

BINDINGS. Sallustius Crispus, Gaius. (86- ca. 34 B.C.)
C. Crispi Sallustii De L. Sergii Catilinæ coniuratione, ac Bello Iugurthino historiæ. Eiusdem in M.T. Ciceronem invectiva, M.T. Cic. in C. Crispum Sallustium recriminatio, Porcii Latronis declamatio contra L. Catilinam, fragmenta quædam ex libris historiarum C. Crispi Sallustii.

Lyon: Sébastien Gryphe, 1551

$8,000.00

Sextodecimo: 12 x 7 cm. 271 p. Collation: A-R8.

The extant works of Sallust, the "Bellum Iugurthinum",  "Bellum Catilinarium" (and associated texts), and the fragments of his "Histories," dealing with the years 78-67 B.

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USTC 150814

The Cornerstone of Prison Literature. The Heber-Britwell copy

Boethius, Anicius Manlius Severinus (480-525 A.D.); Coleville, George, translator (fl. 1556)
Boetius de Consolationae [sic] Philosophiæ. The boke of Boecius, called the comforte of philosophye, or wysedome, moche necessary for all men to read and know, wherein suche as be in aduersitie, shall fynde muche consolation and comforte, and suche as be in great worldly prosperitie may knowe the vanitie and frailtie therof, and consequently fynde eternall felycytie. And this boke is in maner of a dialoge or communication betwene two persones, the one is Boecius, and the other is Philosophy, whose disputations and argumentes do playnly declare the diuersitie of th lyfe actiue, that consisteth in worldly, temporall, and transitory thynges, ... Translated out of Latin into the Englyshe toungue by George Coluile, alias Coldewel, to thintent that such as be ignoraunt in the Latin tongue, and can rede Englyshe, maye vnderstande the same. And to the mergentes is added the Latin, accordynge to the boke of the translatour, whiche was a very olde prynte

London: In Paules churche yarde at the sygne of the holy Ghost, by Ihon Cawoode, prynter to the Kynge and Quenes Maiesties, 1556

$30,000.00

Quarto: 20 x 14 cm. [A]4, B-Z4, Aa-Ff4 (blank Ff4 lacking)

Dedicated to Queen Mary Tudor, Coleville’s English translation of Boethius’ masterpiece is the only early English translation to include the original Latin text, indicating that, in addition to those readers with no knowledge of Latin, the author took into consideration the more educated, Latin-literate English audience. Coleville provides interesting marginal glosses and explanatory notes, including the tale of the sword of Damocles.

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STC 3201

An Illuminated Parisian Book of Hours Printed on Vellum

BOOK OF HOURS
Hore dive virginis Marie, secundum usum Romanorum, cum aliis multis, folio sequenti notatis, una cum figuris Apocalipsis, et multis figuris Biblie insertis [With a calendar for 1513-1527]

Paris: Gilles Hardouyn for Germain Hardouyn, 9 August, 1514

$26,000.00

Octavo: Printed on vellum.. 16.2 x 10.5 cm. 112 lvs. Collation: A-O8. Complete

Printed at Paris by Gilles Hardouyn (?1455-?1529) for his brother Germain Hardouyn (d. 1541) at his printshop at the sign of the golden rose near the Pont Notre-Dame. The illustrations were probably produced in the workshop of the Parisian artist Jean Pichore (fl.

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Lacombe, Livres d'heures imprimés au XVe et XVIe siècle conservés dans les bibliothèques publiques de Paris, catalogue, no 251 (p. 146); Renouard, ICP, II, 865; Bohatta, 959; Van Praet, I, n° 116 and 132; Brunet 243; Renouard, Les marques typographiques parisiennes des XVe et XVIe siècles, 429 and 431. Another velum copy is held at the Bibliothèque Genève Switzerland.

Boyle's Law

Boyle, Robert (1627-91)
New Experiments Physico-Mechanical, touching the Spring of the Air, and its effects, made, for the most part, in a new pneumatical engine… London: Printed by Miles Flesher for Richard Davis, Bookseller in Oxford, 1682. [bound with] [2] A Continuation of New Experiments Physico-Mechanical, Touching the Spring and Weight of the Air, and their effects. The I. Part. Oxford: Printed by Henry Hall…for Richard Davis, 1669. [bound with] [3] A Continuation of New Experiments Physico-Mechanical, Touching the Spring and Weight of the Air, and their effects. The second part.

London: Printed by Miles Flesher for Richard Davis, 1682

$15,000.00

Quarto: 19.5 x 16 cm. 3 works in 2 volumes (the two continuations bound first): 1st Vol. "Continuation… the I. Part"(1669) and "Continuation… the second part"(1682). Collations: *4, **4, A2, B-Z4, Aa-Dd4, Ee2. With 8 engraved plates after p. 198; A4, a4, b2, B-Z4, Aa-Cc4, Dd2. With 5 plates bound after p. 198. 2nd Vol. "New Experiments"(1682) in 3 parts. Collation: A4, a4, B-Z4, Aa-Tt4, Vv4 (-Vv4), a-o4. With 2 engraved plates. The last part is bound first.

THIRD EDITION of Boyle’s book on his original experiments on air, his first scientific work and the one on which his fame rests. This edition, like the second, includes his controversial tracts against Linus and Hobbes, the former provoking an attack to which Boyle wrote a defence that contained “Boyle’s law”, first published in the second edition and present here.

[2] FIRST EDITION.

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Wing B4000, B3934, B3935. Fulton 15, 16, 18. See Horblit 15, PMM 143, and the Norman catalogue 300 for the second edition. Neville I, p. 192, has the same combination of works as are present here.

A Rare Witness to an extinct Brazilian Language – With Poems in Karirí

BRAZIL. Bernardo de Nantes (fl. 1686-1709; Martin de Nantes (1638-1714)
Katecismo Indico da lingua Kariris, acrescentado de varias praticas doutrinaes, & moraes, adaptadas ao genio, & capacidade dos Indios do Brasil. pelo padre Fr. Bernardo de Nantes, capuchinho, prêgador, & missionario apostolico; offerecido ao muy alto, e muy poderoso rey de Portugal Dom Joaõ V.S.N. que Deos guarde.

Lisbon: V. da Costa, 1709

$15,000.00

Octavo: 15.5 x 9.5 cm. [24], 363, [1] p. Collation: a8, b4, A-Y8, Z8 (with blank Z7, blank Z8 absent). Complete.

An extremely rare Catechism, the first in the Karirí-Dzubucuá language, printed in Portuguese and Karirí in parallel columns. With other important texts in Karirí (see below). The book is a valuable witness to this now-extinct language. Today, the roughly 4,000 ethnic Karirís are largely monolingual Portuguese speakers.

The translation is the work of Bernardo de Nantes, Superior of the Capuchins of Pernambuco.

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Sabin 51749; Alden-L. 709/17; Innocencio I, 382, 302; Borba de Moraes. 102; Streit III, S. 447 f.; Rodrigues 1741; Bosch 162; 7 North America copies: NYPL, Catholic Univ., LC, Newberry, Indiana, Harvard, JCB, Austin.