London: Printed by I.B. for Nicholas Vavasour, and are to be sold at his Shop in the Inner Temple, neere the Church, 1633
Call for Price
Quarto: 7 x 5 1/4 in. A-I4, K2 (lacking initial blank A1)
"Although written about 1589 and entered in the Stationers' Registers in 1594, no earlier edition than the present is known. The fact that the 1594 entry (Arber II 650) entitles the play, 'The famous tragedie' seems to indicate some relation with the present for which Vavasour made an original entry in 1632. However, the text here printed has been edited and revised by Heywood at a date which does not admit of this being a reprint of a 1594 edition while the use of the world 'famous' in the title of this edition may be from the tradition of the play-bills, as was the case in Cooke's Greenes Tu Quoque, and not from the usage of an earlier printed title.
Cambridge: Ex officinâ Johan. Hayes, celeberrimæ Academiæ typographi. Impensis Richardi Green bibliopolæ Cantab., 1694
$1,500.00
Folio: 32 x 20.5 cm. [8], lvi, 330; [2], 529, [43 ] p. Collation: a-g4, h2, (A)2, B-Z4, Aa-Tt4, Vv2, a-z4, aa-zz4, aaa-zzz4, aaaa-bbbb4, cccc2. With two added engraved portraits of Barnes and Euripides.
“The merits of all preceding editions are eclipsed by this celebrated one of Joshua Barnes. Fabricius observes that ‘the text is accurately revised and printed, the metrical rules of Canter diligently corrected, and the entire ancient scholia on the first seven plays subjoined and enriched by excerpta from a manuscript in Corpus Christi College, Cambridge. The notes of various learned men, and those of Barnes accompany the scholia; the fragments of Euripides are carefully collected and displayed, with Greek and Latin notes as far as verse 2068; lastly, there are some epistles, attributed to Euripides.
First edition of this revision of sumptuary laws regulating dress, dowry and feasts promulgated by Cardinal Gabriele Paleotti in 1568 and revised several times until the end of the century.
The dress code of women attracts particular attention, skirts are meant to be neither too long, nor too short; jewelry is to be worn in moderation.
Universal STC, no. 865850; R. Campioni, op. cit., p.148; M.G. Muzzarelli, ed., Le legislazioni suntuarie secoli XIII-XVI. Emilia Romagna, Rom, 2002, pp. 42-43; Z. Zanardi, ed., Bononia manifesta. Bandi, editti, costituzioni e provvedimenti diversi stampati nel XVI secolo per Bologna e il suo territorio, (Firenze, 1996), p. 226, no. 1555; R. Campioni, Libri di merlette e disposizioni suntuarie nel secolo XVI: alcune indicazioni per l’Emilia Romagna, in: “Le trame della moda”, A.G. Cavagna & G. Butazzi, eds., Roma, 1995, pp. 125-149, and P. Goretti, La regolamentazione delle apparenze: vesti e orna- menti nella legislazione suntuaria Bolognese del XVI secolo, in: “Schede umanistiche”, 1996, no. 2, pp. 117-137.
The Cistercian Sor Manuela de los Reyes made her profession of faith (“I, Sister Manuela promise my stability, conversion of manners, and obedience..”) in the presence (coram) of the Abbess Francisca de Buitraga, at the convent of Nuestra Señora de la Piedad (Santa Olalla, in the province of Toledo?) and Don Gabriel Sanz, Carlos II’s Visitor of Convents and patron of the Church of S.
Octavo: 15 x 10 cm. [16], 385 (recte 389) [2] p. Collation: *8, A-Z8, Aa8, Bb4
Giacinto de Magistris, an Italian Jesuit, worked in India for twenty years before returning to Rome in 1660. From 1644 to 1659 he acted as secretary and companion to Archbishop Francisco Garcia of Cranganore. He returned to Europe as procurator of the Malabar mission. He later returned to India, where he died in 1668.
In 1661 Magistris published at Rome his ‘Relation’ as a call to his confreres to enlist for service in Madura, Tanjore, and other places in southern and eastern India.
Quarto: 20.4 x 14.4 cm. [20] leaves. Signatures: A-E4.
This is a very rare first-hand account, commissioned by Francesco de’ Medici, of the elaborate ceremonies in Florence for the obsequies of Cosimo I de’ Medici, Grand Duke of Tuscany (1519-1584). It includes minute descriptions of the elaborate funeral apparatus built for the occasion. Among those who managed the artistic aspects of the spectacle was Don Vincenzo Borghini, "one of the guiding spirits of the Accademia del Disegno, an adept inventor of allegorical themes for the Medici court", who worked together with Vasari on Michelangelo's funeral.
Moreni, I, 321; Cat. Cavalieri, 148, nr. 721; Melzi, I, 285; Gamba, 2750; M. Schraven, Festive Funerals in Early Modern Italy: The Art and Culture of Conspicuous Commemoration. Visual Culture in Early Modernity, Farnham, 2014, p. 108 no. 42, and p. 279; M. Praz, Studies in Seventeenth-century Imagery, Roma, 1975, p. 551.
Engraved by Ambrogio Brambilla for the publisher Nicolas van Aelst, with a dedication to Ranuccio Farnese, Prince of Parma and Piacenza. The 15-year printing privilege, granted by Pope Sixtus V, is engraved on the plate. Brambilla’s monogram AMBR appears at bottom right.
Giacomo Della Porta’s design for the façade of the church of the Gesù at Rome, the mother church of the Jesuit Order and a masterpiece of early (or “proto”-) Baroque architecture.
Marigliani, Lo splendore di Roma nell’Arte incisoria del Cinquecento (2016), n. VI.39; W. Lotz, 2004, pp. 118-19; C. Witcombe, 2008, pp. 365-67. See Peter Parshall "Antonio' Lafreri's 'Speculum Romanae Magnificentiae'" Print Quarterly. 1, London, 2006
Catullus & Martial - Two Books Printed by Henricus Petri
A collection of texts by prominent English Catholics, compiled and edited by John Gibbons and John Fenn (though often erroneously attributed to John Bridgewater.) Among the texts are Edmund Campion's "Rationes Decem", Cardinal William Allen's "Apologia pro sacerdotibus Societatis Iesu", Robert Parsons' "De Persecutione Anglicana", and the anonymous account of the capture, torture, trial, and execution of Edmund Campion and his companions Ralph Sherwin and Alexander Briant.
Allison & Rogers, English Counter-Reformation, Vol. 1, no. 524; De Backer-Sommervogel, Vol. III, col. 1403, no. 1; Adams G262 and E141; Shaaber G262 and A239; VD16 ZV 22415; Milward, Religious controversies of the Elizabethan age, 251; Haile, Elizabethan Cardinal, 1914, p. 376
A Miniature Georgian Almanac in a Contemporary Binding with Original Metal Stylus
London: Printed for the Company of Stationers, and sold by John Wilkie, at their Hall Ludgate-Street, 1782
$2,800.00
Duodecimo: 10.5 x 5.5 cm. 8 p. A-B12
A truly lovely copy of one of the miniature almanacs published by the Company of Stationers. Rare. ESTC records only 1 copy of this edition (at the British Library).
Bologna: Ex typ. Lælii a Vulpe Instituti scientiarum impressoris, 1774
$2,800.00
Quarto: 26.5 x 20 cm. VII, 384. With an engraved frontispiece, engraved title vignette, and 3 folding engraved plates.
In 1750 Zanotti produced a volume covering 1751-1762. In 1762 he published another volume for the years 1763-1774. This volume, for 1775-1786 was the last published in Zanotti’s lifetime. In 1786, his successor at the observatory, Petronio Mateucci, published a final volume for 1787-1798.
Like the astronomer Eustachio Manfredi, his godfather, Zanotti belonged to a prominent family distinguished in the arts, letters, and sciences.
Paris: Apud Simonem Benard, Ex Typographia Dionysii Thierry, 1682
$2,900.00
Quarto: 24.2 x 19 cm. [xxvi], 864, [clxxxviii] pp. Signatures: a4, e4, i4, õ1, A-5Q4, a-z4, [2d]a4 (lacking blank 2G4). With an added engraved frontispiece.
Quarto: 21 x 17.5 cm. [14], 1221 (recte 1107), [48] p. Collation: *4, **4, A-Z4, Aa-Zz4, Aaa-Zzz4, Aaaa-Zzzz4, Aaaaa-Zzzzz4, Aaaaaa-Zzzzzz4, Aaaaaaa-Fffffff4, Ggggggg2
The Jesuit jurist Martín del Rio’s “Disquisitionum Magicarum Libri Sex” (Six Books of Disquisitions on Witches) was written about 1596 and first published in 1599. The book had enormous impact and was consulted and cited for over a century. Much in the book is understandably frightening. Vague guidance is given for determining if a person has made a pact with the devil, and the methods recommended for extracting confessions from accused sorcerers and witches are horrifying.
Florence: nella Stamperia di S.A.R. Per li Tartini, e Franchi, 1725
$3,200.00
Quarto: 24 x 17.3 cm. [4], 23 pp. Collation: π2, A8, B6; ß8, ß ß 4. With an added engraved plate.
An account of the funeral ceremonies for Cosimo III de’ Medici, Grand Duke of Tuscany (d. 30 Oct. 1723). The ceremonies took place in the basilica of San Lorenzo in Florence on 16 May 1724.The volume offers us a comprehensive and minutely detailed description of the funeral honors and the decorations that had transformed the church of San Lorenzo. Chief among these was the catafalque built by the architect Alessandro Galilei.
Octavo: 16 x 11 cm. [14], 32, 80, 343, 136 p. Collation: *8, a-b8, a-e8, A-F8, G4, H-Y8, a-h8, i4
Based on the Aldine edition of 1565, with the observationes of Georg Fabricius (1516-1571), and the annotationes of Paulus Manutius. This copy is uncensored, with the Priapeia forming the final section (p. 104-136) of the text.
Quarto: 21.5 x 3.5 cm. [1], 98, [2] pages. Collation: π4, a-l4, m6. With an added engraved plate.
An unusual monograph describing a stillborn child with the peculiar deformity of having only one eye, centered in the middle of his face. The child was born at Bologna to Angiola Giordani, who had already given birth without incident to ten healthy children.
London: printed by E[dward] M[ottershed], for Samuel Thomson at the Bishops head in Pauls Church-yard, 1658
$3,500.00
Quarto: 18 x 14 cm. [4], 36 pp. A2, B-E4, F2
“One of the surprisingly few sermons on Cromwell’s death to be published. [It] goes to a length in justifying the grand and stately funeral rites, suggesting nervousness that their propriety might be challenged.”(Holberton) The author is the clergyman George Lawrence, who probably served as an army chaplain during the Civil War and knew Cromwell. The sermon is dedicated to Cromwell’s son, Richard Cromwell.
This is the German-language edition, translated by Justus Jonas the Elder, of Melanchthon’s “Causae quare et amplexae sint, et retinendam ducant doctrinam, quam profitentur, ecclesiae, quae Confessionem Augustae exhibitam imperatori sequuntur & quare iniquis iudicibus, collectis in synodo Tridentina, ut vocant, non sit adsentiendum”(1546), a work in which he defends the Augsburg Confession and condemns the newly convened Council of Trent.
This is an extremely rare Vatican “Directorium”, the yearly calendar of the Church of Rome, published for the leap year 1684, during the reign of Pope Innocent XI (1611-1689), whose woodcut arms appear on the title page. It consists of a calendar for the year, in which there are printed against each day concise directions concerning the Office and Mass to be said on that day. There are also indications of fast days, special indulgences, days of devotion, etc.
Quarto: 25.8 x 16.7 cm. *4, a-z4, aa-zz4, aaa-kkk4, lll2; A-Z4, Aa-Gg4, Hh2 (includes blank ggg4; lacks blank Hh2).
“The great Estienne Sophocles, important for the scholia, which include those of Triclinius. The Greek text is followed by the commentary of Joachim Camerarius, and his Latin versions of Ajax and Electra. [Estienne] has again employed his peculiar system of diacritical annotations.” (Schreiber) With Estienne’s “Noli altum Sapere” printer’s device on the title page.
